4, 5 And 6
''4, 5 and 6'' is a studio album by saxophonist Jackie McLean recorded for Prestige Records. It was recorded in 1956 and originally released that year as PRLP 7048. In 1962, the album was reissued under the same title on the Prestige sub-label Prestige Records, New Jazz Records as NJ 8279 with a different cover. The album was reissued on CD in 1991. It features McLean in a quartet with pianist Mal Waldron, bassist Doug Watkins and drummer Art Taylor. Trumpeter Donald Byrd guests on three tracks, and tenor saxophonist Hank Mobley on one. Track listing ''Recorded on July 13 (#1–3) and 20 (#4–6), 1956.'' Personnel * Jackie McLean – alto sax * Hank Mobley – tenor sax (#4 only) * Donald Byrd – trumpet (#3, 4, 6 only) * Mal Waldron – piano * Doug Watkins – bass * Art Taylor – drums References {{Authority control 1956 albums Jackie McLean albums Albums produced by Bob Weinstock Prestige Records albums Albums recorded at Van Gelder Studio Albums recorded in a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jackie McLean
John Lenwood "Jackie" McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their death. Biography McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw's orchestra. After his father's death in 1939, Jackie's musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school McLean played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk, Jr. (the saxophonist son of Andy Kirk). Along with Rollins, McLean played on Miles Davis' '' Dig'' album, when he was 20 years old. As a young man he also recorded with Gene Ammons, Charles Mingus (for '' Pithecanthropus Erectus''), George Wallington, and as a member of Art Blakey's ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Art Taylor
Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer, who "helped define the sound of modern jazz drumming".Watrous, Peter (February 7, 1995)"Art Taylor, 65, Jazz Drummer Who Inspired Young Musicians" ''The New York Times''. Career As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor's Wailers.Feather, Leonard & Gitler, Ira (2007), ''The Biographical Encyclopedia of Jazz'', p. 637. Oxford University Press. Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny Dorham Quartet of 1957 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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When I Fall In Love
"When I Fall in Love" is a popular song, written by Victor Young (music) and Edward Heyman (lyrics). It was introduced in the film '' One Minute to Zero'' as the instrumental titled "Theme from One Minute to Zero". Jeri Southern sang on the first vocal recording released in April 1952 with the song's composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it; the first hit version was sung by Doris Day released in July 1952. Day's recording was made on June 5, 1952. It was released by Columbia Records as catalog number 39786 and issued with the flip side "Take Me in Your Arms". The song reached number 20 on the '' Billboard'' chart. A 1996 recording by Natalie Cole, sung as a duet with her father Nat King Cole using vocals from his 1956 version, won 1996 Grammys for Best Pop Collaboration with Vocals and Best Instrumental Arrangement with Accompanying Vocal(s). Notable recordings * A version was re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Confirmation (composition)
''Confirmation'' is a bebop standard composed by saxophonist Charlie Parker in 1945. It is known as a challenging number due to its long, complex head and rapid chord changes, which feature an extended cycle of fifths (see Bird changes). Jazz educator Dariusz Terefenko has pointed out the speed and intricacy of "Confirmation's" "harmonic rhythm" (the rate and manner in which chords change underneath the melody), which he notes is typical of the bebop era. The first recording of "Confirmation" was made by Dizzy Gillespie at a small group session for Dial Records by producer Ross Russell in February 1946 at which Parker was not present. Parker did not record a studio version of "Confirmation" until July 1953. However, Parker did play the piece frequently during live performances, and at least five live recordings of Parker performing "Confirmation" are known to exist. The earliest of these is a 1947 performance with Gillespie at Carnegie Hall. The musicologist Henry Martin ext ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kenny Drew
Kenneth Sidney "Kenny" Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist. Biography Drew was born in New York City, United States, and received piano lessons from the age of five.Feather, Leonard, & Ira Gitler (2007). ''The Biographical Encyclopedia of Jazz'', Oxford University Press. He attended the High School of Music & Art in Manhattan. Drew's first recording, in 1950, was with Howard McGhee, and over the next two years he worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others. After a brief period with his own trio in California, Drew returned to New York, playing with Dinah Washington, Johnny Griffin, Buddy Rich, and several others over the following few years. He led many recording sessions throughout the 1950s, and in 1957 appeared on John Coltrane's album, '' Blue Train''. Drew was one of the American jazz musicians who settled in Europe around this period: he moved to Paris in 1961 and to C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Why Was I Born?
