47 Ronin (1994 Film)
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47 Ronin (1994 Film)
is a 1994 Japanese film directed by Kon Ichikawa. The film is another version of the Chūshingura, the story of the revenge of the forty-seven rōnin of Ako against Lord Kira. Plot The story of the forty-seven rōnin has been depicted in many ways, with each version focusing the emphasis on different parts of the story—the rivalry of Lords Asano and Kira, Asano's assault on Kira, Asano's sentence of seppuku immediately afterward, and the revenge attack 21 months later against Kira by the forty-seven loyal retainers. Oishi Kuranosuke, Asano's chamberlain and the head of the 47 samurai, is often the primary character, and his actions are often held up as the epitome of bushido, the honor code of the samurai. In this telling, the emphasis is on the preparation for and the attack on Kira's castle. The immediate reactions to Lord Asano's assault on Lord Kira are shown in flashback, and Lord Asano and the actual assault are barely shown at all. Unlike other versions of the sto ...
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Kon Ichikawa
was a Japanese film director and screenwriter. His work displays a vast range in genre and style, from the anti-war films '' The Burmese Harp'' (1956) and '' Fires on the Plain'' (1959), to the documentary ''Tokyo Olympiad'' (1965), which won two BAFTA Film Awards, and the 19th-century revenge drama ''An Actor's Revenge'' (1963). His film ''Odd Obsession'' (1959) won the Jury Prize at the 1960 Cannes Film Festival. Early life and career Ichikawa was born in Ise, Mie Prefecture as Giichi Ichikawa (市川儀一). His father died when he was four years old, and the family kimono shop went bankrupt, so he went to live with his sister. He was given the name "Kon" by an uncle who thought the characters in the kanji 崑 signified good luck, because the two halves of the Chinese character look the same when it is split in half vertically. As a child he loved drawing and his ambition was to become an artist. He also loved films and was a fan of "chambara" or samurai films. In his teens ...
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Yukio Isohata
Yukio is a masculine Japanese given name. Possible writings Yukio can be written using different combinations of kanji characters. Here are some examples: *幸夫, "happiness, man" *幸生, "happiness, live" *幸男, "happiness, man" *幸雄, "happiness, male" *行夫, "to go, man" *行男, "to go, man" *行雄, "to go, male" *之夫, "of, man" *之男, "of, man" *之雄, "of, male" *由起夫, "reason, to rise, man" *由紀夫, "reason, chronicle, man" *由記雄, "reason, scribe, male" *悠紀夫, "long time, chronicle, man" *雪雄, "snow, male" The name can also be written in hiragana ゆきお or katakana ユキオ. Notable people with the name *, Japanese pocket billiards player *, pseudonym of Akiyuki Nosaka (野坂 昭如), Japanese novelist, singer, lyricist, and politician *, Japanese politician who was Governor of Tokyo *, Japanese baseball player *, youngest-known Japanese Kamikaze pilot killed in World War II *, Japanese politician *, Japanese gymnast *, Japanese ...
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Misa Shimizu
is a Japanese actress. She made her screen debut by winning the heroine audition for 1987 film ''Shōnan Bōsōzoku''. She starred in NHK's morning drama series ''Seishun Kazoku'' in 1989. She portrayed Keiko, the female protagonist, in Palme d'Or winning '' The Eel'' directed by Shohei Imamura. She also makes regular appearances in Masayuki Suo's films. She won the award for best actress at the 17th Hochi Film Award for '' Okoge'', ''Sumo Do, Sumo Don't'', '' Future Memories: Last Christmas''. Awards and nominations * 1991, won Awards of the Japanese Academy for 'Newcomer of the Year' for Isam sozoku (1990), Bakayaro! 3: Henna Yatsura (1990) and Inamura Jane (1990) * 1992, won Hochi Film Awards for ‘Best Actress’ for Sumo Do, Sumo Don't (1992), Future Memories: Last Christmas (1992) and Okoge (1992) * 1992, won Nikkan Sports Film Awards for ‘Best New Talent’ for Sumo Do, Sumo Don't (1992), Future Memories: Last Christmas (1992) and Okoge (1992) * 1993, won Yokohama ...
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Tatsuo Matsumura (actor)
was a Japanese actor. He appeared in more than seventy films from 1959 to 2004 and performed in several editions of the film series Otoko wa Tsurai yo. He graduated from Hosei University. He made his debut in movies with the film Otome no inori directed by Shin Saburi was a Japanese film actor noted for his leading roles in a number of films by the director Yasujirō Ozu including ''Brothers and Sisters of the Toda Family'' (1941), '' Tea Over Rice'' (1952), ''Equinox Flower'' (1958) and '' Late Autumn'' (196 ... in 1959. Filmography Films Television Honours * Order of the Sacred Treasure, 4th Class, Gold Rays with Rosette (1990) References External links * 1914 births 2005 deaths Japanese male film actors {{Japan-film-actor-stub ...
