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1276 In Poetry ...
Events *26 August — Matieu de Caersi composed a ''planh'' ("Tant suy marritz que no.m puese alegrar") on the death of James I of Aragon and so did Cerverí de Girona ("Si per tristor, per dol no per cossir") *Guiraut Riquier composes the pastorela ''D'Astarac venia''. * Death of Guido Guinizelli (born 1230), Italian poet and 'founder' of the Dolce Stil Novo Births {{Empty section, date=July 2010 Deaths * Guido Guinizelli (born 1230), Italian poet and 'founder' of the Dolce Stil Novo 13th-century poetry Poetry Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matieu De Caersi
Matieu de Caersi, Caerci, or Querci was a troubadour from the Quercy. According to the rubric accompanying his only song in troubadour manuscript ''C'',A 14th-century manuscript from Occitania, now filed as BN f.f. 856 in the Bibliothèque nationale de France, Paris. he was ''Mayestre Matieus de Caersi'', that is, a Master of Arts from Quercy, possibly Cahors. He is not to be identified with the Matheus who composed a ''tenso'' with Bertram de Gordon in 1212. Matieu's lone surviving song is ' ("I am so afflicted that I cannot be happy"), a ''planh'' on the death of James I of Aragon (died 26 August 1276). It is often compared and contrasted with another ''planh'' on James' death composed by Cerverí de Girona, ''Si per tristor, per dol no per cossir''. Cerverí's piece is direct and almost personal, as the troubadour asks the Virgin Mary to show as much mercy to James as he showed on earth, referring to his establishing the Mercedarian Order in Barcelona. Matieu, on the other hand, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planh
A genre of the troubadours, the or (; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady."Elisabeth Schulze-Busacker, "Topoi", in F. R. P. Akehurst and Judith M. Davis, eds., ''A Handbook of the Troubadours'' (Berkeley: University of California Press, 1995), pp. 421–440. Its main elements are expression of grief, praise of the deceased (eulogy) and prayer for his or her soul.Patricia Harris Stäblein, "New Views on an Old Problem: The Dynamics of Death in the ", ''Romance Philology'' 35, 1 (1981): 223–234. It is descended from the medieval Latin .William D. Paden, "Planh/Complainte", in W. W. Kibler and G. A. Zinn, eds., ''Medieval France: An Encyclopedia'' (New York: Garland, 1995), pp. 1400–1401. The is similar to the in that both were typically contrafacta. They made use of existing melodies, often imitating the original song even down to the rhymes. The most famous of all, however, Gaucelm Faidit's lament on the death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James I Of Aragon
James I the Conqueror ( es, Jaime el Conquistador, ca, Jaume el Conqueridor; 2 February 1208 – 27 July 1276) was King of Aragon and Lord of Montpellier from 1213 to 1276; King of Majorca from 1231 to 1276; and Valencia from 1238 to 1276 and Count of Barcelona. His long reign—the longest of any Iberian monarch—saw the expansion of the Crown of Aragon in three directions: Languedoc to the north, the Balearic Islands to the southeast, and Valencia to the south. By a treaty with Louis IX of France, he achieved the renunciation of any possible claim of French suzerainty over the County of Barcelona and the other Catalan counties, while he renounced northward expansion and taking back the once Catalan territories in Occitania and vassal counties loyal to the County of Barcelona, lands that were lost by his father Peter II of Aragon in the Battle of Muret during the Albigensian Crusade and annexed by the Kingdom of France, and then decided to turn south. His great part i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cerverí De Girona
Cerverí de Girona (; fl. 1259 – 1285) was a Catalan troubadour born Guillem de Cervera in Girona. He was the most prolific troubadour, leaving behind some 114 lyric poems among other works, including an ''ensenhamen'' of proverbs for his son, totaling about 130. He was a court poet to James the Conqueror and Peter the Great. He wrote ''pastorelas'' and ''sirventes'' and his overriding concern was the complexities of court life. None of his music survives. Cerverí spent some time under the patronage and at the court of Hugh IV and Henry II of Rodez. He was in Spain in 1269, for he is found that year in the entourage of the then-''infante'' Peter the Great. With fellow troubadours Folquet de Lunel and Dalfinet he accompanied Peter to Toledo. On 26 April at Riello, near Cuenca, he received one ''solidus'' for his services. Cerverí's ''Cobla en sis lengatges'' ("Verse in six languages") copied the metre of either Folquet's ''Al bon rey q'es reys de pretz car'' or Sordel' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guiraut Riquier
