1867 In Art
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1867 In Art
Events from the year 1867 in art. Events * Exposition Universelle in Paris helps popularize Japanese woodblock prints in the West. * Engravings of William Holman Hunt's ''The Finding of the Saviour in the Temple'' by Auguste III Blanchard are published by dealer Ernest Gambart in London in editions totalling 13,000. Awards Works * Frédéric Bazille – approximate date ** ''Family Reunion'' ** '' The Little Gardener'' ** '' Portrait of Renoir'' * George Henry Boughton – ''Pilgrims Going To Church'' * William Burges – Narcissus washstand * Giuseppe Calì – ''Death of Dragut'' (Museum of Fine Arts, Valletta) * Julia Margaret Cameron – photographs ** Carlyle Like a Rough Block of Michael Angelo's Sculpture' ** Profiles of Julie Jackson (her niece) * Frederic Edwin Church – ''Niagara Falls, from the American Side'' * Gustave Courbet – '' The kill of deer'' * Edgar Degas – ''The Bellelli Family'' completed (Musée d'Orsay, Paris) * Gustave Doré – engraved illustr ...
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Exposition Universelle (1867)
The International Exposition of 1867 (french: Exposition universelle 'art et d'industriede 1867), was the second world's fair to be held in Paris, from 1 April to 3 November 1867. A number of nations were represented at the fair. Following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. Visitors included Tsar Alexander II of Russia, a brother of the King William and Otto von Bismarck of Prussia, Prince Metternich and Franz Josef of Austria, Ottoman Sultan Abdülaziz, and the Khedive of Egypt Isma'il. Conception In 1864, Napoleon III issued a decree stating that an international exposition should be held in Paris in 1867. A commission was appointed with Prince Jerome Napoleon as president, under whose direction the preliminary work began. The site chosen for the Exposition Universelle of 1867 was the Champ de Mars, the great military parade ground ...
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Giuseppe Calì
Giuseppe Calì (14 August 1846 – 1 March 1930) was a Maltese painter of Italian descent. Biography Born in Valletta, Calì was baptised at the Dominican Parish Church of Porto Salvo, one of the seven offsprings of the artist and musician Raffaele Calì, set designer at the Royal Theatre,Dominic Cutajar"The 19th Cent. Realism of Giuseppe Calì (1846-1930) - an artistic sway that lasted 50 years" in: ''Giuseppe Calì'', edit. Edwin A. Camilleri, pub. Malta 1991 and of mezzosoprano Giovanna Padiglione. His parents, who were from Naples, had moved to British Malta in 1840.Michelle Marie GaleaGiuseppe Calì’s Private Works – The Man And Artist ''weconnect'' At age 19, in 1865, thanks to the generosity of the merchant William Stephen Eynaud, Calì moved to Naples to further his artistic formation at the Accademia di Belle Arti, where he studied under neoclassicist Giuseppe Mancinelli (1812-1875). Rather than following Mancinelli's style, the young Calì was attracted ...
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The Death Of Caesar (Gérôme)
''The Death of Caesar'' () is an 1867 painting by the French artist Jean-Léon Gérôme. It depicts the moment after the assassination of Julius Caesar, when the jubilant conspirators are walking away from Caesar's dead body at the Theatre of Pompey, on the Ides of March (March 15), 44 BC. The painting is kept at the Walters Art Museum in Baltimore, Maryland.Characteristically, Gérôme has depicted not the incident itself, but its immediate aftermath. The illusion of reality that Gérôme imparted to his paintings with his smooth, polished technique led one critic to comment, "If photography had existed in Caesar's day, one could believe that the picture was painted from a photograph taken on the spot at the very moment of the catastrophe." Gérôme's depiction of the aftermath of violence can also be seen in ''The Execution of Marshal Ney'', ''The Duel After the Masquerade'', and ''Jerusalem''. Exhibitions The Walters indicates that the work has been included in the following ...
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Jean-Léon Gérôme
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy in 1843. He visited Florence, Rome, the Vatican and Pompeii. On his return to Paris in 1844, like many students of Delaroche, he joined the atelier of Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts. In 1846 he tried to enter the prestigio ...
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Gustave Doré
Paul Gustave Louis Christophe Doré ( , , ; 6 January 1832 – 23 January 1883) was a French artist, as a printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings, especially those illustrating classic books, including 241 illustrating the Bible. These achieved great international success, and he is the best-known artist in this printmaking technique, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image. In all he created some 10,000 illustrations, the most important of which were "duplicated in electrotype shells that were printed ... on cylinder presses", allowing very large print runs as steel engravings, "hypnotizing the widest public ever captured by a major illustrator", and being published simultaneously in many countries. The drawings given to ...
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Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ...
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The Bellelli Family
''The Bellelli Family'', also known as ''Family Portrait'', is an oil painting on canvas by Edgar Degas (1834–1917), painted c. 1858–1867, and housed in the Musée d'Orsay. A masterwork of Degas' youth, the painting is a portrait of his aunt, her husband, and their two young daughters. While finishing his artistic training in Italy, Degas drew and painted his aunt Laura, her husband the baron Gennaro Bellelli (1812–1864), and their daughters Giulia and Giovanna. Although it is not known for certain when or where Degas executed the painting, it is believed that he utilized studies done in Italy to complete the work after his return to Paris.Boggs; et al. 1988, p. 81. Laura, his father's sister, is depicted in a dress which symbolizes mourning for her father, who had recently died and appears in the framed portrait behind her. The baron was an Italian patriot exiled from Naples, living in Florence. Laura Bellelli's countenance is dignified and austere, her gesture connected ...
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Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ...
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The Kill Of Deer (Courbet)
''Killing a Deer'' or ''A Deer Hunt – The Kill'' (french: L'Hallali du cerf), is a very large picture (355 by 505 cm), representing a hunting scene, painted in 1867 by Gustave Courbet. The picture is currently on display in the Musée des Beaux-Arts et d'Archéologie of Besançon. History The painting was done during the winter of 1866–1867. It is in the large format newly adopted by Courbet, as also in '' A Burial at Ornans'' and ''The Artist's Studio''. The work was exhibited at the French art salons and academies of 1869. The picture caused some scandal, major formats being previously reserved for noble history paintings rather than hunting scenes. Iconography The scene shows a deer attacked by a pack of hunting dogs and collapsed on the snowy ground. Two characters are on the right. The drill is Cusenier Jules, a resident of Ornans while the man on horseback is Felix Gaudy, of Vuillafans. ''L'Hallali'' is in the tradition of representation of the scene hunt, from the ...
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Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ...
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Niagara Falls, From The American Side
''Niagara Falls, from the American Side'' is a painting by the American artist Frederic Edwin Church (1826–1900). Completed in 1867, it is based on preliminary sketches made by the artist at Niagara Falls and on a sepia photograph. It is Church's largest painting. The painting is now in the collection of the Scottish National Gallery. Church was a leading member of the Hudson River School of painters. Painting The painting depicts the view from the east side of Niagara Falls – the American side. In the spray of the waterfall a rainbow is visible. The painting has been described as giving the impression of the water being in constant motion, rushing down, roaring. History Church made his first painting of the falls in 1857. He had visited the falls several times in July and late August the previous year, making a number of pencil and oil sketches from different points of view. He elected to paint the scene from the Canadian side, choosing unconventional dimensions fo ...
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