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Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ...
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Kinema Junpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends.加藤幹郎 ...
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Bushido
is a moral code concerning samurai attitudes, behavior and lifestyle. There are multiple bushido types which evolved significantly through history. Contemporary forms of bushido are still used in the social and economic organization of Japan. ''Bushido'' is also used as an overarching term for all the codes, practices, philosophies and principles of samurai culture. It is loosely analogous to the European concept of chivalry, but there are major differences. Origin Bushido formalized earlier samurai moral values and ethical code, most commonly stressing a combination of sincerity, frugality, loyalty, martial arts mastery and honour until death. Born from Neo-Confucianism during times of peace in the Edo period (1603–1868) and following Confucian texts, while also being influenced by Shinto and Zen Buddhism, it allowed the violent existence of the samurai to be tempered by wisdom, patience and serenity. Bushido developed between the 16th and 20th centuries, debated by pundi ...
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Samurai
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the '' daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the '' bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of ...
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Chamberlain (office)
A chamberlain (Medieval Latin: ''cambellanus'' or ''cambrerius'', with charge of treasury ''camerarius'') is a senior royal official in charge of managing a royal household. Historically, the chamberlain superintends the arrangement of domestic affairs and was often also charged with receiving and paying out money kept in the royal chamber. The position was usually honoured upon a high-ranking member of the nobility (nobleman) or the clergy, often a royal favourite. Roman emperors appointed this officer under the title of ''cubicularius''. The Chamberlain of the Holy Roman Church enjoys very extensive powers, having the revenues of the papal household under his charge. As a sign of their dignity, they bore a key, which in the seventeenth century was often silvered, and actually fitted the door-locks of chamber rooms. Since the eighteenth century, it has turned into a merely symbolic, albeit splendid, rank-insignia of gilded bronze. In many countries there are ceremonial posts ...
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Seppuku
, sometimes referred to as hara-kiri (, , a native Japanese kun reading), is a form of Japanese ritual suicide by disembowelment. It was originally reserved for samurai in their code of honour but was also practised by other Japanese people during the Shōwa period (particularly officers near the end of World War II) to restore honour for themselves or for their families. As a samurai practice, ''seppuku'' was used voluntarily by samurai to die with honour rather than fall into the hands of their enemies (and likely be tortured), as a form of capital punishment for samurai who had committed serious offences, or performed because they had brought shame to themselves. The ceremonial disembowelment, which is usually part of a more elaborate ritual and performed in front of spectators, consists of plunging a short blade, traditionally a ''tantō'', into the belly and drawing the blade from left to right, slicing the belly open. If the cut is deep enough, it can sever the abdominal ...
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Rōnin
A ''rōnin'' ( ; ja, 浪人, , meaning 'drifter' or 'wanderer') was a samurai without a lord or master during the feudal period of Japan (1185–1868). A samurai became masterless upon the death of his master or after the loss of his master's favor or privilege.Stephane Lun (2021). ''A Guide on Shinsengumi: the background and management.'' In modern Japanese usage, usually the term is used to describe a salaryman who is unemployed or a secondary school graduate who has not yet been admitted to university. Etymology The word ''rōnin'' literally means 'wanderer'. It is an idiomatic expression for 'vagrant' or 'wandering man', someone who finds the way without belonging to one place. The term originated in the Nara and Heian periods, when it referred to a serf who had fled or deserted his master's land. In medieval times, the Ronin were depicted as the shadows of samurai, master-less and less honorable. It then came to be used for a samurai who had no master (hence the term ...
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Forty-seven Rōnin
The revenge of the , also known as the or Akō vendetta, is a historical event in Japan in which a band of ''rōnin'' (lordless samurai) avenged the death of their master on 31 January 1703. The incident has since become legendary. It is one of the three major ''adauchi'' vendetta incidents in Japan, alongside the Revenge of the Soga Brothers and the Igagoe vendetta. The story tells of a group of samurai who were left leaderless after their ''daimyō'' (feudal lord) Asano Naganori was compelled to perform ''seppuku'' (ritual suicide) for assaulting a powerful court official named Kira Yoshinaka. After waiting and planning for a year, the ''rōnin'' avenged their master's honor by killing Kira, knowing full well that the authorities would likely not tolerate this vendetta's completion. They were then obliged to commit ''seppuku'' for the crime of murder. This true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that pe ...
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