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2nd Asian Film Awards
The 2nd Asian Film Awards were given in a ceremony on 17 March 2008 at the Hong Kong Convention and Exhibition Centre as part of the Hong Kong International Film Festival. The top winner was ''Secret Sunshine'' from South Korea, which won Best Film, Best Director for Lee Chang-dong and Best Actress for Jeon Do-yeon. ''Secret Sunshine'' had been nominated for four awards.Shackleton, Liz. 17 March 200Secret Sunshine lights up Asian Film Awards Screen Daily' retrieved 2008-03-18Frater, Patrick. 17 March 2008"Secret Sunshine" is AFA triple winner, Variety; retrieved 2008-03-18 The top nominees were ''Lust, Caution'' by Ang Lee and ''The Warlords'' by Peter Chan, both with six nominations each. Tony Leung Chiu Wai, star of ''Lust, Caution'' won Best Actor, while ''The Warlords'' won the award for best visual effects. ''The Sun Also Rises'' by Jiang Wen had five nominations, and it won the prize for Best Supporting Actress, Joan Chen, who was also nominated for best actress for '' The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Asia
Asian cinema refers to the film industries and films produced in the continent of Asia. However, in countries like the United States, it is often used to refer only to the cinema of East Asia, Southeast Asia and South Asia. West Asian cinema is sometimes classified as part of Middle Eastern cinema, along with the cinema of Egypt. The cinema of Central Asia is often grouped with the Middle East or, in the past, the cinema of the Soviet Union during the Soviet Central Asia era. North Asia is dominated by Siberian Russian cinema, and is thus considered part of European cinema. East Asian cinema is typified by the cinema of Japan, China, Hong Kong, Taiwan and South Korea, including the Japanese anime industry and action films of Hong Kong. South Asian cinema is typified by the cinema of India (including Bollywood), the cinema of Pakistan (including Punjabi and Urdu cinema), the cinema of Bangladesh (Bengali cinema), and the cinema of Nepal. Southeast Asian cinema is typified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Chen
Joan Chen (born April 26, 1961) is a Chinese-American actress and film director. In China, she performed in the 1979 film and came to the attention of American audiences for her performance in the 1987 film '' The Last Emperor''. She is also known for her roles in '' Twin Peaks'', ''Red Rose White Rose'', '' Saving Face'', and '' The Home Song Stories'', and for directing the feature film '' Xiu Xiu: The Sent Down Girl''. Early life Chen was born in Shanghai, to a family of pharmacologists. She and her older brother, Chase, were raised during the Cultural Revolution. At the age of 14, Chen was discovered on the school rifle range by Jiang Qing, the wife of leader Mao Zedong and major Chinese Communist Party figure, for excelling at marksmanship. This led to her being selected for the Actors' Training Program by the Shanghai Film Studio in 1975, where she was discovered by veteran director Xie Jin who chose her to star in his 1977 film as a deaf mute whose senses are r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of China
The cinema of China is one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan. Cinema was introduced in China in 1896 and the first Chinese film, '' Dingjun Mountain'', was made in 1905. In the early decades the film industry was centered on Shanghai. The 1920s was dominated by small studios and commercial films, especially in the action wuxia genre. The first sound film, '' Sing-Song Girl Red Peony'', using the sound-on-disc technology, was made in 1931. The 1930s, considered the first "Golden Period" of Chinese cinema, saw the advent of the leftist cinematic movement. The dispute between Nationalists and Communists was reflected in the films produced. After the Japanese invasion of China and the occupation of Shanghai, the industry in the city was severely curtailed, with filmmakers moving to Hong Kong, Chungking (Chongqing) and other places. A "Solitary Island" period began in Shanghai, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Taiwan
The cinema of Taiwan ( zh, t=臺灣電影 or ) is deeply rooted in the island's unique history. Since its introduction to Taiwan in 1901 under Japanese rule, cinema has developed in Taiwan under ROC rule through several distinct stages. It has also developed outside the Hong Kong mainstream and the censorship of the People's Republic of China. Characteristics Taiwanese directors In recent years, Taiwan's film industry has received recognition due to a number of internationally respected filmmakers, such as Hou Hsiao-hsien, Edward Yang, and the Malaysian-Chinese Tsai Ming-liang. Important Taiwanese directors from the 1990s include Chen Kuo-fu, Tsui Siu Ming, and independent producer Huang Ming-chuan Lai. Influence of the government From the late Japanese colonial period to martial law in Taiwan, the development of Taiwanese film was dominated by the official camp studio development. The film produced during that stage was mainly news footage taken by the government-run studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Japan
The has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2021, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Films have been produced in Japan since 1897, when the first foreign cameramen arrived. '' Tokyo Story'' (1953) ranked number three in '' Sight & Sound'' critics' list of the 100 greatest films of all time. ''Tokyo Story'' also topped the 2012 ''Sight & Sound'' directors' poll of The Top 50 Greatest Films of All Time, dethroning ''Citizen Kane'', while Akira Kurosawa's ''Seven Samurai'' (1954) was voted the greatest foreign-language film of all time in BBC's 2018 poll of 209 critics in 43 countries. Japan has won the Academy Award for the Best International Feature Film four times, more than any other Asian country. Japan's Big Four film studios are Toho, Toei, Shochiku and Kad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Iran
