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1650–1700 In Western European Fashion
Fashion in the period 1650–1700 in Western European clothing is characterized by rapid change. The style of this era is known as Baroque. Following the end of the Thirty Years' War and the Restoration of England's Charles II, military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat, waistcoat and breeches costume that would reign for the next century and a half. In the normal cycle of fashion, the broad, high-waisted silhouette of the previous period was replaced by a long, lean line with a low waist for both men and women. This period also marked the rise of the periwig as an essential item of men's fashion. Women's fashion Overview The wide, high-waisted look of the previous period was gradually superseded by a long vertical line, with horizontal emphasis at the shoulder. Full, loose sleeves ended just below the elbow at mid century and became longer and tighter in keeping with the new trend. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elegant Couple 1678
Elegance is beauty that shows unusual effectiveness and simplicity. Elegance is frequently used as a standard of tastefulness, particularly in visual design, decorative arts, literature, science, and the aesthetics of mathematics. Elegant things often exhibit refined grace and suggest maturity, and in the case of mathematics, a deep mastery of the subject matter. General concept Essential components of the concept include simplicity and consistency of design, focusing on the essential features of an object. In art of any kind one might also require dignified grace, or restrained beauty of style. Visual stimuli are frequently considered elegant, if a small number of colors and stimuli are used, emphasizing the remainder. In philosophy of science In the philosophy of science, there are two concepts referring to two aspects of simplicity: elegance (syntactic simplicity), which means the number and complexity of hypotheses, and parsimony (ontological simplicity), which is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petticoat
A petticoat or underskirt is an article of clothing, a type of undergarment worn under a skirt or a dress. Its precise meaning varies over centuries and between countries. According to the ''Oxford English Dictionary'', in current British English, a petticoat is "a light loose undergarment ... hanging from the shoulders or waist". In modern American usage, "petticoat" refers only to a garment hanging from the waist. They are most often made of cotton, silk or tulle. Without petticoats, skirts of the 1850s would not have the volume they were known for. In historical contexts (16th to mid-19th centuries), ''petticoat'' refers to any separate skirt worn with a gown, bedgown, bodice or jacket; these petticoats are not, strictly speaking, underwear, as they were made to be seen. In both historical and modern contexts, ''petticoat'' refers to skirt-like undergarments worn for warmth or to give the skirt or dress the desired attractive shape. Terminology Sometimes a petticoat may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angélique De Fontanges
Angelique or Angélique may refer to: * Angélique (given name), a French feminine name Arts and entertainment Music * Angélique (instrument), a string instrument of the lute family * ''Angélique'', a 1927 opéra bouffe by Jacques Ibert * "Angelique" (song), the Danish entry in the Eurovision Song Contest 1961, performed by Dario Campeotto * "Angélique", a song by Theatre of Tragedy from the album '' Aégis'' * "Angelique", a song by Badfinger from the album ''Magic Christian Music'' * "Angelique", a song by Mike Oldfield from the album '' Light + Shade'' * ''Angelique'', the debut album by Yukie Nishimura Other uses in arts and entertainment * ''Angélique'' (novel series), by Anne Golon ** ''Angélique, Marquise des Anges'', a 1964 film adaptation directed by Bernard Borderie ** ''Angélique'' (film), a 2013 film adaptation directed by Ariel Zeitoun * ''Angélique'' (play), by Lorena Gale * ''Angelique'' (video game series), a cross-media franchise including video ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontange
A fontange, or frelange, is a high headdress popular during the turn of the late 17th and early 18th centuries in Europe. Technically, ''fontanges'' are only part of the assembly, referring to the ribbon bows which support the ''frelange''.Mezzotint of Mary II of England in the collection The frelange was supported by a wire framework called a ''commode''. A surviving example of a frelange headdress with fontanges and commode in situ is that worn by the 1690s fashion doll Lady Clapham. In England, the style was popularly known as a 'top-knot', versions of which were worn by la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidesaddle
Sidesaddle riding is a form of equestrianism that uses a type of saddle which allows female riders to sit aside rather than astride an equine. Sitting aside dates back to Ancient history, antiquity and developed in European countries in the Middle Ages as a way for women in skirts to ride a horse in a modest fashion while also wearing fine clothing. It has retained a specialty niche even in the modern world. History The earliest depictions of women riding with both legs on the same side of the horse can be seen in Art in ancient Greece#Pottery, Greek vases, sculptures, and Celtic stones. Medieval depictions show women seated aside with the horse being led by a man, or seated on a small padded seat (a ''pillion'') behind a male rider. Ninth century depictions show a small footrest, or ''planchette'' added to the pillion. These designs did not allow a woman to control a horse; she could only be a passenger. In Europe, the sidesaddle developed in part because of cultural norms whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riding Habit
A riding habit is women's clothing for horseback riding. Since the mid-17th century, a formal habit for riding sidesaddle usually consisted of: * A tailored jacket with a long skirt (sometimes called a petticoat) to match * A tailored shirt or chemisette * A hat, often in the most formal men's style of the day (since the Victorian era, a top hat with a veil has been worn) Low-heeled boots, gloves, and often a necktie or stock complete the ensemble. Typically, throughout the period the riding habit used details from male dress, whether large turned cuffs, gold trims or buttons. The colours were very often darker and more masculine than those on normal clothes. Earlier styles can be similar to the dresses worn by boys before breeching in these respects. When high waists were the fashion, from roughly 1790 to 1820, the habit could be a coat dress called a ''riding coat'' (borrowed in French as redingote) or a petticoat with a short jacket (often longer in back than in fron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Pepys
Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most famous for the diary he kept for a decade. Pepys had no maritime experience, but he rose to be the Chief Secretary to the Admiralty under both King Charles II and King James II through patronage, diligence, and his talent for administration. His influence and reforms at the Admiralty were important in the early professionalisation of the Royal Navy. The detailed private diary that Pepys kept from 1660 until 1669 was first published in the 19th century and is one of the most important primary sources for the English Restoration period. It provides a combination of personal revelation and eyewitness accounts of great events, such as the Great Plague of London, the Second Dutch War, and the Great Fire of London. Early life Pepys was born in Salisbury Court, Fleet Street, London, on 23 Februar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banyan (clothing)
A banyan (through Portuguese and Arabic , , from the Tamil , /, , the Gujarati , , meaning "merchant", ) is a garment worn by European men and women in the late 17th and 18th century, influenced by the Japanese kimono brought to Europe by the Dutch East India Company in the mid-17th century. "Banyan" is also commonly used in present-day Indian English and other countries in the Indian Subcontinent to mean "vest" or "undershirt". Also called a morning gown, ''robe de chambre'' or nightgown, the banyan was a loose, T-shaped gown or kimono-like garment, made of cotton, linen, or silk and worn at home as a sort of dressing gown or informal coat over the shirt and breeches. The typical banyan was cut ''en chemise'', with the sleeves and body cut as one piece. It was usually paired with a soft, turban-like cap worn in place of the formal periwig. An alternative style of banyan was cut like a coat, fitted, with set-in sleeves, and was closed with buttons and buttonholes. History Eur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantua (clothing)
A mantua (from the French or "mantle") is an article of women's clothing worn in the late 17th century and 18th century. Originally a loose gown, the later mantua was an overgown or robe typically worn over stays, stomacher and a co-ordinating petticoat. The mantua or was a new fashion that arose in the 1670s. Instead of a bodice and skirt cut separately, the mantua hung from the shoulders to the floor (in the manner of dresses of earlier periods) started off as the female version of the men's banyan, worn for 'undress' wear. Gradually it developed into a draped and pleated dress and eventually evolved into a dress worn looped and draped up over a contrasting petticoat and a stomacher. The mantua-and-stomacher resulted in a high, square neckline in contrast to the broad, off-the-shoulder neckline previously in fashion. The new look was both more modest and covered-up than previous fashions and decidedly fussy, with bows, frills, ribbons, and other trim, but the short string of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Lely
Sir Peter Lely (14 September 1618 – 7 December 1680) was a painter of Dutch origin whose career was nearly all spent in England, where he became the dominant portrait painter to the court. Life Lely was born Pieter van der Faes to Dutch parents in Soest in Westphalia, where his father was an officer serving in the armed forces of the Elector of Brandenburg. Lely studied painting in Haarlem, where he may have been apprenticed to Pieter de Grebber. He became a master of the Guild of Saint Luke in Haarlem in 1637. He is reputed to have adopted the surname "Lely" (also occasionally spelled Lilly) from a heraldic lily on the gable of the house where his father was born in The Hague. He arrived in London in around 1643, His early English paintings, mainly mythological or religious scenes, or portraits set in a pastoral landscape, show influences from Anthony van Dyck and the Dutch baroque. Lely's portraits were well received, and he succeeded Anthony van Dyck (who had died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chemise
A chemise or shift is a classic smock, or a modern type of women's undergarment or dress. Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western nations. Etymology The English word ''chemise'' is a loanword from the French word for shirt and is related to the Italian ''camicia'' or Latin ''camisia'', which, according to Elizabeth Wayland Barber, is likely derived from Celtic. History The chemise seems to have developed from the Roman ''tunica'' and first became popular in Europe in the Middle Ages. Women wore a shift or chemise under their gown or robe; while men wore a chemise with their trousers or ''braies'', and covered the chemises with garments such as doublets, robes, etc. Until the late 18th century, a chemise referred to an undergarment. It was the only underwear worn until the end of the Regency era in the 1820s, and was usually the only piece of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
