1936 International Society For Contemporary Music Festival
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1936 International Society For Contemporary Music Festival
The 1936 International Society for Contemporary Music Festival was the fourteenth edition of the festival. Held in Barcelona from 19 to 23 April 1936, just three months before the outbreak of the Spanish Civil War, it was one of the last major cultural events of the Second Spanish Republic. This edition is best remembered for the posthumous world premiere of Alban Berg Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively sma ...'s Violin Concerto on its inaugural day. Programme The compositions were selected in Barcelona from 28 December 1935 to 1 January 1936 by a jury formed by Ernest Ansermet, Edward J. Dent, Joan Lamote de Grignon, Anton Webern and Bolesław Woytowicz. Knudåge Riisager could not attend the meeting. 1 Anton Webern was scheduled to conduct Berg's Concerto and ...
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International Society For Contemporary Music
The International Society for Contemporary Music (ISCM) is a music organization that promotes contemporary classical music. The organization was established in Salzburg in 1922 as Internationale Gesellschaft für Neue Musik (IGNM) following the Internationale Kammermusikaufführungen Salzburg, a festival of modern chamber music held as part of the Salzburg Festival. It was founded by the Austrian (later British) composer Egon Wellesz and the Cambridge academic Edward J Dent, who first met when Wellesz visited England in 1906. In 1936 the rival Permanent Council for the International Co-operation of Composers, set up under Richard Strauss, was accused of furthering Nazi Party cultural ambitions in opposition to the non-political ISCM. British composer Herbert Bedford, acting as co-Secretary, defended its neutrality. Aside from hiatuses in 1940 and 1943-5 due to World War II and in 2020–21 due to the global COVID-19 pandemic, the ISCM's core activity has been an annual festiv ...
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Ricardo Fusté
Ricardo is the Spanish and Portuguese cognate of the name Richard. It derived from Proto-Germanic ''*rīks'' 'king, ruler' + ''*harduz'' 'hard, brave'. It may be a given name, or a surname. People Given name *Ricardo de Araújo Pereira, Portuguese comedian *Ricardo Arjona, Guatemalan singer *Ricardo Arona, Brazilian mixed martial artist *Ricardo Ávila, Panamanian footballer *Ricardo Bralo, Argentine long-distance runner * Ricardo Bueno Fernández, Spanish politician *Ricardo Busquets, Puerto Rican swimmer *Ricardo Cardeno, Colombian triathlete *Ricardo Carvalho, Portuguese footballer *Ricardo Cortez, American actor *Ricardo Darín, Argentine actor *Ricardo (footballer, born 1980), full name Ricardo da Silva, Cape Verdean-Portuguese footballer *Ricardo Faty, Senegalese footballer *Ricardo Fischer, Brazilian basketball player *Ricardo Fortaleza, Filipino-Australian boxer *Ricardo Fuller, Jamaican football (soccer) player * Ricardo A. "Rick" Galindo, American politician *Ricardo Gom ...
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Louis Krasner
Louis Krasner (4 May 1995) was a Russian Empire-born American classical violinist who premiered the violin concertos of Alban Berg and Arnold Schoenberg. Biography Louis Krasner was born in Cherkasy, Russian Empire. He arrived in the United States at the age of 5, and graduated from the New England Conservatory of Music in 1922. He continued his studies with Lucien Capet in Paris, Otakar Ševčík in Písek, Czechoslovakia, and Carl Flesch in Berlin. His concert career began in Europe, where he championed the concertos of Joseph Achron and Alfredo Casella. In 1935 he commissioned Alban Berg's Violin Concerto, which he premiered on 19 April 1936 in Barcelona, with Hermann Scherchen conducting the Pablo Casals Orchestra. He also premiered Arnold Schoenberg's Violin Concerto in December 1940, with Leopold Stokowski leading the Philadelphia Orchestra. Among the American composers whose works he premiered were Roger Sessions, Henry Cowell, and Roy Harris. Krasner retired from s ...
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Leonor Meyer
Leonor or Léonor is a short form of the given name Eleanor. People bearing the name include: *Leonor Beleza (born 1948), Portuguese politician *Leonor Briones (born 1940), Filipino academic and civil servant *Leonor de Cisneros (died 1568), Spanish Protestant martyr *Leonor F. Loree (1858–1940), American civil engineer, lawyer and railroad executive *Leonor Fini (1907–1996), Argentine surrealist painter *Leonor Gonzalez Mina (born 1934), vocalist in the cumbia genre of Colombian music *Leonor López de Córdoba (1362–1420), advisor and confidant of Queen Catalina of Lancaster *Leonor Maia (born 1921), Portuguese film actress *Leonor Michaelis (1875–1949), German-born American biochemist and physician *Leonor Orosa-Goquinco (1917–2005), Filipino national artist in creative dance *Leonor Oyarzún (born 1922), First Lady of Chile, wife of former President Patricio Aylwin *Leonor Piuza (born 1978), Mozambican 800 metre runner *Leonor Poeiras (born 1980), Portuguese televis ...
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Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." The plot depicts the everyday lives of soldiers and the townspeopl ...
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Karl V (opera)
''Karl V.'' is an opera, described as a ''Bühnenwerk mit Musik'' (stage work with music) by Ernst Krenek, his opus 73. The German libretto is by the composer. His student Virginia Seay collaborated with him on the English translation of the libretto. The first completed full-length twelve-tone opera tells the story of Emperor Charles V's life in a series of flashbacks on a split stage, devices which the composer only much later recognized as "cinematic" in style; there is also some use of '' Sprechstimme''. History Originally commissioned in 1930 by the Vienna State Opera for performance in 1934, this much anticipated work became a ''cause célèbre'' when the production was cancelled after Krenek was blacklisted in Germany by the Nazi government immediately following the German parliamentary elections in March 1933. The composer believed it was its strong emphasis on Christian universality that made ''Karl V.'' "utterly intolerable" to the Nazis.Ogdon 1972, 103 ...
