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576i
576i is a standard-definition television, standard-definition digital video mode, originally used for Digitization, digitizing 625 lines, 625 line Analog television, analogue television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the legacy colour encoding systems, it is often referred to as PAL#PAL region, PAL, PAL/SECAM or SECAM when compared to its 60 Hz (typically, see PAL-M) NTSC-colour-encoded counterpart, 480i. The ''576'' identifies a vertical resolution of 576 lines, and the ''i'' identifies it as an Interlaced video, interlaced resolution. The Refresh rate, field rate, which is 50 Hertz, Hz, is sometimes included when identifying the video mode, i.e. 576i50; another notation, endorsed by both the International Telecommunication Union in Rec. 601, BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 576i/25. Operation In analogue television, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interlaced Video
Interlaced video (also known as interlaced scan) is a technique for doubling the perceived frame rate of a video display without consuming extra Bandwidth (signal processing), bandwidth. The interlaced signal contains two field (video), fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker (screen), flicker by taking advantage of the characteristics of the human visual system. This effectively doubles the time resolution (also called ''temporal resolution'') as compared to non-interlaced footage (for frame rates equal to field rates). Interlaced signals require a display that is natively capable of showing the individual fields in a sequential order. cathode-ray tube, CRT displays and ALiS plasma displays are made for displaying interlaced signals. Interlaced scan refers to one of two common methods for "painting" a video image on an electronic display screen (the other being progressive video, progressive scan) by sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard-definition Television
Standard-definition television (SDTV; also standard definition or SD) is a television system that uses a resolution that is not considered to be either high or enhanced definition. ''Standard'' refers to offering a similar resolution to the analog broadcast systems used when it was introduced. History and characteristics SDTV originated from the need for a standard to digitize analog TV (defined in BT.601) and is now used for digital TV broadcasts and home appliances such as game consoles and DVD disc players. Digital SDTV broadcast eliminates the ghosting and noisy images associated with analog systems. However, if the reception has interference or is poor, where the error correction cannot compensate one will encounter various other artifacts such as image freezing, stuttering, or dropouts from missing intra-frames or blockiness from missing macroblocks. The audio encoding is the last to suffer a loss due to the lower bandwidth requirements. Standards that suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
625 Lines
625-line (or CCIR 625/50) is a late 1940s European analog standard-definition television resolution standard. It consists of a 625-line raster, with 576 lines carrying the visible image at 25 interlaced frames per second. It was eventually adopted by countries using 50 Hz utility frequency as regular TV broadcasts resumed after World War II. With the introduction of color television in the 1960s, it became associated with the PAL and SECAM analog color systems. A similar 525-line system was adopted by countries using 60 Hz utility frequency (like the US). Other systems, like 375-line, 405-line, 441-line, 455-line and 819-line existed, but became outdated or had limited adoption. The modern standard-definition digital video resolution 576i is equivalent and can be used to digitize an analogue 625-line TV signal, or to generate a 625-line compatible analog signal. History At the CCIR Stockholm Conference in July 1948 a first 625-line system with an 8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
480i
480i is the video mode used for standard-definition digital video in the Caribbean, Japan, South Korea, Taiwan, Philippines, Myanmar, Western Sahara, and most of the Americas (with the exception of Argentina, Paraguay, and Uruguay). The other common standard definition digital standard, used in the rest of the world, is 576i. It originated from the need for a standard to digitize analog 525 line TV (defined in BT.601) and is now used for digital TV broadcasts and home appliances such as game consoles and DVD disc players. The ''480'' identifies a vertical resolution of 480 lines, and the ''i'' identifies it as an interlaced resolution. The field rate, which is 60 Hz (or 59.94 Hz when used with NTSC color), is sometimes included when identifying the video mode, i.e. 480i60; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 480i/30. Although related, it should n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PAL-M
PAL-M was the analog color TV system used in Brazil since early 1972, making it the first South American country to broadcast in color. It is unique among analog TV systems in that it combines the 525-line 30 frames-per-second System M with the PAL color encoding system (using very nearly the NTSC color subcarrier frequency), unlike all other countries which pair PAL with 625-line systems and NTSC with 525-line systems. Color broadcasts began on 19 February 1972, when a TV station in Caxias do Sul, TV Difusora, transmitted the Caxias do Sul Grape Festival in collaboration with TV Rio. Transition from black and white to color on most programs was not complete until 1978, and only became commonplace nationwide by 1980. Origins NTSC being the "natural" choice for countries with monochrome standard M, the choice of a different color system poses problems of incompatibility with available hardware and the need to develop new television sets and production hardware. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NTSC
NTSC (from National Television System Committee) is the first American standard for analog television, published and adopted in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. ''NTSC color'' is usually associated with the System M; this combination is sometimes called NTSC II. The only other broadcast television system to use NTSC color was the System J. Brazil used System M with PAL color. Vietnam, Cambodia and Laos used System M with SECAM color – Vietnam later started using PAL in the early 1990s. The NTSC/System M standard was used in most of the Americas (except Argentina, Brazil, Paraguay, and Uruguay), Myanmar, South Korea, Taiwan, Philippines, Japan, and some Pacific Isl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DVD-Video
DVD-Video is a consumer video format used to store digital video on DVDs. DVD-Video was the dominant consumer home video format in most of the world in the 2000s. As of 2024, it competes with the high-definition Blu-ray Disc, while both receive competition as delivery methods by streaming services such as Netflix and Disney+. Discs using the DVD-Video specification require a DVD drive and an MPEG-2 decoder (e.g., a DVD player, or a computer DVD drive with a software DVD player). Commercial DVD movies are encoded using a combination of MPEG-2 compressed video and audio of varying formats (often multi-channel formats as described below). Typically, the data rate for DVD movies ranges from 3 to 9.5 Mbit/s, and the bit rate is usually adaptive. DVD-Video was first available in Japan on October 19, 1996 (with major releases beginning December 20, 1996), followed by a release on March 24, 1997, in the United States. The DVD-Video specification was created by the DVD Forum a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SECAM
SECAM, also written SÉCAM (, ''Séquentiel de couleur à mémoire'', French for ''sequential colour memory''), is an analog color television system that was used in France, Russia and some other countries or territories of Europe and Africa. It was one of three major analog color television standards, the others being PAL and NTSC. Like PAL, a SECAM picture is also made up of 625 interlaced lines and is displayed at a rate of 25 frames per second (except SECAM-M). However, due to the way SECAM processes color information, it is not compatible with the PAL video format standard. SECAM video is composite video; the luminance (luma, monochrome image) and chrominance (chroma, color applied to the monochrome image) are transmitted together as one signal. All the countries using SECAM have either converted to DVB, Digital Video Broadcasting (DVB), the new pan-European standard for digital television, or are currently in the Digital television transition, process of conversion. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anamorphic Widescreen
Anamorphic widescreen (also called full-height anamorphic or FHA) is a process by which a widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution. Compatible play-back equipment (a projector with modified lens, or a digital video player or set-top box) can then expand the horizontal dimension to show the original widescreen image. This is typically used to allow one to store widescreen images on a medium that was originally intended for a narrower ratio, while using as much of the frame – and therefore recording as much detail – as possible. The technique comes from cinema, when a film would be framed and recorded as widescreen but the picture would be "squashed together" using a special concave lens to fit into non-widescreen 1.37:1 aspect ratio film. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, in the format width:height. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography and 1:1: Used for square images, often seen on social media platforms like Instagram, 21:9: An ultrawide aspect ratio popular for gaming and desktop monitors. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 Society of Motion Picture and Television Engineers, SMPTE revision used 2.35:1). Two common videography, videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinematic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teletext
Teletext, or broadcast teletext, is a standard for displaying text and rudimentary graphics on suitably equipped television sets. Teletext sends data in the broadcast signal, hidden in the invisible vertical blanking interval area at the top and bottom of the screen. The teletext decoder in the television buffers this information as a series of "pages", each given a number. The user can display chosen pages using their remote control. In broad terms, it can be considered as Videotex, a system for the delivery of information to a user in a computer-like format, typically displayed on a television or a dumb terminal, but that designation is usually reserved for systems that provide bi-directional communication, such as Prestel or Minitel. Teletext was created in the United Kingdom in the early 1970s by John Adams, Philips' lead designer for video display units to provide closed captioning to television shows for the hearing impaired. Public teletext information services were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISDB
Integrated Services Digital Broadcasting (ISDB; Japanese: , ''Tōgō dejitaru hōsō sābisu'') is a Japanese broadcasting standard for digital television (DTV) and digital radio. ISDB supersedes both the NTSC-J analog television system and the previously used MUSE Hi-vision analog HDTV system in Japan. An improved version of ISDB-T ( ISDB-T International) will soon replace the NTSC, PAL-M, and PAL-N broadcast standards in South America and the Philippines. Digital Terrestrial Television Broadcasting (DTTB) services using ISDB-T started in Japan in December 2003, and since then, many countries have adopted ISDB over other digital broadcasting standards. A newer and "advanced" version of the ISDB standard (that will eventually allow up to 8K terrestrial broadcasts and 1080p mobile broadcasts via the VVC codec, including HDR and HFR) is currently under development. Countries and territories using ISDB-T Asia * * (officially adopted ISDB-T, started broadcasting in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
