1881 In Art
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1881 In Art
Events from the year 1881 in art. Events * April – Sixth Impressionist exhibition in Paris, at Nadar's studio. * August 31 – English painters Thomas Cooper Gotch and Caroline Burland Yates marry at Newlyn. * The Société des Artistes Français is established, with William-Adolphe Bouguereau as its first president. * Vincent van Gogh returns from study in Brussels to his parents' home in Etten (Netherlands) where he produces a number of early works, including the start of his series of peasant character studies and still lifes (including '' Still Life with Straw Hat''). * Art Gallery of South Australia established in Adelaide. * St. Louis School and Museum of Fine Arts established at Washington University in St. Louis, Missouri, under the direction of Halsey Ives. * Dante Gabriel Rossetti's ''Ballads and Sonnets'' published. Works * Lawrence Alma-Tadema ** '' In the Tepidarium'' ** ''Sappho and Alcaeus'' * Marie Bashkirtseff – '' The Studio'' * Jules Bastien-Lepage ...
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Impressionist
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that beca ...
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Halsey Ives
Halsey Cooley Ives (27 October 1847 – 5 May 1911) was the founding director of the St. Louis School and Museum of Fine Arts.Stevens, Walter B. Page 7 The institution later became two distinct bodies; the Saint Louis Art Museum, and the Washington University School of Art which includes the Mildred Lane Kemper Art Museum. Ives was also a landscape painter, but is best remembered for the organization, administration, and popularization of art in Saint Louis, Missouri. Biography Ives was born in Montour Falls, New York, then called Havana, to Hiram DuBoise Ives and Teresa (née McDowell) Ives. He studied in the School of Art at South Kensington in England, and took courses at other art schools. During the Civil War he was employed as a draftsman by the United States Government, a job which sent him to Nashville, Tennessee. After the war, he traveled throughout the country and into Mexico, working as a designer and decorator. He settled in Saint Louis, to become part of the faculty a ...
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Gustave Caillebotte
Gustave Caillebotte (; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form. Early life Gustave Caillebotte was born on 19 August 1848 to an upper-class Parisian family living in the rue du Faubourg-Saint-Denis. His father, Martial Caillebotte (1799–1874), was the inheritor of the family's military textile business and was also a judge at the Tribunal de commerce de la Seine. Caillebotte's father was twice widowed before marrying Caillebotte's mother, Céleste Daufresne (1819–1878), who had two more sons after Gustave: René (1851–1876) and Martial (1853–1910). Caillebotte was born at home on rue du Faubourg-Saint-Denis in Paris and lived there until 1866, when his father had a home built on 77 rue de Miromesnil. Beginning in 1860, the Caillebotte family began regul ...
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Scotland Forever!
''Scotland Forever!'' is an 1881 oil painting by Lady Butler depicting the start of the charge of the Royal Scots Greys, a British heavy cavalry regiment that charged with other British heavy cavalry at the Battle of Waterloo in 1815. The painting has been reproduced many times and is considered an iconic representation of the battle itself, and of heroism more generally. Butler was inspired to paint the charge as a response to the aesthetic paintings that she saw—and intensely disliked—on a visit to the Grosvenor Gallery. She had developed a reputation for her military pictures after the favourable reception of her earlier painting ''The Roll Call'' of 1874, on a subject from the Crimean War, and her 1879 painting '' Remnants of an Army'', on the 1842 retreat from Kabul. Although Butler had never observed a battle, she was permitted to watch her husband's regiment during training maneuvers, positioning herself in front of charging horses in order to observe their movement. ...
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Elizabeth Thompson
Elizabeth Southerden Thompson (3 November 1846 – 2 October 1933), later known as Lady Butler, was a British painter who specialised in painting scenes from British military campaigns and battles, including the Crimean War and the Napoleonic Wars. Her notable works include ''The Roll Call'' (purchased by Queen Victoria), '' The Defence of Rorke's Drift'', and ''Scotland Forever!'' (showing the Scots Greys at Waterloo). She wrote about her military paintings in an autobiography published in 1922: "I never painted for the glory of war, but to portray its pathos and heroism."Usherwood, Paul, and Jenny Spencer-Smith, (1987). – ''Lady Butler, Battle Artist, 1846–1933''. – Gloucester: Sutton. – Elizabeth Thompson (Lady Butler)
– Spartacus Educational Schoolnet. – Retrieved: 2005-05-01

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Frank Bramley
Frank Bramley RA (6 May 1857 – 9 August 1915) was an English post-impressionist genre painter of the Newlyn School. Personal life Bramley was born in Sibsey, near Boston, in Lincolnshire to Charles Bramley from Fiskerton also in Lincolnshire.Victor Plarr. Men and women of the time: a dictionary of contemporaries'. G. Routledge; 1899. p. 124. From 1873 to 1878 Bramley studied at the Lincoln School of Art. He then studied from 1879 to 1882 at the Royal Academy of Fine Arts in Antwerp, where Charles Verlat was his instructor. He lived in Venice from 1882 to 1884 and then moved to Newlyn, Cornwall.''Frank Bramley''.