"Why Was I Born?" is a 1929 song composed by Jerome Kern, with lyrics written by Oscar Hammerstein II. It was written for the show '' Sweet Adeline'' (1929) and introduced by Helen Morgan. Popular recordings in 1930 were by Helen Morgan and by Libby Holman. Notable recordings *Billie Holiday - recorded the song for Brunswick Records (catalog No. 7859) on January 25, 1937 with Teddy Wilson and His Orchestra. * Lena Horne in the film ''Till the Clouds Roll By'' (1946) * Frank Sinatra recorded the song for Columbia Records on December 28, 1947. *Vic Damone reached No. 20 in the Billboard charts in 1949 with the song. *Dorothy Lamour - ''The Road to Romance...For Bing, Bob and You!'' (1957). *Judy Garland - ''The London Sessions'' (1960) * Margaret Whiting - '' Margaret Whiting Sings the Jerome Kern Songbook'' (1960) *Kenny Burrell and John Coltrane - '' Kenny Burrell and John Coltrane'' (1963) *Ella Fitzgerald - '' Ella Fitzgerald Sings the Jerome Kern Songbook'' (1963) *Dinah W ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Les Brown (bandleader)
Lester Raymond Brown (March 14, 1912 – January 4, 2001) was an American jazz musician who led the big band Les Brown and His Band of Renown for nearly seven decades from 1938 to 2000. Biography Brown was born in Reinerton, Pennsylvania. He enrolled in the Conway Military Band School (later part of Ithaca College) in 1926, studying with famous bandleader Patrick Conway for three years before receiving a music scholarship to the New York Military Academy, where he graduated in 1932. Brown attended college at Duke University from 1932 to 1936. There he led the group Les Brown and His Blue Devils, who performed regularly on Duke's campus and up and down the east coast. Brown took the band on an extensive summer tour in 1936. At the end of the tour, while some of the band members returned to Duke to continue their education, others stayed on with Brown and continued to tour, becoming in 1938 the Band of Renown. The band's original drummer, Don Kramer, became the acting manager and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bud Green
Bud Green (19 November 1897 – 2 January 1981) was an American lyricist especially of Broadway musicals and show tunes Early life and family Green was born Moses David Green in the Austro-Hungarian Empire and immigrated to the United States as an infant. Bud Green (Buddy) grew up in Harlem at 108th & Madison Avenue at the turn of the 20th century, the eldest of seven. He dropped out of elementary school to sell newspapers and help the family. While selling papers, he decided to become a songwriter and started keeping a notebook of poems and rhymes that he thought would be useful someday. His sister, Hannah, was married to the lyricist Bob Russell (1914–1970), who wrote "Brazil", "Frenesi", "Don't Get Around Much Anymore", "He Ain't Heavy, He's My Brother" and many other songs. Career In his early career, he wrote material for vaudevilles. He was a staff writer for music publishers and wrote Broadway stage scores as well as songs for other musicals. By 1928, he had ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ben Homer
Ben Homer (born Benjamin Hozer, 27 June 1917, Meriden, Connecticut – 12 February 1975, Los Angeles, California) was an American songwriter, composer and arranger. Biography He joined the Meriden Symphony Orchestra when he was eleven years old, and wrote a class song at Jefferson Junior High School in 1932. He became a member of the American Federation of Musicians when he was fifteen. He later attended the New England Conservatory of Music on a scholarship, and returned there as a teacher in the 1940s. He began his professional career by moving to New York City in 1938 and changing his name to Homer. He began composing for bandleader Les Brown in 1940, writing some material with lyricist Bud Green. His most popular works are " Sentimental Journey" (1944), "Bizet Has His Day" (1945) (a jazz arrangement of Georges Bizet's "Farandole The Farandole is an open-chain community dance popular in Provence, France. The Farandole bears similarities to the gavotte, jig, and tar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |