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1727 In Music
The year 1727 in music involved some significant events. Events * April 11 – Johann Sebastian Bach gives the première of his ''St Matthew Passion'' BWV 244b (BC D 3a) at St. Thomas Church, Leipzig *Farinelli performs at Bologna, where he meets his mentor, Antonio Bernacchi. *The ''Davidov-Morrini'', ''ex General Dupont'' and ''Holroyd'' violins are made by Antonio Stradivari. *Johann Adolph Hasse arrives in Venice. * Louis-Claude Daquin is appointed organist at St Paul's in Paris. *Agostino Steffani visits Italy for the last time, and meets Handel at the palace of Cardinal Ottoboni in Rome. *George Frideric Handel is commissioned to write four anthems for the coronation ceremony of King George II of Great Britain. Published music * Joseph Bodin de Boismortier **''6 Suites à 2 Muzettes'', Op. 11 **6 Concertos for 5 Flutes, Op. 15 **''6 Suites à 2 Muzettes'', Op. 17 * André Chéron – ''Sonates en trio,'' Op. 1 * Azzolino Bernardino Della Ciaia – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
April 11
Events Pre-1600 * 491 – Flavius Anastasius becomes Byzantine emperor, with the name of Anastasius I. * 1241 – Batu Khan defeats Béla IV of Hungary at the Battle of Mohi. * 1512 – War of the League of Cambrai: Franco-Ferrarese forces led by Gaston de Foix and Alfonso I d'Este win the Battle of Ravenna against the Papal-Spanish forces. *1544 – Italian War of 1542–46: A French army defeats Habsburg forces at the Battle of Ceresole, but fails to exploit its victory. 1601–1900 *1689 – William III and Mary II are crowned as joint sovereigns of Great Britain on the same day that the Scottish Parliament concurs with the English decision of 12 February. * 1713 – France and Great Britain sign the Treaty of Utrecht, bringing an end to the War of the Spanish Succession (Queen Anne's War). Britain accepts Philip V as King of Spain, while Philip renounces any claim to the French throne. * 1727 – Premiere of Johann Sebastian Bach's St Mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Anthems (Handel)
A coronation anthem is a piece of choral music written to accompany the coronation of a monarch. Many composers have written coronation anthems. However, the best known were composed by George Frideric Handel for the coronation of the British monarch. Handel's four coronation anthems use text from the King James Bible and were originally commissioned for the coronation of George II of Great Britain in 1727, but have become standard for later coronations. They are ''Zadok the Priest'', ''Let Thy Hand Be Strengthened'', ''The King Shall Rejoice'', and ''My Heart Is Inditing''. Each was originally a separate work but they were later published together. Handel's coronation anthems Although part of the traditional content of British coronations, the texts for all four anthems were picked by Handel—a personal selection from the most accessible account of an earlier coronation, that of James II of England in 1685. One of George I of Great Britain's last acts before his death in 1727 w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Graupner
Christoph Graupner (13 January 1683 – 10 May 1760) was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel. Life Born in Hartmannsdorf near Kirchberg in Saxony, Graupner received his first musical instruction from his uncle, an organist named Nicolaus Kuester. Graupner went to the University of Leipzig where he studied law (as did many composers of the time) and then completed his musical studies with Johann Kuhnau, the cantor of the Thomasschule (St. Thomas School). In 1705, Graupner left Leipzig to play the harpsichord in the orchestra of the Hamburg Opera under the direction of Reinhard Keiser, alongside George Frideric Handel, then a young violinist. In addition to playing the harpsichord, Graupner composed six operas in Hamburg, some of them in collaboration with Keiser, a popular composer of operas in Germany. In 1709, Graupner accepted a post at the court of Hess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joseph Fux
Johann Joseph Fux (; – 13 February 1741) was an Austrian composer, music theory, music theorist and pedagogy, pedagogue of the late Baroque music, Baroque era. His most enduring work is not a musical composition but his treatise on counterpoint, ''Gradus ad Parnassum#Music and art, Gradus ad Parnassum'', which has become the single most influential book on the Giovanni Pierluigi da Palestrina, Palestrinian style of Renaissance music, Renaissance polyphony. Life Fux's exact date of birth is unknown. He was born to a peasant family in Langegg bei Graz, Hirtenfeld, Styria, Austria. Relatively little is known about his early life, but likely he went to nearby Graz for music lessons. In 1680 he was accepted at the Jesuit Ferdinandeum University there, where his musical talent became apparent. From 1685 until 1688 he served as organist at St. Moritz in Ingolstadt. Sometime during this period he must have made a trip to Italy, as evidenced by the strong influence of Arcangelo Corelli, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Caldara
Antonio Caldara (ca 1670 – 28 December 1736) was an Italian Baroque composer. Life Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi. In 1699 he relocated to Mantua, where he became ''maestro di cappella'' to the inept Charles IV, Duke of Mantua, a pensionary of France with a French wife, who took the French side in the War of the Spanish Succession. Caldara removed from Mantua in 1707, after the French were expelled from Italy, then moved on to Barcelona as chamber composer to Charles III, the pretender to the Spanish throne (following the death of Charles II of Spain in 1700 without any direct heir) and who kept a royal court at Barcelona. There, he wrote some operas that are the first Italian operas performed in Spain. He moved on to Rome, becoming ''maestro di cappella'' to Francesco Maria Marescotti Ruspoli, 1st P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laß, Fürstin, Laß Noch Einen Strahl, BWV 198
