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1699 In Music
The year 1699 in music involved some significant events. Events *February – Richard Leveridge, Daniel Purcell and Jeremiah Clarke collaborate on the music for an adaptation of Fletcher's ''The Island Princess''. *John Blow is appointed to the newly created post of Composer to the Chapels Royal#United Kingdom, Chapel Royal in England. *Antonio Caldara appointed maestro di cappella da chiesa e del teatro to Ferdinando Carlo Gonzaga, Duke of Mantua and Montferrat, Ferdinando Carlo, the last House of Gonzaga, Gonzaga Duke of Mantua. *Quirinus Blankenburg is appointed organist at the Nieuwe Kerk in The Hague (however, he only started working there in 1702 after the new organ was completed). Classical music *Carlo Agostino Badia **''Imeneo trionfante'', serenata for the wedding of Joseph I and Wilhelmine Amalie of Braunschweig-Lüneburg **''Tributi armonici'', 12 chamber cantatas (published circa 1699) * Heinrich Ignaz Franz Biber, Heinrich Ignaz Franz von Biber – ''Sonata violi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio Sonata
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically consisted of three parts, two violins and (basso) continuo. However, the two violins could be substituted with pairs of flutes, recorders, oboes, or violin and viola da gamba. The third part, the continuo, has two components. First, it includes the bass line, which commonly was played by a bass viol, violone, violoncello, or bassoon. Second, it includes a harmony-producing instrument, such as a small organ, a harpsichord, or a theorbo. The continuo could be performed by two or more performers; a cellist to play the bass line and a harpsichordist or organist to focus on the harmonies. Because there normally are two people playing the continuo part, there are usually four players in all. This accounts for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Pollarolo
Antonio Giovanni Pollarolo (12 November 1676 — 30 May 1746) was an Italian composer of the Baroque period, keyboardist, and maestro di cappella at St Mark's Basilica in Venice. As a composer he is primarily remembered for his operas, although his composition output also included cantatas, oratorios, and motets. A precursor to 19th century bel canto opera composers like Gioachino Rossini and Gaetano Donizetti, his vocal writing was written in a virtuosic manner characterized by florid coloratura passages, wide vocal range, lively tempos, and syncopated rhythms. Life and career Born in Brescia into the Pollarolo family of musicians, Antonio's father was the opera composer and organist Carlo Francesco Pollarolo. He was trained as a musician by his father and Antonio Lotti. At the age of 13 he moved with his family to Venice when his father was appointed vicemaestro di cappella at St Mark's Basilica. Antonio occasionally substituted for his father in this position, beginning in 170 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Quintavalle
Antonio Quintavalle (1688 – ) was an Italian opera composer. Biography Quintavalle was born into the family that belonged to Venetian nobility. By 1703 and perhaps earlier he was chamber organist at the Mantuan court. He wrote music for three operas while he was in Mantua, one in collaboration with the maestro di cappella Antonio Caldara. In 1712 he became maestro di cappella of Trent Cathedral. His fourth and last opera was produced in Trent. The exact year of his death is uncertain. There is evidence suggesting that Quintavalle was in Trent until at least 1724. However, there is also record of death for an Antonio Quintavalle, chaplain at Torcello, who died near Venice on 28 January 1721 at the age of 45. It is possible that this other Antonio Quintavalle may be the composer or a different person entirely. None of Quintavalle's works have survived to today. Works Operas *''L'oracolo in sogno'' (1699) (with Antonio Caldara, Antonio Pollarolo) *''Il trionfo d'amore'' (1703 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Mattheson
Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist. Early life and career The son of a prosperous tax collector, Mattheson received a broad liberal education and, aside from general musical training, took lessons in keyboard instruments, violin, composition and singing. By age nine he was singing and playing organ in church and was a member of the chorus of the Hamburg opera. He made his solo debut with the Hamburg opera in 1696 in female roles and, after his voice changed, sang tenor at the opera, conducted rehearsals and composed operas himself. He was cantor at St. Mary's Cathedral from 1718 until increasing deafness led to his retirement from that post in 1728. Mattheson's chief occupation from 1706 was as a professional diplomat. He had studied English in school and spoke it fluently. He became tutor to the son of the English ambassador Sir John Wich and then secretary to the ambassador. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Gasparini
Francesco Gasparini (19 March 1661 – 22 March 1727) was an Italian Baroque composer and teacher whose works were performed throughout Italy, and also on occasion in Germany and England. Biography Born in Camaiore, near Lucca, he studied in Rome with Corelli and Pasquini. His first important opera, ''Roderico'' (1694), was produced there. In 1702 he went to Venice and became one of the leading composers in the city. In 1720 he returned to Rome for his last important work, ''Tigrane'' (1724). He wrote the first opera using the story of Hamlet ('' Ambleto'', 1705) though this was not based on Shakespeare's play. Gasparini was also a teacher, the instructor of Marcello, Quantz and Domenico Scarlatti. He was musical director of the Ospedale della Pietà, where he employed Antonio Vivaldi as a violin master. He wrote a treatise on the harpsichord (1708). At one time, Metastasio was betrothed to his daughter. He died in Rome in 1727. Works Operas See List of operas by France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Ignaz Franz Von Biber
Heinrich Ignaz Franz Biber (baptism, bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl II von Liechtenstein-Kastelkorn, Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th Violin#Positions, positions, employ Double stop, multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexachordum Apollinis
''Hexachordum Apollinis'' (PWC 193–8, T. 211–6, PC 131–6, POP 1–6) is a collection of keyboard music by Johann Pachelbel, published in 1699. It comprises six arias with variations, on original themes, and is generally regarded as one of the pinnacles of Pachelbel's oeuvre. The collection includes a preface in which Pachelbel dedicates the work to Dieterich Buxtehude and Ferdinand Tobias Richter and briefly discusses the nature of music. General information ''Hexachordum Apollinis'' (the title roughly translates to "Six Strings of Apollo") was published in 1699 in Nuremberg by Johann Christoph Weigel, a publisher who had worked with Pachelbel before. The frontispiece, created by Cornelius Nicolaus Schurz, describes the collection as "six arias to be played on the organ, or the harpsichord, to whose simple melodies are added variations for the pleasure of Friends of the Muses." The instruments mentioned are referenced on the frontispiece: two cherubs are pictured, one playi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Pachelbel
Johann Pachelbel (baptised – buried 9 March 1706; also Bachelbel) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secularity, secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque music, Baroque era. List of compositions by Johann Pachelbel, Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Pachelbel's Canon, Canon in D; other well known works include the Chaconne in F minor (Pachelbel), Chaconne in F minor, the Toccata in E minor for organ, and the ''Hexachordum Apollinis'', a set of keyboard Variation (music), variations. He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas De Grigny
Nicolas de Grigny (baptized 8 September 1672 – November 30, 1703) was a French organist and composer. He died young and left behind a single collection of organ music, and an ''Ouverture'' for harpsichord. Life Nicolas de Grigny was born in Reims in the parish of Saint-Pierre-Le-Vieil.Halbreich. The exact date of his birth is unknown; he was baptized on September 8. He was born into a family of musicians: his father, his grandfather, and his uncle, Robert, were organists at the Reims Cathedral, the Basilica of St. Pierre and St. Hilaire, respectively.Howell, Sabatier, Grove. Few details about his life are known, nothing at all about his formative years. Between 1693 and 1695 he served as organist of the abbey church of Saint Denis, in Paris (where his brother André de Grigny was sub-prior). It was also during that period that Grigny studied with Nicolas Lebègue, who was by then one of the most famous French keyboard composers.Higginbottom, Grove. In 1695 Grigny married Marie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