Guiraut Riquier de Narbona ( 1230 in Narbonne – 1292 in Narbonne or Rodez) is among the last of the Occitan troubadours. He is well known because of his great care in writing out his works and keeping them together—the New Grove Encyclopedia considers him an "anthologist" of his own works. He served under Aimery IV, Viscount of Narbonne,Elizabeth Aubrey, ''The Music of the Troubadours'', (Indiana University Press, 1996), 24. as well as Alfonso el Sabio, King of Castile. He is also believed to have worked under Henry II, Count of Rodez. He composed a ''partimen'' with the Jewish troubadour Bonfilh Bonfilh's stanzas (2, 6 and 8) Guiraut, I sing to make my heart rejoice And for love of one who keeps me happy, And because I like honor and joy and youth; But I'd never sing only for money, Nor do I seek it; I'd rather give it to you, For I give .... He invented the genre of the '' serena'' (evening song). Works *Guiraut Riquier: ''Humils, forfaitz, repres e penedens...'' in Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastorela
The ''pastorela'' (, "little/young shepherdess") was an Occitan lyric genre used by the troubadours. It gave rise to the Old French ''pastourelle''. The central topic was always the meeting of a knight with a shepherdess, which could lead to any of a number of possible conclusions. They were usually humorous pieces. The genre was allegedly invented by Cercamon, whose examples do not survive, and was most famously taken up by his (alleged) pupil Marcabru Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are e .... Table of ''pastorelas'' Only a few pastorelas have survived; Audiau counts 24 "true" Old Occitan examples, mentioning 10 others which resemble them but belong to other genres and one which is a translation from French. Zemp reduces this number further, to 17. Notes References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Guinizelli
Guido Guinizelli (ca. 1225–1276) was an esteemed Italian love poet and is considered the "father" of the Dolce Stil Novo. He was the first to write in this new style of poetry writing, and thus is held to be the ''ipso facto'' founder. He was born in, and later exiled from, Bologna, Italy. It is speculated that he died in Verona, Italy. Poetry Guinizelli's poetry can be briefly described as a conciliation between divine and earthly love with deep psychological introspection. His major works are ''Al cor gentil rempaira sempre Amore'(Within the gentle heart abideth Love) which Peter Dronke considers "perhaps the most influential love-song of the thirteenth century" (Dronke 1965, 57), as well as ''Io vogli del ver la mia donna laudare'' and ''Vedut'ho la lucente stella Diana''.SePaolo Borsa, ''La nuova poesia di Guido Guinizelli'' Fiesole, Cadmo, 2007. The main themes of the Dolce Stil Novo can be found in Guinizelli's ''Al cor gentil rempaira sempre amore'': the angelic beauty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1230 In Poetry ...
{{Year nav topic5, 1230, poetry, literature Events * Beginning of the Sicilian School * Bernart Sicart de Maruèjols composed the ''sirventes'' "Ab greu cossire" about the effect of the Albigensian Crusade on Languedoc * Peire Bremon Ricas Novas and Gui de Cavalhon compose a ''tenso'' together Births * Guido Guinizelli born between 1230-1240 (died 1276), Italian poet and 'founder' of the Dolce Stil Novo * Guiraut Riquier (died 1292), an Occitan troubadour Deaths * Janna (born ''unknown''), Kannada * Walther von der Vogelweide (born 1170), Middle High German lyric poet 13th-century poetry Poetry Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolce Stil Novo
''Dolce Stil Novo'' (), Italian for "sweet new style," is the name given to a literary movement in 13th and 14th century Italy. Influenced by the Sicilian School and Tuscan poetry, its main theme is Divine Love. The name ''Dolce Stil Novo'' was used for the first time by Dante Alighieri in ''Purgatorio'', the second canticle of the ''Divina Commedia''. In the ''Divina Commedia'' Purgatory he meets Bonagiunta Orbicciani, a 13th-century Italian poet, who tells Dante that Dante himself, Guido Guinizelli, and Guido Cavalcanti had been able to create a new genre: a ''stil novo''. Poetry from this school is marked by adoration of the human form, incorporating vivid descriptions of female beauty and frequently comparing the desired woman to a creature from paradise. The woman is described as an "angel" or as "a bridge to God." Rather than being material in nature, the Love of the ''Dolce Stil Novo'' is a sort of Divine Love. Poetry of this movement also often includes profound introsp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century Poetry
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo resisted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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