''Laß, Fürstin, laß noch einen Strahl'' (Let, Princess, let still one more glance) is a secular cantata composed as a funeral ode by Johann Sebastian Bach, first performed on 17 October 1727. In Wolfgang Schmieder's catalogue of Bach's works (BWV) it was assigned the number 198. It is also known as ' or as '. History and text Bach wrote several works for celebrations of the Leipzig University, ''Festmusiken zu Leipziger Universitätsfeiern''. He composed this cantata at the request of the university as a funeral ode for Christiane Eberhardine, wife of August II the Strong, the Elector of Saxony and King of Poland. The cantata was first performed on 17 October 1727 in the University Church in Leipzig. Bach himself directed from the harpsichord. The text was written by Johann Christoph Gottsched, professor of philosophy and poetry. The text is purely secular, proclaiming how the kingdom is in shock over the princess' death, how magnificent she was, and how sadly she will ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dem Gerechten Muß Das Licht, BWV 195
(The light shall ver rise againfor the righteous), BWV 195, is a church cantata by Johann Sebastian Bach for a wedding. He composed it in Leipzig, possibly in 1727, but only the incomplete scores of later performances from the 1740s survived. It uses two verses from Psalm 97 for the opening movement, and the first stanza auf Paul Gerhardt's hymn "" for the closing chorale. The librettist of the other movements is unknown. History and text Bach composed this cantata in Leipzig around 1727 for a wedding. The earliest version of the work is lost; an incomplete second version from 1742 and a complete revision from the late 1740s survive. These dates correspond with repeat performances of the work. The closing chorale is the first stanza of Paul Gerhardt's hymn "Nun danket all und bringet Ehr", with the melody of " Lobt Gott, ihr Christen alle gleich". The opening movement is based on ; the rest of the text is anonymous. Alfred Dürr derives from allusions in the text that the work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Lasse Dich Nicht, Du Segnest Mich Denn, BWV 157
(I will not let you go, unless you bless me), BWV157, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig in 1726/27 to a libretto by Picander. The first known performance was on 6 February 1727 during a memorial service for Johann Christoph von Ponickau in Pomßen near Leipzig. The work was later assigned to the feast of the Purification celebrated on 2 February. Picander included a quotation from in the first movement, and the last stanza of Christian Keymann's "" in the closing chorale. The contemplation begins with the Old Testament quotation being applied to Jesus, and leads to the last aria expressing an eager wish for death to arrive soon. The closing chorale picks up the first line. Bach structured the cantata in five movements. The original "chamber music" version (as reconstructed by Klaus Hofmann) was scored for two vocal soloists, tenor and bass, a four-part choir, and a Baroque instrumental ensemble of flauto traverso, oboe d'amore and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Bin Vergnügt Mit Meinem Glücke, BWV 84
(I am content with my fortune), 84, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for soprano in Leipzig in 1727 for the Sunday Septuagesima, and led the first performance, probably on 9 February 1727. Bach composed the work in his fourth year as ''Thomaskantor'' in Leipzig. The text is similar to a cantata text ' (I am content with my position), which Picander published in 1728, but it is not certain that he wrote also the cantata text. Its thoughts about being content are in the spirit of the beginning Enlightenment, expressed in simple language. The closing chorale is the 12th stanza of the hymn "" by Ämilie Juliane von Schwarzburg-Rudolstadt. is one of the few works which Bach called "Cantata" himself. Bach structured the work in five movements, alternating arias and recitatives, and a closing chorale. The scoring requires only a small ensemble of a soprano soloist, three additional vocal parts for the chorale, and a Baroque instrumental en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Habe Genug, BWV 82
Ich may refer to: * Ich, a German pronoun meaning ''I'', also a Middle English form of ''I'' * The ego, one of the psychic apparatus defined in Sigmund Freud's structural model of the psyche * ''Ich'' (album), an album by German rapper Sido * Ich, Semnan, a village in Semnan Province, Iran * Ich, Zanjan, a village in Zanjan Province, Iran * Ich, alternative name of Ij, Zanjan, a village in Zanjan Province, Iran * ''Ichthyophthirius multifiliis'', often shortened to ich, a disease of freshwater fish ** ''Cryptocaryon'' or marine ich, a similar disease of marine fish * ''Engeyum Kaadhal'', produced under the working title ''Ich'', an upcoming 2011 Tamil film ;As an acronym * I/O Controller Hub, an Intel Southbridge technology * Indian Coffee House, a restaurant chain in India * Intangible cultural heritage, a concept in cultural anthropology * Intelligent Corruption Handling, a corruption-handling method used in eMule * Interagency Council on Homelessness, in the United States * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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