The Cinema of Iran (Persian language, Persian: سینمای ایران), also known as the Cinema of Name of Iran, Persia, refers to the cinema and film industries in Iran which produce a variety of commercial films annually. Iranian art films have garnered international fame and now enjoy a global following. Iranian films are usually written and spoken in the Persian language. Iranian cinema has had many ups and downs. Along with Cinema of China, China, Iran has been lauded as one of the best exporters of cinema in the 1990s. Some critics now rank Iran as the world's most important national cinema, artistically, with a significance that invites comparison to Italian neorealism and similar movements in past decades. A range of international film festivals have honoured Iranian cinema in the last twenty years. Many film critics from around the world have praised Iranian cinema as one of the world's most important artistic cinemas. History Visual arts in Iran The earliest example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha Collapsed Out Of Shame
''Buddha Collapsed out of Shame'' ( fa, بودا از شرم فرو ریخت, Buda az sharm foru rikht) is a 2007 Iranian film directed by Hana Makhmalbaf. The title is taken from her father Mohsen Makhmalbaf's book ''The Buddha Was Not Demolished in Afghanistan, It Collapsed Out of Shame''. The story takes place in modern Afghanistan following the removal of the Taliban and revolves around a 5-year-old Afghan girl who wants to attend a newly opened school. The girl Bakhtay (Nikbakht Noruz) lives in the caves under the remains of the Buddhas of Bamiyan which were destroyed by the Taliban in 2001. Bakhtay becomes obsessed with the idea of going to school but must fight against a society influenced by conditions suffered during the strict Taliban rule including male domination, war, poverty, violence Violence is the use of physical force so as to injure, abuse, damage, or destroy. Other definitions are also used, such as the World Health Organization's definition of violence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of South Korea
The cinema of South Korea refers to the film industry of South Korea from 1945 to present. South Korean films have been heavily influenced by such events and forces as the Japanese occupation of Korea, the Korean War, government censorship, the business sector, globalization, and the democratization of South Korea.. The golden age of South Korean cinema in the mid-20th century produced what are considered two of the best South Korean films of all time, ''The Housemaid'' (1960) and '' Obaltan'' (1961), while the industry's revival with the Korean New Wave from the late 1990s to the present produced both of the country's highest-grossing films, '' The Admiral: Roaring Currents'' (2014) and '' Extreme Job'' (2019), as well as prize winners on the festival circuit including Golden Lion recipient ''Pietà'' (2012) and Palme d'Or recipient and Academy Award winner ''Parasite'' (2019) and international cult classics including '' Oldboy'' (2003), ''Snowpiercer'' (2013), and '' Trai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Wei
use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = , death_cause = , body_discovered = , resting_place = , resting_place_coordinates = , burial_place = , nationality = Chinese (Hong Kong) , other_names = Rebecca Tang , alma_mater = Central Academy of Drama , occupation = Actress , years_active = 1998–present , agent = Edko Films Ltd. (China)Creative Artists Agency (U.S.) , known_for = Lust, Caution (2007) Long Day's Journey into Night (2018) Decision to Leave (2022) , spouse = , children = 1 , awards = 47th Baeksang Arts Awards for Best Actress ( Late Autumn) 43rd Blue Dragon Film Awards for Best Actress (Decision to Leave) Trophy Chopard at 61st Cannes Film Festival for Female Revelation , module = Tang Wei (, born 7 October 1979) is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Censorship In China
Censorship in the People's Republic of China (PRC) is implemented or mandated by the PRC's ruling party, the Chinese Communist Party (CCP). It is one of strictest censorship regimes in the world. The government censors content for mainly political reasons, such as curtailing political opposition, and censoring events unfavorable to the CCP, such as the 1989 Tiananmen Square protests and massacre, pro-democracy movements in China, the Uyghur genocide, human rights in Tibet, the Taiwan independence movement, Falun Gong, and pro-democracy protests in Hong Kong. Since Xi Jinping became the General Secretary of the Chinese Communist Party (''de facto'' paramount leader) in 2012, censorship has been "significantly stepped up". The government has censorship over all media capable of reaching a wide audience. This includes television, print media, radio, film, theater, text messaging, instant messaging, video games, literature, and the Internet. The Chinese government asserts that it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Media Of China
The mass media in China consists primarily of television, newspapers, radio, and magazines. Since the start of the 21st century, the Internet has also emerged as an important form of communication by media, and is under the direct supervision and control of the Chinese government and ruling Chinese Communist Party. Since the founding of the People's Republic of China in 1949 and until the 1980s, almost all media outlets in Mainland China were state-run. Privately-owned media outlets only began to emerge at the onset of economic reforms, although state media outlets such as Xinhua News Agency, China Central Television (CCTV), and the official newspaper of the Central Committee of the Chinese Communist Party, ''People's Daily,'' continue to hold significant market share. Non-governmental media outlets that are allowed to operate within the PRC (excluding Hong Kong and Macau, which have separate media regulatory bodies) are no longer required to strictly follow every jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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