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1743 In Music
{{Year nav topic5, 1743, music Events * March 23 – English premiere of Handel's '' Messiah'' before royalty at the Theatre Royal, Covent Garden in London. * Johann Sebastian Bach examines the organ at the Johanniskirche, Leipzig. *1743–1746 Bach revises his ''St Matthew Passion'' (two organs used again, but viola da gamba still retained; recitatives revised so that now only the vox Christi recitatives have sustained continuo parts). No evidence of version being performed (version we know today). Classical music * Carl Philipp Emanuel Bach – Keyboard Sonata in B minor, H.32.5 *William Boyce – ''Solomon'' (serenata) * Maurice Greene – "Thou visitest the earth" (Song) *George Frideric Handel **'' Samson'' (oratorio, composed 1741–42, premiered 18 February 1732 at Covent Garden in London) **'' Semele'', HWV 58 (oratorio, composed 3 June to 4 July, not performed until 1744) **''Joseph and His Brethren'', HWV 59 **Te Deum in D major, HWV 283 **Organ Concerto in A major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Ludwig Krebs
Johann Ludwig Krebs (baptized 12 October 1713 – 1 January 1780) was a German Baroque musician and composer for the pipe organ, harpsichord, other instruments and orchestras. His output also included chamber music, choral works and concertos. Life Krebs was born in 1713 in Buttelstedt to Johann Tobias Krebs, an organist. At least three of his brothers were musically talented. Krebs was sent to Leipzig to study organ, lute, and the violin. Krebs studied with Johann Sebastian Bach on the organ. Bach (who had also instructed Krebs's father) held Krebs in high standing. From a technical standpoint, Krebs was unrivaled next to Bach in his organ proficiency. However, Krebs found it difficult to obtain a patron or a cathedral post. His Baroque style was being supplanted by the newer galant music style and the classical music era. Krebs took a small post in Zwickau, and in 1755 (five years after the death of Bach, which is normally referred to as the end of the Baroque period) he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Geminiani
230px Francesco Saverio Geminiani (baptised 5 December 1687 – 17 September 1762) was an Italian violinist, composer, and music theorist. BBC Radio 3 once described him as "now largely forgotten, but in his time considered almost a musical god, deemed to be the equal of Handel and Corelli." Life Born at Lucca, he received lessons in music from Alessandro Scarlatti, and studied the violin under Carlo Ambrogio Lonati in Milan and afterwards under Arcangelo Corelli. From 1707 he took the place of his father in the Cappella Palatina of Lucca. From 1711, he led the opera orchestra at Naples, as Leader of the Opera Orchestra and concertmaster, which gave him many opportunities for contact with Alessandro Scarlatti. After a brief return to Lucca, in 1714, he set off for London in the company of Francesco Barsanti, where he arrived with the reputation of a virtuoso violinist, and soon attracted attention and patrons, including William Capel, 3rd Earl of Essex, who remained a consiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domènec Terradellas
Domènec Terradellas (baptized 13 February 1713, Barcelona – 20 May 1751, Rome) was a Spanish opera composer. The birthdate is sometimes incorrectly given as 1711. Carreras i Bulbena did extensive research in contemporary documents, such as baptismal records, and found that the correct date was 1713. All his works are thoroughly Italian in style. Career Born in Barcelona, the son of a day laborer, his early musical training is unknown. It has been said that Terradellas studied with the composer Francisco Valls in Barcelona, but Carreras i Bulbena's research in Barcelona uncovered no evidence of this. On 23 May 1732, he entered in Naples as a student in the . He studied composition with the famous Neapolitan composer, Francesco Durante. Terradellas was one of a group of foreign-born composers who studied in Italy and adopted the Italian style. The reason for this is that Italian opera was by far the dominant genre of opera at this time, attracting composers from all across ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Heinrich Graun
Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Biography Graun was born in Wahrenbrück in the Electorate of Saxony. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Kreuzkirche, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Dresden Opera. He studied singing with Christian Petzold and composition with Johann Christoph Schmidt. In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera ''Lo specchio della fedeltà'' for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was ''Kapellmeister'' to Frederick the Great from his ascension to the throne in 1740 until Graun's death nineteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofoonte (Gluck)
