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1579 In Art
{{Year nav topic5, 1579, art Events from the year 1579 in art. Events *The painter Giovanni Battista Paggi is said to have mortally wounded a patron, and is forced to flee his home city of Genoa. *The Da Zhao Temple is built in inner Mongolia. Its art treasures include a 10 ft silver Sakyamuni buddha statue. Works * Federico Barocci paints the '' Madonna del Popolo'' ( Uffizi). * El Greco completes ''The Disrobing of Christ''. * Giambologna begins the '' Rape of the Sabine Women'', a remarkable example of Mannerist sculpture. * George Gower paints a self-portrait. Births * November 7 - Juan de Peñalosa, Spanish painter of altarpieces, a priest and poet (died 1633) *November 11 - Frans Snyders, Flemish still-life master, apprenticed in 1593 to Pieter II Brueghel (died 1657) *''date unknown'' **Trophime Bigot, French painter (died 1649) **Carlo Saraceni, Italian early-Baroque painter of landscapes, cabinet paintings, and altarpieces (died 1620) *''probable'' - Ottav ...
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Giovanni Battista Paggi
Giovanni Battista Paggi (27 February 1554 – 12 March 1627) was an Italian painter, sculptor, and writer. His style spans the Late-Renaissance and early-Baroque. Life He was born in Genoa into the well-to-do family of his father Pellegrino. In an apparent dispute over pay, he is said to have mortally wounded a patron, and was forced to flee Genoa in 1579, and take refuge in Tuscany, in the towns of Aulla sul Magra, then Pisa, and finally to Florence. He joined the ''Accademia e Compagnia delle Arti del Disegno'' in 1568. He shared a studio in Florence with Federico Zuccari. He maintained contact with his native town and returned to Genoa briefly in 1590 as a guest of the Doria family.Mary Newcome, Review of La Pittura in Liguria, artisti del primo seicento (monographs), In: The Burlington Magazine (1987) 12(1014), p. 602 Giovanni Battista Paggi became renowned among fellow artists throughout Europe when in 1590 he won his case against the Genoese Painters' guild and was allo ...
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Frans Snyders
Frans Snyders or Frans Snijders (11 November 1579, Antwerp – 19 August 1657, Antwerp) was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens.Matthias Depoorter, ''Frans Snijders''
at barokinvlaanderen


Life

Snyders was born in as the son of Jan Snijders, the keeper of a wine inn frequented by artists. According to legend the famous 16th-century paint ...
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February 5
Events Pre-1600 * 62 – Earthquake in Pompeii, Italy. * 1576 – Henry of Navarre abjures Catholicism at Tours and rejoins the Protestant forces in the French Wars of Religion. * 1597 – A group of early Japanese Christians are killed by the new government of Japan for being seen as a threat to Japanese society. 1601–1900 * 1783 – In Calabria, a sequence of strong earthquakes begins. * 1810 – Peninsular War: Siege of Cádiz begins. * 1818 – Jean-Baptiste Bernadotte ascends to the thrones of Sweden and Norway. * 1852 – The New Hermitage Museum in Saint Petersburg, Russia, one of the largest and oldest museums in the world, opens to the public. * 1859 – Alexandru Ioan Cuza, Prince of Moldavia, is also elected as prince of Wallachia, joining the two principalities as a personal union called the United Principalities, an autonomous region within the Ottoman Empire, which ushered in the birth of the modern Romanian state. * 1862 &n ...
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1641 In Art
Events from the year 1641 in art. Events * Claude Lorrain completes a series of twelve etchings of land- and seascapes. * Gerard Dou and Diego Velázquez are painting. * Peter Lely moves from Haarlem to London at about this date. Paintings *Claude Lorrain - ''The Embarkation of St. Ursula'' * Guercino - ''The Flagellation of Christ'' * Willem Claesz. Heda – '' The Blackcurrant Pie'' *Luis de Morales - ''Madonna della Purità'' * Le Nain brothers - ''Venus at Vulcan's Forge'' *Nicolas Poussin - ''Time Rescuing Truth from the Assaults of Discord and Envy'' *Rembrandt **''The Girl in a Picture Frame'' **''The Scholar at the Lectern'' **''The Concord of the State'' **''Portrait of Agatha Bas'' **''Portrait of Nicolaes van Bambeeck'' **''Portrait of the Mennonite preacher Cornelius Claesz Anslo and his wife Aeltje Gerritsdr Schouten'' **''Saskia as Flora'' **''The Windmill'' (etching) * Andrea Sacchi - Marcantonio Pasqualini Crowned by Apollo' *Sebastian Stoskopff – '' Grea ...
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Quadratura
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andre ...
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Ottavio Viviani
Ottavio Viviani (c. 1579-c. 1641) was an Italian painter of the Baroque period. Viviani was born in Brescia. He was initially a pupil of Tommaso Sandrino. He painted for the royal palace of Monaco and in the Ducal palace of Sassuolo. He specialized in quadratura Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, an .... References * 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Brescia Italian Baroque painters Quadratura painters Year of birth uncertain Year of death unknown {{Italy-painter-16thC-stub ...
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1620 In Art
Events from the year 1620 in art. Events * Anthony van Dyck, at the instigation of George Villiers, Marquess of Buckingham, visits England for the first time where he spends about four months and works for King James. In London, in the collection of the Earl of Arundel, he first sees the work of Titian. Works Image:Jan Brueghel the Younger Paradise.jpg, Brueghel, ''Paradise'' File:Judit decapitando a Holofernes, por Artemisia Gentileschi.jpg, Gentileschi, ''Judith Decapitating Holofernes'' File:Madre Jerónima de la Fuente, by Diego Velázquez.jpg, Velázquez, ''The Nun Jerónima de la Fuente'' * Jan Brueghel the Younger - ''Paradise'' * Willem Pieterszoon Buytewech - '' Merry Company'' (approximate date) * Cecco del Caravaggio - '' Resurrection'' * Claude Deruet ** '' Road to Calvary'' ** '' The Triumph of the Amazons'' * Artemisia Gentileschi - ''Judith Decapitating Holofernes'' ( Uffizi, Florence) * Orazio Gentileschi - ''Judith and Holofernes'' * Marcus Gheeraer ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Cabinet Painting
A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a small scale, rather than a head or other object painted nearly life-size. Such paintings are done very precisely, with a great degree of "finish". From the fifteenth century onward, wealthy collectors of art would keep these paintings in a cabinet, which was a relatively small and private room (often very small even in large houses) to which only those with whom they were on especially intimate terms would be admitted. A cabinet, also known as a closet, study (from the Italian studiolo), office, or by other names, might be used as an office or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, so small rooms such as cabinets were more comfortable. They offered more privacy from servants or o ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Carlo Saraceni
Carlo Saraceni (1579 – 16 June 1620) was an Italian early-Baroque painter, whose reputation as a "first-class painter of the second rank" was improved with the publication of a modern monograph in 1968. Life Though he was born and died in Venice, his paintings are distinctly Roman in style; he moved to Rome in 1598, joining the Accademia di San Luca in 1607. He never visited France, though he spoke fluent French and had French followers and a French wardrobe. His painting, however, was influenced at first by the densely forested, luxuriantly enveloping landscape settings for human figures of Adam Elsheimer, a German painter resident in Rome; "there are few landscapes by Saraceni which have not been attributed to Elsheimer," Malcolm Waddingham observed, and Anna Ottani Cavina has suggested the influences may have travelled both ways. and Elsheimer's small cabinet paintings on copper offered a format that Saraceni employed in six landscape panels illustrating ''The Flight of ...
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