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1588 In Art
{{Year nav topic5, 1588, art Events from the year 1588 in art. Events * Opificio delle pietre dure established in Florence. * Cornelis van Haarlem starts working on ''The Fall of the Titans'' Paintings * Annibale Carracci – approximate date ** ''Landscape with a Fishing Scene'' ( Musée du Louvre) ** ''Venus with a Satyr and Cupids'' ( Uffizi) * Hendrik Goltzius – ''The Four Disgracers'' (engravings) * George Gower – ''Armada Portrait'' of Elizabeth I of England * Cornelis van Haarlem - '' Baptism of Christ'' * Nicholas Hilliard – ''Young Man Among Roses'' * Kaspar Memberger the Elder – ''Building of the Ark'' * Hans von Aachen – '' The Judgement of Paris'' (approximate date) Births *January 10 – Nicolaes Eliaszoon Pickenoy, Dutch painter of Flemish origin (died 1653/1656) *January 20 – Francesco Gessi, Italian painter of frescoes (died 1649) *September 10 ''(bapt.)'' – Nicholas Lanier, English composer, singer, lutenist, painter and art collector (died 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opificio Delle Pietre Dure
The Opificio delle pietre dure, literally meaning ''Workshop of semi-precious stones'', is a public institute of the Italian Ministry for Cultural Heritage based in Florence. It is a global leader in the field of art restoration and provides teaching as one of two Italian state conservation schools (the other being the Istituto Superiore per la Conservazione ed il Restauro). The institute maintains also a specialist library and archive of conservation and a museum displaying historic examples of pietre dure inlaid semi-precious stones artefacts. A scientific laboratory conducts research and diagnostics and provides a preventive conservation service. Origins and early history Being one of the famous artistic workshops of the Italian Renaissance, the Opificio was established in 1588 at the behest of Ferdinando I de' Medici to provide the elaborate, inlaid precious and semi-precious stoneworks. One of the masterpieces of the crafts is the overall decoration of the Cappella dei Prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flemish People
The Flemish or Flemings ( nl, Vlamingen ) are a Germanic ethnic group native to Flanders, Belgium, who speak Dutch. Flemish people make up the majority of Belgians, at about 60%. "''Flemish''" was historically a geographical term, as all inhabitants of the medieval County of Flanders in modern-day Belgium, France, and the Netherlands were referred to as "Flemings", irrespective of their ethnicity or language. The contemporary region of Flanders comprises a part of this historical county, as well as parts of the medieval duchy of Brabant and the medieval county of Loon, where the modern national identity and culture gradually formed. History The sense of "Flemish" identity increased significantly after the Belgian Revolution. Prior to this, the term "Vlamingen" in the Dutch language was in first place used for the inhabitants of the former County of Flanders. Flemish, however, had been used since the 14th century to refer to the language and dialects of both the peoples of Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadeler Family
The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. As with other dynasties such as the Wierixes and Van de Passe family, the style of family members is very similar, and their work often hard to tell apart in the absence of a signature or date, or evidence of location. Altogether at least ten Sadelers worked as engravers, in the Spanish Netherlands, Germany, Italy, Bohemia and Austria. Much of their best work was high quality reproductive prints of contemporary artists such as Bartholomeus Spranger (Aegidius II) or the Venetian Bassano family (Jan I and Rafael I), that were important in spreading the reputation and style of these artists. The family The Sadelers were descended from "chasers," engravers of armour, from Aalst. Jan de Saeyelleer or Sadeleer had three sons, all usually called "Sad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrick Ter Brugghen
Hendrick Jansz ter Brugghen (or Terbrugghen) (1588 – 1 November 1629) was a Dutch painter of genre scenes and religious subjects. He was one of the Dutch followers of Caravaggio – the so-called ''Utrecht Caravaggisti''. Along with Gerrit van Hondhorst and Dirck van Baburen, Ter Brugghen was one of the most important Dutch painters to have been influenced by Caravaggio. Biography No references to Ter Brugghen written during his life have been identified. His father Jan Egbertsz ter Brugghen, originally from Overijssel, had moved to Utrecht, where he was appointed secretary to the Court of Utrecht by the Prince of Orange, William the Silent. He had been married to Sophia Dircx. In 1588, he became bailiff to the Provincial Council of Holland in The Hague, where Hendrick was born. The earliest brief reference to the painter is in ''Het Gulden Cabinet'' (1661) of Cornelis de Bie, where he is mistakenly referred to as ''Verbrugghen''. Another short account is found in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilario Casolano
