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1883 In Art
Events from the year 1883 in the arts Events * 20 April – Claude Monet moves to the house in Giverny which will be his main residence for the rest of his life. * 28 October – Les XX established in Brussels by Octave Maus. * J.-K. Huysmans publishes ''L'Art moderne''. Works * Michael Ancher – '' Redningsbåden køres gennem klitterne'' ("The Lifeboat is Taken through the Dunes") * Marie Bashkirtseff ** ''Autumn'' ** '' The Umbrella'' * Arnold Böcklin – '' Isle of the Dead'' (''Die Toteninsel'', 3rd version) * Gustave Caillebotte – '' Portrait of Henri Cordier'' * William Merritt Chase ** ''Mrs Meigs at the Piano Organ'' ** ''Portrait of Miss Dora Wheeler'' * John Collier – '' Marion Collier'' * Pierre Auguste Cot – '' The Storm'' * Pascal Dagnan-Bouveret – '' Hamlet and the Gravediggers'' * Pierre Puvis de Chavannes ** '' The Dream'' ** '' Ludus Pro Patria'' * Luke Fildes – ''The Village Wedding'' * William Powell Frith – ''A Private View at the Royal Aca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20 April
Events Pre-1600 *1303 – The Sapienza University of Rome is instituted by a bull of Pope Boniface VIII. 1601–1900 * 1653 – Oliver Cromwell dissolves England's Rump Parliament. * 1657 – English Admiral Robert Blake destroys a Spanish silver fleet, under heavy fire from the shore, at the Battle of Santa Cruz de Tenerife. * 1657 – Freedom of religion is granted to the Jews of New Amsterdam (later New York City). * 1752 – Start of Konbaung–Hanthawaddy War, a new phase in the Burmese Civil War (1740–57). * 1770 – The Georgian king, Erekle II, abandoned by his Russian ally Count Totleben, wins a victory over Ottoman forces at Aspindza. *1775 – American Revolutionary War: The Siege of Boston begins, following the battles at Lexington and Concord. * 1789 – George Washington arrives at Grays Ferry, Philadelphia, while en route to Manhattan for his inauguration. * 1792 – France declares war against the " King of Hungary a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Merritt Chase
William Merritt Chase (November 1, 1849October 25, 1916) was an American painter, known as an exponent of Impressionism and as a teacher. He is also responsible for establishing the Chase School, which later would become Parsons School of Design. Early life and training William Merritt Chase was born on November 1, 1849, in Williamsburg (now Nineveh, Indiana, Nineveh), Indiana, to the family of Sarah Swain and David H. Chase, a local businessman. Chase's father moved the family to Indianapolis, Indiana, Indianapolis in 1861, and employed his son as a salesman in the family business. Chase showed an early interest in art, and studied under local, self-taught artists Barton S. Hays and Jacob Cox. At the age of 19 he decided to become a sailor and travelled with his friend to Annapolis where he was commissioned to a merchant ship. After a brief three-month stint in the Navy, Chase understood that it wasn't for him and his teachers urged him to travel to New York City, New York to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Léon Gérôme
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy in 1843. He visited Florence, Rome, the Vatican and Pompeii. On his return to Paris in 1844, like many students of Delaroche, he joined the atelier of Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts. In 1846 he tried to enter the prestigio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Private View At The Royal Academy, 1881
''A Private View at the Royal Academy, 1881'' is a painting by the English artist William Powell Frith exhibited at the Royal Academy of Arts in London in 1883. It depicts a group of distinguished Victorians visiting the Royal Academy Summer Exhibition in 1881, just after the death of the Prime Minister Benjamin Disraeli, whose portrait (visible in the archway at the back of the room) by John Everett Millais was included on a screen at the special request of Queen Victoria. The room is Gallery III, the largest and most imposing room at Burlington House. Frith worked on the painting through much of 1881 and 1882. He later said in ''My Autobiography and Reminiscences'', published in 1887, that "Beyond the desire of recording for posterity the aesthetic craze as regards dress, I wished to hit the folly of listening to self-elected critics in matters of taste, whether in dress or art. I therefore planned a group, consisting of a well-known apostle of the beautiful, with a herd of ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Powell Frith
