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24K Magic (song)
"24K Magic" is a song by American singer Bruno Mars from his studio album of the same name (2016). Atlantic Records released it as the album's lead single on October 7, 2016, for digital download and streaming. Atlantic provided it as an instant grat track for those who pre-ordered the album. Mars, Philip Lawrence and Christopher Brody Brown wrote the single. Calling themselves Shampoo Press & Curl the three of them handled production, with additional production by the Stereotypes. The song has been described as a funk, disco and contemporary R&B track, heavily influenced by hip hop. '' The A.V. Club'' noticed the synthesizer riff and backbeat resembled the one in " The Message" (1982) by Grandmaster Flash and the Furious Five. The song's lyrics address extravagance, glamour, and the party lifestyle. "24K Magic" was generally well received by music critics. Some of them complimented Mars's vocals and compared them to James Brown, describing the song as engaging, fun and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
R3hab
Fadil El Ghoul ( ar, فضيل الغول; born 2 April 1986), performing under the stage name R3hab (stylized in all caps as R3HAB; pronounced "rehab"), is a Dutch-Moroccan disc jockey and music producer. Ranked at number 12 on the DJ Mag Top 100 DJs in 2018, R3HAB has produced two full studio albums and has remixed songs for a wide variety of artists, including 5 Seconds of Summer, Katy Perry, Arashi, Everglow, Lady Gaga, Taylor Swift, Rihanna, Rammstein, Steve Aoki, The Chainsmokers, For King & Country, and KSI. Career R3HAB began his career in late 2007 while producing the track "Mrkrstft" which was remixed by fellow Breda DJ Hardwell. His connection with what was then a small scene of Dutch DJs helped him to grow. After releasing ''Prutataaa'' with Afrojack, he signed with Afrojack's label, producing and remixing tracks. Released independently, his debut album ''Trouble'' has gained ove500 million streamsglobally to date. R3HAB's second full-length studio album receiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stereotypes
The Stereotypes are a production team created in 2003, comprising Jonathan Yip, Ray Romulus, Jeremy Reeves and Ray Charles McCullough II. In June 2010, they were listed among the "Top 10 Songwriters and Producers to Watch" in ''Billboard'' magazine. The Stereotypes have produced many songs including Justin Bieber's platinum-selling " Somebody to Love" (feat. Usher), Cardi B and Bruno Mars "Please Me", Destiny Rogers' "Tomboy", Ne-Yo's " Year of the Gentleman", Mary J. Blige's "Good Love", Chris Brown's "Beg for It", Fifth Harmony's " Deliver", Lil Yachty's " Better", Iggy Azalea's "Mo Bounce" and Red Velvet's " Bad Boy". The Stereotypes won two Grammy Awards in 2018, Song of the Year and Best R&B Song, for their work on Bruno Mars' 7× platinum, #1 ''Billboard'' Hot 100 song " That's What I Like". The Stereotypes took over the charts in 2017 with a string of songs from Mars' album '' 24K Magic'', which swept the Grammys and won the Album of the Year and Best R&B Album aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Productores De Música De España
Productores de Música de España (English: Spanish Music Producers, shortened as Promusicae) is the national organisation responsible for the music charts of Spain. It is a trade association that represents more than 90% of the Spanish recorded music industry. It is the International Federation of the Phonographic Industry (IFPI) group for Spain. Promusicae is based in Madrid, Spain at Calle María de Molina, 39. History Promusicae began in 1958 as a representative of the IFPI in Spain under the name of the Spanish Group of the International Federation of the Phonographic Industry (), although not officially an association, since Spanish law during the Franco regime did not recognize the right of association until 1977. In 1978, it was registered as an association under the name Spanish Phonographic Association () (AFE). In 1982, with the emergence and popularization of the music video, the AFE changed its name to Phonographic and Videographic Association of Spain () (AFYVE). F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Canada
Music Canada (formerly Canadian Recording Industry Association (CRIA)) is a non-profit trade organization that was founded 9 April 1963 to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. History Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. In 2006, the CRIA was in the news when a number of smaller labels resigned their memberships, complaining that the organization wasn't representing their interests. In 2011, it changed its name to Music Canada offering special benefits to some of the leading independent labels and distributors in Canada. Organization Music Canada is governed by a board of directors who are elected annually by association members. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Brown
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, dancer, musician, record producer and bandleader. The central progenitor of funk music and a major figure of 20th century music, he is often referred to by the honorific nicknames "the Hardest Working Man in Show Business", "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first 10 inductees into the Rock and Roll Hall of Fame at its inaugural induction in New York on January 23, 1986. Brown began his career as a gospel singer in Toccoa, Georgia. He first came to national public attention in the mid-1950s as the lead singer of the Famous Flames, a rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads "Please, Please, Please" and " Try Me", Brown built a reputation as a dynamic live performer with the Famous Flames and his backing band, sometimes know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grandmaster Flash And The Furious Five
Grandmaster Flash and the Furious Five were an American hip hop group formed in the South Bronx of New York City in 1978. The group's members were Grandmaster Flash, Melle Mel, Kidd Creole (not to be confused with Kid Creole), Keef Cowboy, Scorpio, and Rahiem. The group's use of turntablism, breakbeat DJing, and conscious lyricism were significant in the early development of hip hop music. In the late 1970s, Grandmaster Flash and the Furious Five built their reputation and achieved local success by performing at parties and live shows. By 1980, the group had signed with Sugar Hill Records. Under Sugar Hill Records, the group rose to prominence in the early 1980s with their first hit "Freedom". It was not until the release of the song " The Message" in 1982 and the album ''The Message'' that they achieved mainstream success. The song provided a political and social commentary and went on to become a driving force behind conscious hip-hop. Grandmaster Flash and the Furious Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Message (Grandmaster Flash And The Furious Five Song)
"The Message" is a song by Grandmaster Flash and the Furious Five. It was released as a single by Sugar Hill Records on July 1, 1982, and was later featured on the group's debut studio album of the same name. "The Message" was an early prominent hip hop song to provide a social commentary. The song's lyrics describe the stress of inner-city poverty. In the final verses it is described how a child born in the ghetto without perspective in life is lured away into crime, for which he is jailed until he commits suicide in his cell. The song ends with a brief skit in which the band members are arrested for no clear reason. "The Message" took rap music from the house parties of its origin to the social platforms later developed by groups like Public Enemy and KRS-One. Melle Mel said in an interview with NPR: "Our group, like Flash and the Furious Five, we didn't actually want to do 'The Message' because we was used to doing party raps and boasting how good we are and all that." The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The A
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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