1846 In Music
Events *June 28 – Adolphe Sax patents the saxophone. *August 16 – Gioachino Rossini marries artist's model Olympe Pélissier. *Electric spotlighting is installed at the Paris Opera. Published popular music *" Lijepa naša domovino" Croatian national anthem m. Josip Runjanin w. Antun Mihanović (written in 1835) *" The Indian's Prayer" w. Anonymous, m. I.B. Woodbury *"There's a Good Time Coming" by Stephen Foster *"Well-A-Day" by George Linley *" When the Swallows Homeward Fly" w.m. Franz Abt Oratorio * César Franck – ''Ruth'' *Felix Mendelssohn – Elijah Classical music *Hector Berlioz – '' La damnation de Faust'' *Anton Bruckner **''Tantum ergo'', WAB 41, 42 **" Ständchen", WAB 84.2 *Frederic Chopin ** Polonaise-Fantaisie ** Barcarolle ** Cello Sonata * Carl Czerny – Impromptu Fugué, Op.776 *Heinrich Wilhelm Ernst – Rondo Papageno, Op.20 *Henry Litolff – Concerto Symphonique No 3 in E-flat, Op. 4 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Franz Abt
Franz Wilhelm Abt (22 December 1819 – 31 March 1885) was a German composer and choral conductor. He composed roughly 3,000 individual works mostly in the area of vocal music. Several of his songs were at one time universally sung, and have obtained a more or less permanent place in the popular repertory. Abt was a renowned choral conductor, and he spent much of the last three decades of his life working as a guest conductor with choirs throughout Europe and in the United States. Biography Abt was born at Eilenburg in Prussian Saxony, and showed musical talent at an early age. His father was a clergyman and a talented pianist, and it is he who gave Franz his earliest instruction in music. Like his father, Abt was interested in both music and theology, and he followed both pursuits at the Thomasschule Leipzig and Leipzig University with the ultimate intention of becoming a member of the clergy. While in school, Abt became friends with Albert Lortzing, Felix Mendelssohn, and Ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carl Czerny
Carl Czerny (; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils. Early life Infancy Carl Czerny was born in Vienna (Leopoldstadt) and was baptized in St. Leopold parish. His parents were of Czech origin; his mother was Moravian. His parents spoke Czech with him. Czerny came from a musical family: his grandfather was a violinist at Nymburk, near Prague, and his father, Wenzel, was an oboist, organist and pianist. When Czerny was six months old, his father took a job as a piano teacher at a Polish manor and the family moved to Poland, where they lived until the third partition of Poland prompted the family to return to Vienna in 1795. As a child prodigy, Czerny began playin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cello Sonata (Chopin)
The Cello Sonata in G minor, Op. 65, was written by Frédéric Chopin in 1846-1847. It is one of only nine works of Chopin published during his lifetime that were written for instruments other than piano (although the piano still appears in every work he wrote). Chopin composed four sonatas, the other three being piano sonatas. The cello sonata was the last of Chopin's works to be published in his lifetime. The sonata was written for and dedicated to Auguste Franchomme. The sonata is remarkable for the concentration of its material: much of the music of the first movement grows out of the cello’s opening statement, and certain theme-shapes appear in all its movements. The last three movements were first publicly performed by Franchomme and Chopin at the composer's last public concert, at the Salle Pleyel The Salle Pleyel (, meaning "Pleyel Hall") is a concert hall in the 8th arrondissement of Paris, France, designed by acoustician Gustave Lyon together with architect Jacques Mar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barcarolle (Chopin)
The Barcarolle in F-sharp major, Op. 60, is a piece for solo piano by Frédéric Chopin, composed between autumn of 1845 and summer 1846, three years before his death. Based on the barcarolle A barcarolle (; from French, also barcarole; originally, Italian barcarola or barcaruola, from ''barca'' 'boat') is a traditional folk song sung by Venetian gondoliers, or a piece of music composed in that style. In classical music, two of the mo ... rhythm and mood, it features a sweepingly romantic and slightly wistful tone. Many of the technical figures for the right hand are thirds and sixths, while the left features very long reaches over an octave. Its middle section is in A major, and this section's second theme is recapitulated near the piece's end in F-sharp. It is also one of the pieces where Chopin's affinity to the bel canto operatic style is most apparent, as the double notes in the right hand along with spare arpeggiated accompaniment in the left hand explicitly imitates ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Polonaise-Fantaisie
The Polonaise-fantaisie in A-flat major, Op. 61, is a composition for piano by Frédéric Chopin. It was dedicated to Mme A. Veyret, written and published in 1846. This work was slow to gain favour with musicians, due to its harmonic complexity and intricate form. Arthur Hedley was one of the first critics to speak positively of the work, writing in 1947 that it "works on the hearer's imagination with a power of suggestion equaled only by the F minor Fantasy or the fourth Ballade", although Arthur Rubinstein, Leff Pouishnoff, Claudio Arrau and Vladimir Horowitz had been including it in their programs some decades earlier. It is intimately indebted to the polonaise for its metre, much of its rhythm, and some of its melodic character, but the fantaisie is the operative formal paradigm, and Chopin is said to have referred initially to the piece only as a Fantasy. Parallels with the Fantaisie in F minor include the work's overall tonality, A-flat, the key of its slower middle sect ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frederic Chopin
{{disambiguation, geo ...
Frederic may refer to: Places United States * Frederic, Wisconsin, a village in Polk County * Frederic Township, Michigan, a township in Crawford County ** Frederic, Michigan, an unincorporated community Other uses * Frederic (band), a Japanese rock band * Frederic (given name), a given name (including a list of people and characters with the name) * Hurricane Frederic, a hurricane that hit the U.S. Gulf Coast in 1979 * Trent Frederic, American ice hockey player See also * Frédéric * Frederick (other) * Fredrik * Fryderyk (other) Fryderyk () is a given name, and may refer to: * Fryderyk Chopin (1810–1849), a Polish piano composer * Fryderyk Getkant (1600–1666), a military engineer, artilleryman and cartographer of German origin * Fryderyk Scherfke (1909–1983), an inte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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La Damnation De Faust
''La damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a work for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a "''légende dramatique''" ( dramatic legend). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history The French composer was inspired by a translation of Goethe's dramatic poem ''Faust'' and produced a musical work that, like the masterpiece on which it is based, defies easy categorisation. Conceived at various times as a free-form oratorio and as an opera (Berlioz ultimately called it a "légende dramatique") its travelogue form and cosmic perspective have made it an extreme challenge to stage as an opera. Berlioz himself was eager to see the work staged, but once he did, he conceded that the production techniques of his time were not up to the task of bringing the work to dramatic life. Most of the work ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elijah (oratorio)
''Elijah'' (german: Elias), Op. 70, MWV A 25, is an oratorio by Felix Mendelssohn depicting events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Testament. It premiered on 26 August 1846. Music and its style This piece was composed in the spirit of Mendelssohn's Baroque predecessors Bach and Handel, whose music he greatly admired. In 1829 Mendelssohn had organized the first performance of Bach's '' St Matthew Passion'' since the composer's death and was instrumental in bringing this and other Bach works to widespread popularity. By contrast, Handel's oratorios never went out of fashion in England. Mendelssohn prepared a scholarly edition of some of Handel's oratorios for publication in London. ''Elijah'' is modelled on the oratorios of these two Baroque masters; however, in its lyricism and use of orchestral and choral colour the style clearly reflects Mendelssohn's own genius as an early Romantic composer. The work is scored for eigh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |