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313 (album)
''313'' is the fourth album released by composer Phideaux Xavier Phideaux Xavier (born Scott Riggs; January 14, 1963) is an American television director, and composer of modern technological music that he describes as 'psychedelic progressive gothic rock', who grew up near New York City but now lives in Los .... Xavier and his band of musicians had done three well rehearsed, well conceived albums, and decided to make an "album in a day". On March 13, 2004, all of Phideaux Xavier's musicians met in Los Angeles for an unrehearsed recording session. During that day, they composed and recorded 13 songs; however, the final results were deemed to be nothing more than embryonic, and those sessions were shelved until after the album ''Chupacabras'' was released. In 2005, Xavier and Gabriel Moffat polished up the recordings, and on March 13, 2006, released the album. The cover artwork for this album was by Margie Schnibbe, another childhood friend of Phideaux Xavier's. Track listi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phideaux Xavier
Phideaux Xavier (born Scott Riggs; January 14, 1963) is an American television director, and composer of modern technological music that he describes as 'psychedelic progressive gothic rock', who grew up near New York City but now lives in Los Angeles. Early life Phideaux was born Scott Riggs on January 14, 1963 in Hastings-on-Hudson, one of three children. He started composing music in high school. Career Previous bands Phideaux first played with Mark Sherkus (piano), Dean Deluke (drums), and Bucky Deluke (trumpet) in ESP. He was later part of a band called the Delukes from Southern California. Next, Xavier played with Molly Ruttan (drums), Linda Ruttan-Moldawsky (bass) and Amanda Ettlinger (flute) in a progressive rock band called Mirkwood, which later morphed into a punk/pop band called Sally Dick & Jane, after the departure of Amanda Ettlinger, and the addition of vocalist/keyboardist Valerie Gracius. They played at various legendary NYC clubs, including Max's Kansas Ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Moffat
In Abrahamic religions (Judaism, Christianity and Islam), Gabriel (); Greek: grc, Γαβριήλ, translit=Gabriḗl, label=none; Latin: ''Gabriel''; Coptic: cop, Ⲅⲁⲃⲣⲓⲏⲗ, translit=Gabriêl, label=none; Amharic: am, ገብርኤል, translit=Gabrəʾel, label=none; arc, ܓ݁ܰܒ݂ܪܺܝܐܝܶܠ, translit=Gaḇrīʾēl; ar, جِبْرِيل, Jibrīl, also ar, جبرائيل, Jibrāʾīl or ''Jabrāʾīl'', group="N" is an archangel with power to announce God's will to men. He is mentioned in the Hebrew Bible, the New Testament, and the Quran. Many Christian traditions — including Anglicanism, Eastern Orthodoxy, and Roman Catholicism — revere Gabriel as a saint. In the Hebrew Bible, Gabriel appears to the prophet Daniel to explain his visions ( Daniel 8:15–26, 9:21–27). The archangel also appears in the Book of Enoch and other ancient Jewish writings not preserved in Hebrew. Alongside the archangel Michael, Gabriel is described as the guardian angel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chupacabras (album)
Phideaux Xavier (born Scott Riggs; January 14, 1963) is an American television director, and composer of modern technological music that he describes as 'psychedelic progressive gothic rock', who grew up near New York City but now lives in Los Angeles. Early life Phideaux was born Scott Riggs on January 14, 1963 in Hastings-on-Hudson, one of three children. He started composing music in high school. Career Previous bands Phideaux first played with Mark Sherkus (piano), Dean Deluke (drums), and Bucky Deluke (trumpet) in ESP. He was later part of a band called the Delukes from Southern California. Next, Xavier played with Molly Ruttan (drums), Linda Ruttan-Moldawsky (bass) and Amanda Ettlinger (flute) in a progressive rock band called Mirkwood, which later morphed into a punk/pop band called Sally Dick & Jane, after the departure of Amanda Ettlinger, and the addition of vocalist/keyboardist Valerie Gracius. They played at various legendary NYC clubs, including Max's Kansas Ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Leap (Phideaux Album)
''The Great Leap'' is the fifth album released by composer Phideaux Xavier. In August 2005, while putting the finishing touches on ''313'', Xavier returned to the studio to record the first two parts of a projected "Trilogy" of albums dealing with "Big Brother" authoritarianism and ecological crisis. ''The Great Leap'' is part one of that trilogy, while part two, '' Doomsday Afternoon'', released a year later. The album features shorter songs and is a return to the simpler song structures of ''Ghost Story A ghost story is any piece of fiction, or drama, that includes a ghost, or simply takes as a premise the possibility of ghosts or characters' belief in them."Ghost Stories" in Margaret Drabble (ed.), ''Oxford Companion to English Literature'' ...''. Tracks #"Wake Up" (04:03) #"You and Me Against a World of Pain" (05:35) #"The Waiting" (03:33) #"Abducted" (06:10) #"Rainboy" (06:15) #"I Was Thinking" (04:24) #"Long and Lonely Way" (04:18) #"They Hunt You Down" (03:54) #"Tann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phideaux Xavier Albums
Phideaux Xavier (born Scott Riggs; January 14, 1963) is an American television director, and composer of modern technological music that he describes as 'psychedelic progressive gothic rock', who grew up near New York City but now lives in Los Angeles. Early life Phideaux was born Scott Riggs on January 14, 1963 in Hastings-on-Hudson, one of three children. He started composing music in high school. Career Previous bands Phideaux first played with Mark Sherkus (piano), Dean Deluke (drums), and Bucky Deluke (trumpet) in ESP. He was later part of a band called the Delukes from Southern California. Next, Xavier played with Molly Ruttan (drums), Linda Ruttan-Moldawsky (bass) and Amanda Ettlinger (flute) in a progressive rock band called Mirkwood, which later morphed into a punk/pop band called Sally Dick & Jane, after the departure of Amanda Ettlinger, and the addition of vocalist/keyboardist Valerie Gracius. They played at various legendary NYC clubs, including Max's Kansas Ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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