. Retrieved 6 October 2012.
Bramley married fel ...
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Alfred Boucher
Alfred Boucher (23 September 1850 – 1934) was a French sculptor who was a mentor to Camille Claudel and a friend of Auguste Rodin. Biography Born in Bouy-sur-Ovin (Nogent-sur-Seine), he was the son of a farmhand who became the gardener of the sculptor Joseph-Marius Ramus, who, after recognizing Boucher's talent, opened his studio to him. He won the Grand Prix du Salon in 1881 with ''La Piété Filiale''. He then moved to Florence for a long period and was a favourite sculptor of presidents and royalty such as George I of Greece and Maria-Pia of Romania. He provided inspiration and encouragement to the next generation of sculptors such as Laure Coutan and Camille Claudel. The latter was depicted in ''Camille Claudel lisant'' by Boucher and later she herself sculpted a bust of her mentor. Before moving to Florence and after having taught Claudel and others for over three years, Boucher asked Auguste Rodin to take over the instruction of his pupils. This is how Auguste Rodin and ...
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Jules Bastien-Lepage
Jules Bastien-Lepage (1 November 1848 – 10 December 1884) was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement. His most famous work is his landscape-style portrait of Joan of Arc which currently resides at the Metropolitan Museum in New York City. Life and work Bastien-Lepage was born in the village of Damvillers, Meuse, and spent his childhood there. Bastien's father grew grapes in a vineyard to support the family. His grandfather also lived in the village; his garden had fruit trees of apple, pear, and peach up against the high walls. Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy. Education Jules Bastien-Lepage's first teacher was his father, himself an artist. His first formal training was at Verdun. Prompted by a love of art, he went to Paris in 1867, where he was admitted to the École des B ...
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Marie Bashkirtseff
Marie Bashkirtseff (born Mariya Konstantinovna Bashkirtseva, russian: Мария Константиновна Башки́рцева; 1858–1884) was a Ukrainian artist from the Russian Empire who worked in Paris, France. She died aged 25. Life and painting career Bashkirtseff was born Maria Konstantinovna Bashkirtseva in Gavrontsi near Poltava, Russian Empire (now Ukraine) to a wealthy noble family. Her father was a local Marshal of Nobility Konstantin Pavlovich Bashkirtsev. Her mother Maria Stepanovna Babanina (1833—1920) also belonged to Russian nobles. Her parents separated when she was 12. As a result, she grew up mostly abroad, traveling with her mother throughout most of Europe, with longer spells in Germany and on the Riviera, until the family settled in Paris. Educated privately and with early musical talent, she lost her chance at a career as a singer when illness destroyed her voice. She then determined to become an artist, and she studied painting in France ...
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Sappho And Alcaeus
''Sappho and Alcaeus'' is an 1881 oil painting by Lawrence Alma-Tadema. It is held by the Walters Art Museum, in Baltimore. The painting measures . It depicts a concert in the late 7th century BC, with the poet Alcaeus of Mytilene playing the kithara. In the audience is fellow Lesbos, Lesbian poet Sappho, accompanied by several of her female friends. Sappho is paying close attention to the performance, resting her arm on a cushion which bears a laurel wreath, presumably intended for the performer. The painting illustrates a passage by the poet Hermesianax (poet), Hermesianax, recorded by Athenaeus in his ''Deipnosophistae'' ("The Philosophers' Banquet"), book 13, page 598. The location, with tiers of white marble seating, is based on the Theatre of Dionysus in Athens, but Alma-Tadema has replaced the original inscribed names of Athenians with the names of Sappho's friends. In the background, the Aegean Sea can be seen through some trees. The painting was exhibited at the R ...
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