1852 In Art
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1852 In Art
Events from the year 1852 in art. Events * February 5 – Hermitage Museum first opens to the public in Saint Petersburg. * June 1 – The Hôtel Drouot is inaugurated in Paris as a fine art auction gallery. Works * Théodore Chassériau – '' Le Harem'' (approximate date) * Frederic Edwin Church - '' The Natural Bridge, Virginia'' * Gustave Courbet ** ''Village Damsels'' ** ''A Girl Spinning'' * Thomas Couture – ''Anselm Feuerbach'' * Anselm Feuerbach – ''Hafiz at the Fountain'' * Hiroshige – '' Thirty-six Views of Mount Fuji'' (first publication) * William Holman Hunt – '' Our English Coasts, 1852 ('Strayed Sheep')'' * George Inness – '' A Bit of the Roman Aqueduct'' * George Jones – ''Turner's Gallery; the Artist Showing his Work'' * Frederic Leighton – ''The Death of Brunelleschi'' * John Martin – ''The Destruction of Sodom and Gomorrah'' * John Everett Millais ** ''A Huguenot'' ** ''Ophelia'' * François Rude – ''Joan of Arc'' (marble) * John Steell – ...
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February 5
Events Pre-1600 * 62 – Earthquake in Pompeii, Italy. * 1576 – Henry of Navarre abjures Catholicism at Tours and rejoins the Protestant forces in the French Wars of Religion. * 1597 – A group of early Japanese Christians are killed by the new government of Japan for being seen as a threat to Japanese society. 1601–1900 * 1783 – In Calabria, a sequence of strong earthquakes begins. * 1810 – Peninsular War: Siege of Cádiz begins. * 1818 – Jean-Baptiste Bernadotte ascends to the thrones of Sweden and Norway. * 1852 – The New Hermitage Museum in Saint Petersburg, Russia, one of the largest and oldest museums in the world, opens to the public. * 1859 – Alexandru Ioan Cuza, Prince of Moldavia, is also elected as prince of Wallachia, joining the two principalities as a personal union called the United Principalities, an autonomous region within the Ottoman Empire, which ushered in the birth of the modern Romanian state. * 1862 &n ...
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George Inness
George Inness (May 1, 1825 – August 3, 1894) was a prominent United States, American landscape painting, landscape painter. Now recognized as one of the most influential American artists of the nineteenth century, Inness was influenced by the Hudson River School at the start of his career. He also studied the Old Masters, and artists of the Barbizon school during later trips to Europe. There he was introduced to the theology of Emanuel Swedenborg, which was significant for him; he expressed that spiritualism in the works of his maturity (1879–1894). Although Inness's style evolved through distinct stages over a prolific career that spanned more than forty years and 1,000 paintings, his works consistently earned acclaim for their powerful, coordinated efforts to elicit depth of mood, atmosphere, and emotion. Neither pure realism (arts), realist nor impressionist, Inness was a transitional figure, He worked to combine both the earthly and the ethereal in order to capture ...
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Frederick August Wenderoth
Frederick August Wenderoth or F. A. Wenderoth (1819 – 1884) was a German-born American painter and photographer. Born and educated in Cassel, where he first learned to paint from his father, he established a lifelong friendship with Charles Christian Nahl at school. During the 1840s period of political upheaval in Hesse, he moved to Paris, where he was joined by Nahl and his half-brother Arthur Nahl. They moved to the US in 1848, living first in New York. They traveled by sea to California to join the Gold Rush. Unsuccessful as miners, Wenderoth and Nahl opened art studios, first in Sacramento and later in San Francisco, collaborating as painters, engravers and photographers. After a trip to the South Seas and Australia, Wenderoth married and moved to Philadelphia, Pennsylvania, on the East Coast, where he established a photography studio. In the late 1850s he worked for a period in South Carolina, going into partnership with Jesse Bolles. There, and later when he returned to ...
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John Steell
Sir John Robert Steell (Aberdeen 18 September 1804 – 15 September 1891) was a Scottish sculptor. He modelled many of the leading figures of Scottish history and culture, and is best known for a number of sculptures displayed in Edinburgh, including the statue of Sir Walter Scott at the base of the Scott Monument. Biography Steell was born in Aberdeen, but his family moved to 5 Calton Hill in Edinburgh in 1806. He was one of the thirteen children (eleven surviving beyond infancy) of John Steell senior (1779–1849), a carver and gilder, and his wife, Margaret Gourlay, the daughter of William Gourlay, a Dundee shipbuilder. As the family grew they moved to a larger house at 20 Calton Hill. Due to his father's own fame as a sculptor, for much of his early working career he is referred to as John Steel Junior. Steell initially followed his father, training to be a carver himself, being apprenticed in 1818. In 1819 his father was declared bankrupt by the Trades of Calton, bring ...
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François Rude
François Rude (4 January 1784 – 3 November 1855) was a French sculptor, best known for the ''Departure of the Volunteers'', also known as ''La Marseillaise'' on the Arc de Triomphe in Paris. (1835–36). His work often expressed patriotic themes, as well as the transition from neo-classicism to romanticism. Early life François Rude was born 4 January 1784 on rue Petite-Poissonnerie (rue François Rude) in Dijon. His father was a blacksmith and locksmith, who taught Rude the trade of forging iron, so he could take over the family business. In 1799, at the age of fifteen, despite his father's resistance, he began taking courses at the School of Fine Arts in Dijon, located within the Palace of the Dukes of Burgundy, while continuing to work in the family business. His teacher was the deputy curator of the Dijon museum, Louis Fremiet. Rude learned both drawing and sculpture, using classical models. Fremiet helped protect Rude from being drafted into Napoleon's army, and, in 1808, ...
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Ophelia (painting)
''Ophelia'' is an 1851-52 painting by British artist Sir John Everett Millais in the collection of Tate Britain, London. It depicts Ophelia, a character from William Shakespeare's play ''Hamlet'', singing before she drowns in a river. The work encountered a mixed response when first exhibited at the Royal Academy, but has since come to be admired as one of the most important works of the mid-nineteenth century for its beauty, its accurate depiction of a natural landscape, and its influence on artists from John William Waterhouse and Salvador Dalí to Peter Blake, Ed Ruscha and Friedrich Heyser. Theme and elements The painting depicts Ophelia singing while floating in a river just before she drowns. The scene is described in Act IV, Scene VII of ''Hamlet'' in a speech by Queen Gertrude. The episode depicted is not usually seen onstage, as in Shakespeare's text it exists only in Gertrude's description. Out of her mind with grief, Ophelia has been making garlands of wildflowers ...
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A Huguenot
''A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge. (See the Protestant Reformation in France, vol. ii., page 352)'' (1851–52) is the full, exhibited title, of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period. It was accompanied, at the Royal Academy of Arts in London in 1852, with a long quote reading: "When the clock of the Palais de Justice shall sound upon the great bell, at daybreak, then each good Catholic must bind a strip of white linen round his arm, and place a fair white cross in his cap.—''The order of the Duke of Guise''." This long title is usually abbreviated to ''A Huguenot'' or ''A Huguenot, on St Bartholomew's Day''. It depicts a pair of young lovers and is given a dramatic twist because the woman, who is Catholic, is attempting to get her beloved, who is Protestant, to wear the white armband declaring allegiance to Catholicism. The young man fir ...
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John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ...
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John Everett Millais - Ophelia - Google Art Project
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope John ...
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John Martin (painter)
John Martin (19 July 1789 – 17 February 1854) was an English Romanticism, Romantic painter, engraver and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantasy art, fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general publicin 1821 Thomas Lawrence referred to him as "the most popular painter of his day"but were lambasted by John Ruskin and other critics. Early life Martin was born in July 1789, in a one-room cottage, at Haydon Bridge, near Hexham in Northumberland, the fourth son of Fenwick Martin, a one-time fencing master. He was apprenticed by his father to a coachbuilder in Newcastle upon Tyne to learn heraldry, heraldic painting, but owing to a dispute over wages the indentures were cancelled, and he was placed instead under Boniface Musso, an Italian artist, father of the enamel painter Charles ...
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