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Ernst Krenek
Ernst Heinrich Krenek (, 23 August 1900 – 22 December 1991) was an Austrian, later American, composer of Czech origin. He explored atonality and other modern styles and wrote a number of books, including ''Music Here and Now'' (1939), a study of Johannes Ockeghem (1953), and ''Horizons Circled: Reflections on my Music'' (1974). Krenek wrote two pieces using the pseudonym Thornton Winsloe. Life Born Ernst Heinrich Křenek in Vienna (then in Austria-Hungary), he was the son of a Czech soldier in the Austro-Hungarian army. He studied there and in Berlin with Franz Schreker before working in a number of German opera houses as conductor. During World War I, Krenek was drafted into the Austrian army, but he was stationed in Vienna, allowing him to go on with his musical studies. In 1922 he met Alma Mahler, widow of Gustav Mahler, and her daughter, Anna, to whom he dedicated his Symphony No. 2, and whom he married in January 1924. That marriage ended in divorce before its first anni ...
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Robert Gerhard
Robert Gerhard i Ottenwaelder (; 25 September 1896 – 5 January 1970) was a Spanish Catalan composer and musical scholar and writer, generally known outside Catalonia as Roberto Gerhard.Malcolm MacDonald. 'Gerhard, Roberto' in ''Grove Music Online'' (2001) Life Gerhard was born in Valls, near Tarragona, Spain, the son of a German-Swiss father and an Alsatian mother. He was predisposed to an international, multilingual outlook. He studied piano with Enrique Granados and composition with scholar-composer Felip Pedrell, teacher of Isaac Albéniz, Granados and Manuel de Falla. When Pedrell died in 1922, Gerhard tried unsuccessfully to become a pupil of Falla and considered studying with Charles Koechlin in Paris but then approached Arnold Schoenberg, who on the strength of a few early compositions accepted him as his only Spanish pupil. Gerhard spent several years with Schoenberg in Vienna and Berlin. Returning to Barcelona in 1928, he devoted his energies to new music through c ...
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Edmund Von Borck
Edmund Konstantin Wilhelm von Borck (22 February 1906 – 16 February 1944) was a German composer of (modern) classical music and a conductor. Life Edmund von Borck was born in Breslau, Germany to a landholding family that had joined the nobility in 1796. His father, Eduard von Borck (1864–1938) was a captain (Rittmeister) with the Silesian cuirassier regiment ( :de:Leib-Kürassier-Regiment „Großer Kurfürst“ (Schlesisches) Nr. 1). His mother, Erika (née Lübbecke) (1880–1945), was related to Johann Friedrich Reichardt. Borck studied piano with Bronisław von Poźniak from 1920 to 1926 and had composition lessons from Ernst Kirsch. After graduating from school with his Abitur, he began studying musicology. He continued this study in Berlin in 1928, but soon afterwards switched his focus to conducting, and completed the conducting (Kapellmeister) class at the Berliner Musikhochschule under the direction of Julius Prüwer. In 1930 he became conductor of the Frankfu ...
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Palau De La Música Catalana
Palau de la Música Catalana (, en, Palace of Catalan Music) is a concert hall in Barcelona, Catalonia, Spain. Designed in the Catalan '' modernista'' style by the architect Lluís Domènech i Montaner, it was built between 1905 and 1908 for Orfeó Català, a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the ''Renaixença'' (Catalan Rebirth).Benton, Tim. ''Modernismo in Catalonia'' In: ''Art Nouveau Architecture'' (Frank Russell, editor), New York: Arch Cape Press, 1986. . It was inaugurated on 9 February 1908. The construction project was mainly financed by Orfeó Català, but important financial contributions also came from Barcelona's wealthy industrialists and bourgeoisie. The palace won the architect an award from the Barcelona City Council in 1909, given to the best building built during the previous year. Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension unde ...
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Barcelona Municipal Band
Founded in 1886 by Barcelona City Council, the Barcelona Municipal Band is a musical institution going back a long way. Since 2007, it has been the resident band at the Barcelona Auditorium (L'Auditori), where it offers a fixed season of concerts and where it develops projects in partnership with artists and groups forming part of the international scene as well as those from the local sphere. The resident conductor since 2008 has been the Catalan composer and conductor Salvador Brotons. History Precedents: 14th to 20th centuries There are records going back to the 14th century of the presence of instrumental groups accompanying official municipal events and celebrations in Barcelona, often under the name of ‘city music’. The trumpets and drums bore the coat of arms of the city and formed part of the entourage of the City Hall authorities. On special occasions, it hired the services of different groups of minstrels, whose function was more to amuse and entertain the public. ...
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Schola Cantorum De Sant Miquel Arcàngel
Scholae ( el, Σχολαί) is a Latin word, literally meaning "schools" (from the singular ''schola'', ''school'' or ''group'') that was used in the late Roman Empire to signify a unit of Imperial Guards. The unit survived in the Byzantine Empire until the 12th century. Michel Rouche succinctly traced the word's development, especially in the West: "The term ''schola'', which once referred to the imperial guard, came to be applied in turn to a train of warrior-servants who waited on the king, to the group of clergymen who waited on the bishop, to the monks of a monastery, and ultimately to a choral society; it did not mean 'school' before the ninth century." The imperial ''Scholae'' While the singular ''schola'' still was used to refer to learning of singing and a mode of writing, the plural had an independent meaning. Next to the old kind of school, the Scholae Palatinae, established by Constantine the Great as a replacement to the Praetorian Guard, was the training center of th ...
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