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1623 In Art
Events from the year 1623 in art. Events * The Raphael Cartoons are bought from a Genoese collection by agents for the future King Charles I of England (at this time Prince of Wales). Works *Gian Lorenzo Bernini – ''Self-portrait'' (approximate date) *Martin Droeshout – Engraved portrait for the ' First Folio' of William Shakespeare's plays *Orazio Gentileschi – ''The Annunciation'' (Sabauda Gallery) *Guercino – '' The Burial of St. Petronilla'' *Dirck Hals – ''Musicians'' *Daniël Mijtens – '' James Hamilton, Earl of Arran'' (age 17) *Peter Paul Rubens – ''Self-portrait'' (British Royal Collection, Windsor Castle) *Dirck van Baburen (some dates approximate) **''Cimon and Pero (Roman Charity)'' **''Concert'' **''Crowning With Thorns'' (2 versions) **''Loose Company'' **'' Prometheus Being Chained by Vulcan'' **''Saint Sebastian Tended by Irene'' *Anthony van Dyck – **'' Portrait of the Lomellini family'' **''Self Portrait'' (approximate date) *Gerard van Honth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Cartoons
The Raphael Cartoons are seven large cartoons for tapestries, belonging to the British Royal Collection but since 1865 on loan to the Victoria and Albert Museum in London, designed by the High Renaissance painter Raphael in 1515–16 and showing scenes from the Gospels and Acts of the Apostles. They are the only surviving members of a set of ten cartoons commissioned by Pope Leo X for the Sistine Chapel tapestries for the Sistine Chapel in the Vatican Palace, which are still (on special occasions) hung below Michelangelo's famous ceiling. Reproduced in the form of prints, the tapestries rivalled Michelangelo's ceiling as the most famous and influential designs of the Renaissance, and were well known to all artists of the Renaissance and Baroque. Admiration of them reached its highest pitch in the 18th and 19th centuries; they were described as "the Parthenon sculptures of modern art". Commission and the tapestries Raphael – whom Michelangelo greatly disliked – was highl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Philip IV In Armour ...
The ''Portrait of Philip IV in Armour'' is a portrait of Philip IV of Spain by Velázquez now in the Museo del Prado in Madrid. It is one of the artist's most realistic portraits of Philip IV and was one of the first he produced after being made painter to the king in 1623. Its style corresponds to the artist's beginnings in Seville and shows its subject in a sculptural style like a portrait bust, with abrupt colour contrasts. See also * List of works by Diego Velázquez References * Carrassat, P.F.R., ''Maestros de la pintura'', Spes Editorial, S.L., 2005. {{DEFAULTSORT:Portrait Of Philip Iv In Armour Philip IV 1623 paintings Armour Armour (British English) or armor (American English; see spelling differences) is a covering used to protect an object, individual, or vehicle from physical injury or damage, especially direct contact weapons or projectiles during combat, or fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece ''Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Van Honthorst
Gerard van Honthorst (Dutch: ''Gerrit van Honthorst''; 4 November 1592 – 27 April 1656) was a Dutch Golden Age painting, Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickname ''Gherardo delle Notti'' ("Gerard of the Nights"). Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Early life Van Honthorst was born in Utrecht, the son of a decorative painter, and trained under his father, and then under Abraham Bloemaert.Brown (1997), p.62 Italy Having completed his education, Honthorst went to Italy, where he is first recorded in 1616. He was one of the artists from Utrecht who went to Rome at around this time, all of whom were to be deeply influenced by the recent art they encountered there. They were named Utrecht Caravaggism, the Utrecht ''caravaggisti''. The other th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Being Chained By Vulcan
''Prometheus Being Chained by Vulcan'' is an oil painting of 1623 by Dirck van Baburen of the Utrecht School, and an example of Baroque chiaroscuro. The painting represents a tale from Greco-Roman mythology. Mercury (mythology), Mercury, the messenger of the gods, watches the club-footed blacksmith god, Vulcan (mythology), Vulcan, punish the bold and cunning Titan Prometheus for stealing fire from the gods and giving it to mortals. Prometheus's punishment is to be bound to a rock and to have his liver consumed daily by an eagle, which appears partially at the top left. The painting mysteriously has two signatures: the first is a clear signature below the right-hand shoulder of Prometheus. During a restoration of the painting, a second signature was discovered at the lower left by his hand. Prometheus is associated with the Greek creation myth where, in some versions, he creates humans from clay and the stolen fire is to bring them to life. A painting, ''Adam and Eve'', also by B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