''Demofoonte'' is a dramma per musica or opera in 3 acts by composer Christoph Willibald Gluck. The work uses an Italian language libretto by Pietro Metastasio. The opera premiered on 6 January 1743 at the Teatro Regio Ducale in Milan. Roles Revivals The first modern performance of the opera took place at the Theater an der Wien in Vienna, Austria on November 23, 2014. The opera was conducted by Alan Curtis (harpsichordist) Alan Curtis (November 17, 1934July 15, 2015) was an American harpsichordist, musicologist, and conductor of baroque opera. Born in Mason, Michigan, Curtis graduated from studies at the University of Illinois, and received his PhD in 1960 with a ..., featured his Il Complesso Barocco as well as Aryeh Nussbaum Cohen in the primo uomo role of Timante. References {{Authority control Operas 1743 operas Italian-language operas Operas by Christoph Willibald Gluck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Galuppi
Baldassare Galuppi (18 October 17063 January 1785) was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in Europe throughout the 18th century. He achieved international success, spending periods of his career in Vienna, London and Saint Petersburg, but his main base remained Venice, where he held a succession of leading appointments. In his early career Galuppi made a modest success in ''opera seria'', but from the 1740s, together with the playwright and librettist Carlo Goldoni, he became famous throughout Europe for his comic operas in the new ''dramma giocoso'' style. To the succeeding generation of composers, he was known as "the father of comic opera". Some of his mature ''opere serie'', for which his librettists included the poet and dramatist Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard De Bury
Bernard de Bury or Buri (20 August 1720 – 19 November 1785) was a French musician and court composer of the late Baroque era. Biography Bernard de Bury was born at Versailles, a member of a family of musicians, many of whom had appointments to the French court, and was taught music as a young boy. He wrote his first – and only – harpsichord book in 1737, at the age of seventeen, and dedicated it to his teacher, François Colin de Blamont, uncle of his future wife. In 1741, he bought the charge of ''Claveciniste de la Chambre'' from Marguerite-Antoinette Couperin, which she had inherited from her father François Couperin as a ''survivance''. In 1743, he began a successful career with his opéra-ballet ''Les Caractères de la Folie'' ("Characters of Madness") which was performed at the ''Académie Royale de Musique''. His works continued to be staged during the festivities given in Versailles, Sceaux, and Fontainebleau for more than thirty-five years. He also wrote sever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quichotte Chez La Duchesse
''Don Quichotte chez la Duchesse'' (''Don Quixote at the Duchess'') is a "comic ballet" ('' comédie lyrique'') by the French baroque composer Joseph Bodin de Boismortier. Although it is described as a ballet, it is sung throughout with a libretto by Charles Simon Favart. Performance history It was first performed on 12 February 1743 at the Académie Royale de Musique et de Dance in Paris. Roles *Don Quichotte, ''haute-contre'' Jean-Antoine Bérard *Sancho Pança, ''taille'' (baritenor) Louis-Antoine Cuvilliers *Altisidore, soprano Marie Fel *Peasant girl, soprano Mlle Bourbonnois *Woman, soprano *Duke, bass *Merlin, ''basse-taille'' ( bass-baritone) Person *Montésinos, ''basse-taille'' Albert *Japanese man, ''basse-taille'' Person *Japanese woman, soprano Marie Fel *Enchanted lovers, sopranos Mlles Clairon and Gondré *Ballerinas, Marie Anne de Cupis de Camargo and Mimi Dallemand *Male dancers, David Dumoulin, Louis Dupré and Jean-Barthélemy Lany Synopsis The opera is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Bodin De Boismortier
Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a royal licence for engraving music in 1724, he made enormous sums of money by publishing his music for sale to the public. Biography The Boismortier family moved from the composer's birthplace in Thionville (in Lorraine) to the town of Metz where he received his musical education from Joseph Valette de Montigny, a well-known composer of motets. The Boismortier family then followed Montigny and moved to Perpignan in 1713 where Boismortier found employment in the Royal Tobacco Control. Boismortier married Marie Valette, the daughter of a rich goldsmith and a relative of his teacher Montigny. In 1724 Boismortier and his wife moved to Paris where he began a prodigious composition career, writing for many instruments and voices. He was pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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