William Powell Frith (9 January 1819 – 2 November 1909) was an English painter specialising in genre subjects and panoramic narrative works of life in the Victorian era. He was elected to the Royal Academy in 1853, presenting ''The Sleeping Model'' as his Diploma work. He has been described as the "greatest British painter of the social scene since Hogarth". Early life William Powell Frith was born in Aldfield, near Ripon in the then West Riding of Yorkshire on 9 January 1819. He had originally intended to be an auctioneer. Frith was encouraged to take up art by his father, a hotelier in Harrogate. Frith was great uncle and an advisor to the English school portrait painter Henry Keyworth Raine (1872–1932). He moved to London in 1835 where he began his formal art studies at Sass's Academy in Charlotte Street, before attending the Royal Academy Schools. Frith started his career as a portrait painter and first exhibited at the British Institution in 1838. In the 1840s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luke Fildes
__NOTOC__ Sir Samuel Luke Fildes (3 October 1843 – 28 February 1927) was a British painter and illustrator born in Liverpool and trained at the South Kensington and Royal Academy Schools. He was the grandson of the political activist Mary Fildes. Illustrator At the age of 17, Fildes became a student at the Warrington School of Art. Fildes moved to the South Kensington Art School where he met Hubert von Herkomer and Frank Holl. All three men became influenced by the work of Frederick Walker, the leader of the social realist movement in Britain. Fildes shared his grandmother's concern for the poor and in 1869 joined the staff of ''The Graphic'' newspaper, an illustrated weekly began and edited by the social reformer, William Luson Thomas. Fildes shared Thomas' belief in the power of visual images to change public opinion on subjects such as poverty and injustice. Thomas hoped that the images in ''The Graphic'' would result in individual acts of charity and collective s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Puvis De Chavannes
Pierre Puvis de Chavannes (14 December 1824 – 24 October 1898) was a French people, French Painting, painter known for his mural painting, who came to be known as "the painter for France". He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin, and he aided Medalist, medallists by designs and suggestions for their works. Puvis de Chavannes was a prominent painter in the early French Third Republic, Third Republic. Émile Zola described his work as "an art made of reason, passion, and will". Early life and education Puvis de Chavannes was born Pierre-Cécile Puvis in a suburb of Lyon, France, on December 14, 1824. He was the son of a mining engineer and descended from an old noble family of Burgundy (region), Burgundy. He later added the ancestral "de Chavannes" to his name. Throughout his life, he spurned his Lyon origins, preferring to identify himself with the 'strong' blood of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Dagnan-Bouveret
Pascal-Adolphe-Jean Dagnan-Bouveret (7 January 1852 – 3 July 1929), was one of the leading French artists of the naturalist school. Biography He was born in Paris, the son of a tailor, and was raised by his grandfather after his father emigrated to Brazil. Later he added his grandfather's name, Bouveret, to his own. He became one of the leading French artists of the naturalist school and painted several paintings depicting Brittany. From 1869 he studied at the École des Beaux-Arts under Alexandre Cabanel and Jean-Léon Gérôme. From 1875 he exhibited at the Salon, where in 1880 he won the first-class medal for the painting "An Accident" and a medal of honour in 1885 for "Horses at the Watering Trough". From the 1880s Dagnan-Bouveret along with Gustave Courtois, maintained a studio in Neuilly-sur-Seine, a fashionable suburb of Paris. By that time he was recognized as a leading modern artist known for his peasant scenes, but also for his mystical-religious compositions. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Storm (painting)
''The Storm (La Tempête)'' is a painting by French artist Pierre Auguste Cot, completed in 1880. Currently on display at New York City's Metropolitan Museum of Art, it was commissioned from the artist in 1880 by Catharine Lorillard Wolfe under the guidance of her cousin John Wolfe, one of Cot's principal patrons. Theme and elements The painting is reminiscent of an earlier work, ''Springtime'', which was completed by Cot in 1870. It was subsequently acquired by John Wolfe after it was displayed with astounding success at the Salon of 1873. It is believed that the presence of ''Spring'' in Wolfe's collection was the impetus that drove his cousin, Catharine Lorillard Wolfe, to purchase it in 1880. Both are of roughly the same dimensions and are evidently related in a subject in the sense that both portray a young, nubile couple. It is from this therefore, that both are thought to form a symbiotic pair, where the success of the earlier work led to the creation of the latter. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