Ilario Casolano (1588 – 14 May 1661) was an Italian painter of the Baroque period. He was called ''Cristofano Casolano'' by Giovanni Baglione. He was, like his father, Alessandro Casolano, was a pupil of Cavalière Cristoforo Roncalli. He assisted his father in some of his frescoes, and after his death, finished the fresco of the ''Assumption of the Virgin''. He painted several pictures for the churches in Rome. The church of Santa Maria in Via Lata contains a ''Trinity'', while the church of Santa Maria ai Monti has some pictures from the ''Life of the Virgin'' and an ''Assumption''. He died at Rome. Works *''Assumption of the Virgin'', fresco *''Trinity'', Santa Maria in Via Lata church, Rome *''Life of a Virgin'' and ''Assumption'', Santa Maria dei Monti church, Rome *''Annunciation'', parish church, Montieri *''Annunciation'' (1630), San Francesco (St. Francis) Basilica, Siena *''View of the City of Grosseto'', Grosseto Cathedral Grosseto Cathedral ( it, Cattedrale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Antonio Bassetti
Marco Antonio Bassetti (1586–1630) was an Italian painter. Life He was born in Verona, and was a pupil of Felice Ricci. He then went to Venice where he was particularly influenced by the works of Tintoretto, Veronese and Jacopo Bassano. He is known to have been in Rome in 1616, and may have arrived there two years earlier. In Rome he came under the influence of the paintings of Caravaggio and Orazio Borgianni. On his return to Verona he painted a ''St. Peter and Saints'' for the church of San Tomaso and a ''Coronation of the Virgin'' for Sant' Anastasia. He died from the plague in Verona in 1630. Among his pupils were Fra SempliceBryan 1886 and Paolo Massimo. His ''Dead Christ supported by the Virgin Mary and Mary Magdalene'' (c. 1616), painted on slate, is in the collection of the Fitzwilliam Museum The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Badaracco
Giuseppe Badaracco (1588–1657), also called “Il Sordo” (the Deaf), was an Italian painter of the Baroque period, active mainly in Genoa, in Liguria and in the island of Corsica. Born in Genoa into well-to-do family, he first studied classic literature, but moved into an apprenticeship with the painter Bernardo Strozzi, then Giovanni Andrea Ansaldo. He worked for some years in Florence, where he copied many of the works of Andrea del Sarto. Returning to Genoa (about 1625), he painted mainly for private customers. He worked also in Corsica (at that time part of the Republic of Genoa), where he painted locally influential paintings for some churches around Bastia. He died in 1657 from the plague that swept through Genoa. He fathered four sons; among them Giovanni Raffaele (1648–1717), who was also his pupil, became a notable painter. Works *''St Peter Martyr praying to the crucifix'', Museum of Accademia di Belle Arti Tadini, Lovere. *''Virgin and St Joseph intercede ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Deruet
Claude Deruet (1588–1660) was a famous French Baroque painter of the 17th century, from the city of Nancy. Biography Deruet was an apprentice to Jacques Bellange, the official court painter to Charles III, Duke of Lorraine. He was in Rome between ca. 1612 and 1619, where - according to André Félibien - he studied with the painter and etcher Antonio Tempesta. During his stay in Rome, he painted the Japanese samurai Hasekura Tsunenaga on a visit to Europe in 1615. Deruet was made a noble by the Duke of Lorraine in 1621, and was then made a Knight of the Order of St Michel in 1645 by Louis XIII, who had in 1641 absorbed most of Lorraine into France. He had a luxurious residence in Nancy, named La Romaine, where Louis XIII and his Queen stayed in 1633. Claude Lorrain was an apprentice to Claude Deruet in 1623 for one year. He also married and had two sons, one of whom became a painter. American architect DeWitt H. Fessenden wrote a biography of Deruet, ''The Life and Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Lanier
Nicholas Lanier, sometimes Laniere (baptised 10 September 1588 – buried 24 February 1666) was an English composer and musician; the first to hold the title of Master of the King's Music from 1625 to 1666, an honour given to musicians of great distinction. He was the court musician, a composer and performer and Groom of the Chamber in the service of King Charles I and Charles II. He was also a singer, lutenist, scenographer and painter. Biography Nicholas Lanier was a descendant of a French family of royal musicians, the Lanière family, who were Huguenots, and was baptised at Greenwich. His father and grandfather left France to escape persecutions. His aunt, Emilia Bassano, was the daughter of Venetian musicians at the Tudor court and before her marriage to Alfonso Lanier had been the mistress to the Lord Chamberlain, a cousin of Queen Elizabeth I and, possibly Henry Wriothesly, Earl of Southampton. The historian, A.L.Rowse suggested that she may well have been the famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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