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1875 In Art
Events from the year 1875 in art. Events * Claude Monet finishes painting his ''Snow at Argenteuil'' series. * Foundation of the Art Students League of New York. * Foundation of the Ruskin Gallery as the Museum of St George in a cottage in Walkley on the outskirts of Sheffield in the north of England by John Ruskin. Works * William-Adolphe Bouguereau – '' Flora and Zephyr'' * Gustave Caillebotte ** '' The Floor-scrapers'' ** '' The Gardeners'' ** '' The Yerres, effect of rain'' ** ''Young Man at his Window'' (René Caillebotte) * Julia Margaret Cameron – '''So like a shatter'd column lay the King'; the Passing of Arthur'' (photograph) * Paul Cézanne - '' L'Après-midi à Naples'' * Józef Chełmoński – ''Indian Summer'' * Edgar Degas – ''Place de la Concorde'' (''Viscount Lepic and his Daughters Crossing the Place de la Concorde'') * Thomas Eakins – ''The Gross Clinic'' * Atkinson Grimshaw – ''Liverpool from Wapping'' * Jean-Paul Laurens – '' L'Excommunication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Monet
Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to ''plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Józef Chełmoński
Józef Marian Chełmoński (November 7, 1849 – April 6, 1914) was a Polish painter of the realist school with roots in the historical and social context of the late Romantic period in partitioned Poland. He is famous for monumental paintings now at the Sukiennice National Art Gallery in Kraków and at the MNW in Warsaw.Profile of Józef Chełmoński at the ''Culture.pl'' website. Life Chełmoński was born in the village of Boczki near |
Edwin Long
Edwin Longsden Long (12 July 1829 – 15 May 1891) was a British genre, history, biblical and portrait painter. Life and works Long was born in Bath, Somerset, the son of James Long, a hairdresser, (from Kelston in Somerset), and was educated at Dr. Viner's School in Bath. Adopting the profession of a painter, Long came to London and studied in the British Museum. He was subsequently a pupil in the school of James Mathews Leigh in Newman Street London, and practised first as a portrait artist painting Charles Greville, Lord Ebury and others. Long made the acquaintance of John Phillip RA, and accompanied him to Spain, where they spent much time. Long was greatly influenced by the paintings of Velasquez and other Spanish masters, and his earlier pictures, such as ''La Posada'' (1864) and ''Lazarilla and the Blind Beggar'' (1870), were painted under Spanish influence. His first important pictures were ''The Suppliants'' (1872) and ''The Babylonian Marriage Market'' (1875), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Litovchenko
Alexander Dmitrievich Litovchenko (russian: Алекса́ндр Дми́триевич Лито́вченко; ukr, Олександр Дмитрович Литовченко; 1835, Kremenchuk - 28 June 1890, Saint Petersburg) was a Russian painter who specialized in depicting Muscovite Russia of the 16th and 17th centuries. Biography Litovchenko attended the Imperial Academy of Arts and, although criticised by his peers for rather stilted compositions, was awarded a lesser gold medal for his rendering of Charon (mythology), Charon transporting the souls of the dead across the Styx. Along with several other young painters, he Revolt of the Fourteen, challenged the spirit of academism that was prevalent at the Academy and in 1863 left it to become a freelance painter, joining the Peredvizhniki movement in 1876. In 1868, Litovchenko was recognized as an academician for his picture of a falconer serving at the court of Tsar Alexis (one of his several versions of the subject). Amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Excommunication De Robert Le Pieux
''The Excommunication of Robert the Pious'' (french: L'Excommunication de Robert le Pieux) is an 1875 painting by Jean-Paul Laurens, held by the Musée d'Orsay, in Paris. It depicts the excommunication of Robert II of France in the year 998. History The painting was exhibited at the Salon of 1875 and, together with Laurens' other work on display that year, ''L'Interdit'', was generally reckoned to be the finest historical paintings entered. It was bought from the artist by the State in 1875, and exhibited at the Luxembourg Museum until 1929, when it was transferred to the Louvre. It has belonged to the collections of the Musée d'Orsay since 1982. The work was Laurens' first after his visit to Italy, which influenced his technique. His use of colour in this painting is noticeably less sober and more animated than in his previous work. It was one of a series of historical paintings by Laurens that depicted various parts of the narrative of Robert the Pious. These were ''L'Interdi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Laurens
Jean-Paul Laurens (; 28 March 1838 – 23 March 1921) was a French painter and sculptor, and one of the last major exponents of the French Academic style. Biography Laurens was born in Fourquevaux and was a pupil of Léon Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his highly realistic technique, coupled to a theatrical ''mise-en-scène'', came to be regarded by some art-historians as overly didactic. More recently, however, his work has been re-evaluated as an important and original renewal of history painting, a genre of painting that was in decline during Laurens' lifetime. Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris City Hall, the monu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atkinson Grimshaw
John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes.Alexander Robertson, ''Atkinson Grimshaw'', London, Phaidon Press, 1996 H. J. Dyos and Michael Wolff, eds., ''The Victorian City: Images and Realities'', 2 Volumes, London, Routledge, 1973. He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in ''Victorian Painting'' (1999).Christopher Wood, ''Victorian Painting'', Boston, Little, Brown & Co., 1999; p. 173 Grimshaw's love for realism stemmed from a passion for photography, which would eventually lend itself to the creative process. Though entirely self-taught, he is known to have used a camera obscura or lenses to project scenes onto canvas, which made up for his shortcomings as a draughtsman and his imperfect knowledge of perspective. This technique, which Caravaggio and Vermeer may also have used, was condemned by a number of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gross Clinic
''The Gross Clinic'' or ''The Clinic of Dr. Gross'' is an 1875 painting by American artist Thomas Eakins. It is oil on canvas and measures by . The painting depicts Dr. Samuel D. Gross, a seventy-year-old professor dressed in a black frock coat, lecturing a group of Jefferson Medical College students. Included among the group is a self-portrait of Eakins, who is seen at the right-hand side of the painting, next to the tunnel railing, with a white cuffed sleeve sketching or writing. Seen over Dr. Gross's right shoulder is the clinic clerk, Dr. Franklin West, taking notes on the operation. Eakins's signature is painted on the front of the surgical table. Description Admired for its uncompromising realism, ''The Gross Clinic'' has an important place documenting the history of medicine—both because it honors the emergence of surgery as a healing profession (in previous years surgery was associated primarily with amputation, which caused severe medical complications, sometimes kil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Eakins
Thomas Cowperthwait Eakins (; July 25, 1844 – June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important American artists. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken ''en masse'', the portraits offer an overview of the intellectual life of contemporary Philadelphia; individually, they are incisive depictions of thinking persons. In addition, Eakins produced a number of large paintings that brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
