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24 Caprices For Violin (Rode)
The 24 Caprices for Violin, Op. 22, composed in the early nineteenth century by Pierre Rode, are a series of 24 caprices for solo violin. They cycle through the circle of fifths, presenting each major key and then its relative minor.24 Rode Caprices They were first published in 1813. Violinists often use these caprices in training to develop technique. Caprices Caprice No. 1 in C major # Cantabile, 3/4 # Moderato, 12/8 Caprice No. 2 in A minor # Allegretto, 6/8 Caprice No. 3 in G major # Comodo, 3/4 Caprice No. 4 in E minor # Siciliano, 6/8 # Allegro, common time Caprice No. 5 in D major # Moderato, common time Caprice No. 6 in B minor # Adagio, 3/4 # Moderato, cut time Caprice No. 7 in A major # Moderato, common time Caprice No. 8 in F-sharp minor # Moderato assai, 12/8 Caprice No. 9 in E major # Adagio, 3/4 # Allegretto, 12/16 Caprice No. 10 in C-sharp minor # Allegretto, 3/8 Caprice No. 11 in B major # Allegro brillante, common time Capr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Rode
Jacques Pierre Joseph Rode (16 February 1774 – 25 November 1830) was a French violinist and composer. Life and career Born in Bordeaux, Aquitaine, France, Pierre Rode traveled in 1787 to Paris and soon became a favourite pupil of the great Giovanni Battista Viotti, who found the boy so talented that he charged him no fee for the lessons. Rode inherited his teacher's style, to which he added more mildness and a more refined tone. It is also recorded that he made extensive use of portamento. He collaborated with Baillot and Kreutzer on the official Violin Method of the Conservatoire de Paris, published in 1802. Rode served as violin soloist to Napoleon and toured extensively in the Netherlands, Germany, England and Spain, staying with François-Adrien Boieldieu in Saint Petersburg from 1804 until 1809, and later spending much time in Moscow. When he returned to Paris, he found that the public no longer responded with much enthusiasm to his playing. Spohr, who heard him both bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capriccio (music)
A capriccio or caprice (sometimes plural: ''caprices'', ''capri'' or, in Italian, ''capricci''), is a piece of music, usually fairly free in form and of a lively character. The typical capriccio is one that is fast, intense, and often virtuosic in nature. The term has been applied in disparate ways, covering works using many different procedures and forms, as well as a wide variety of vocal and instrumental forces. The earliest occurrence of the term was in 1561 by Jacquet de Berchem and applied to a set of madrigals. In the late 16th and early 17th centuries, it could refer to madrigals, music intended alternatively for voices or instruments, or strictly instrumental pieces, especially keyboard compositions. Schwandt, Erich. 2001. "Capriccio (i)". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. Examples * Charles-Valentin Alkan: ''Capriccio alla soldatesca'' (1859) * Fikret Amirov: ''Azerbaijan Cap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circle Of Fifths
In music theory, the circle of fifths is a way of organizing the 12 chromatic pitches as a sequence of perfect fifths. (This is strictly true in the standard 12-tone equal temperament system — using a different system requires one interval of diminished sixth to be treated as a fifth). If C is chosen as a starting point, the sequence is: C, G, D, A, E, B (=C), F (=G), C (=D), A, E, B, F. Continuing the pattern from F returns the sequence to its starting point of C. This order places the most closely related key signatures adjacent to one another. It is usually illustrated in the form of a circle. Definition The circle of fifths organizes pitches in a sequence of perfect fifths, generally shown as a circle with the pitches (and their corresponding keys) in a clockwise progression. Musicians and composers often use the circle of fifths to describe the musical relationships between pitches. Its design is helpful in composing and harmonizing melodies, building chords, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Key
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relative Key
In music, relative keys are the major and minor scales that have the same key signatures ( enharmonically equivalent), meaning that they share all the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to ''parallel'' minor or major, which shares the same tonic.) For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. The minor key starts three semitones below its relative major; for examp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Key
In Western music, the adjectives major and minor may describe a chord, scale, or key. As such, composition, movement, section, or phrase may be referred to by its key, including whether that key is major or minor. Intervals Some intervals may be referred to as ''major'' and ''minor''. A major interval is one semitone larger than a minor interval. The words ''perfect'', ''diminished'', and ''augmented'' are also used to describe the quality of an interval. Only the intervals of a second, third, sixth, and seventh (and the compound intervals based on them) may be major or minor (or, rarely, diminished or augmented). Unisons, fourths, fifths, and octaves and their compound interval must be perfect (or, rarely, diminished or augmented). In Western music, a minor chord "sounds darker than a major chord". Kamien, Roger (2008). ''Music: An Appreciation'', 6th Brief Edition, p. 46. . Scales and chords The other uses of ''major'' and ''minor'' generally refer to scales and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantabile
In music, ''cantabile'' , an Italian word, means literally "singable" or "songlike". In instrumental music, it is a particular style of playing designed to imitate the human voice. For 18th-century composers, ''cantabile'' is often synonymous with "cantando" (singing) and indicates a measured tempo and flexible, legato playing. For later composers, particularly in piano music, ''cantabile'' is the drawing out of one particular musical line against the accompaniment (compare counterpoint). Felix Mendelssohn's six books of '' Songs Without Words'' are short lyrical piano pieces with song-like melodies written between 1829 and 1845. A modern example is an instrumental by Harry James & His Orchestra, called "Trumpet Blues and Cantabile". A cantabile movement, or simply a "cantabile", is the first half of a double aria, followed by a cabaletta. The cantabile movement would be slower and more free-form to contrast with the structured and generally faster cabaletta. Louis Spohr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
24 Caprices For Solo Violin (Paganini)
The 24 Caprices for Solo Violin were written in groups (six, six and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's ''Catalogo tematico delle musiche di Niccolò Paganini'' which was published in 1982. The ''Caprices'' are in the form of études, with each number exploring different skills (double stopped trills, extremely fast switching of positions and strings, etc.) Ricordi first published them in 1820, where they were grouped and numbered from 1 to 24 as Op. 1, together with 12 Sonatas for Violin and Guitar (Op. 2 and 3) and 6 Guitar Quartets (Op. 4 and 5). When Paganini released his ''Caprices'', he dedicated them " alli artisti" (to the artists) rather than to a specific person. A sort of dedication can be recognized in Paganini's own score, where he annotated between 1832 and 1840 the following 'dedicatee' for each ''Caprice'' (possibly ready for a new printed edition): 1: Henri Vie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Written In All Major And/or Minor Keys
There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale. These sets typically consist of 24 pieces, one for each of the major and minor keys (sets that comprise all the enharmonic variants include 30 pieces). Examples include Johann Sebastian Bach's ''The Well-Tempered Clavier'' and Frédéric Chopin's 24 Preludes, Op. 28. Such sets are often organized as preludes and fugues or designated as preludes or études. Some composers have restricted their sets to cover only the 12 major keys or the 12 minor keys; or only the flat keys ( Franz Liszt's ''Transcendental Études'') or the sharp keys (Sergei Lyapunov's Op. 11 set). In yet another type, a single piece may progressively modulate through a set of tonalities, as occurs in Ludwig van Beethoven's Two Preludes through all twelve major keys, Op. 39. The bulk of works of this type have been written for piano solo, but there also exist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Pierre Rode
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions Covering All Major And/or Minor Keys
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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