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1557 In Music
Events * August 10 – A precursor of the Royal Artillery Mounted Band makes its first recorded appearance at the Battle of St. Quentin with "". *Hoste da Reggio replaces Simon Boyleau as ''maestro di cappella'' at Milan Cathedral. Publications *Martin Agricola – ''Melodiae scholasticae sub horarum intervallis decantandae'' (Wittenberg: Georg Rhau), music used at the Protestant school in Magdeburg, published posthumously *Jacques Arcadelt – 3 Masses (Paris: Le Roy & Ballard) *Filippo Azzaiolo (published anonymously) – , for four voices (Venice: Antonio Gardano) *Jacob Clemens non Papa **Second book of masses: for four voices (Leuven: Pierre Phalèse), published posthumously **Third book of masses: for four voices (Leuven: Pierre Phalèse), published posthumously **Fourth book of masses: for five voices (Leuven: Pierre Phalèse), published posthumously **Fifth book of masses: for five voices (Leuven: Pierre Phalèse), published posthumously **Sixth book of masses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Clereau
Pierre Clereau (died before 11 January 1570) was a French composer, choirmaster and possibly organist of the Renaissance, active in several towns in Lorraine, including Toul and Nancy. He wrote both sacred and secular vocal music, in Latin, French, and Italian. Among his many compositions is a Requiem mass, as well as some sacred songs influenced by the Huguenot psalm style; he is not known, however, to have converted to Protestantism. Life Little is known about his life but what can be read on the title pages of his publications, and found in a few records in cathedral archives in Lorraine. In 1554, he was in Toul working as a choirmaster, as stated on the title page of two volumes of sacred music published by Parisian Nicolas Du Chemin. However, he had a considerably earlier start as a composer, since some of his secular music had been published already in Lyon in 1539. One of these same songs was also published simultaneously in Paris, and attributed to the young Pierre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso Fontanelli
Alfonso Fontanelli (15 February 1557 – 11 February 1622) was an Italian composer, writer, diplomat, courtier, and nobleman of the late Renaissance. He was one of the leading figures in the musically progressive Ferrara school in the late 16th century, and one of the earliest composers in the ''seconda pratica'' style at the transition to the Baroque era. Life Fontanelli was born in Reggio nell'Emilia, the son of Count Emilio Fontanelli. His early musical education was with composer Gasparo Pratoneri, and he evidently showed a talent for writing as well; a number of his lyric poems survive. He married for the first time in 1580, and in 1584 began his career as a courtier, statesman, and musician to the Este family in Ferrara. It was in the employ of the Este family that he first went to Rome in 1586; while there he probably met the renowned madrigalist Luca Marenzio, as well as members of the Roman school of composition, aspects of whose style appear in his music. His diplomat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
February 15
Events Pre-1600 * 438 – Roman emperor Theodosius II publishes the law codex Codex Theodosianus * 590 – Khosrau II is crowned king of Persia. * 706 – Byzantine emperor Justinian II has his predecessors Leontios and Tiberios III publicly executed in the Hippodrome of Constantinople. * 1002 – At an assembly at Pavia of Lombard nobles, Arduin of Ivrea is restored to his domains and crowned King of Italy. *1113 – Pope Paschal II issues '' Pie Postulatio Voluntatis'', recognizing the Order of Hospitallers. *1214 – During the Anglo-French War (1213–1214), an English invasion force led by John, King of England, lands at La Rochelle in France. * 1493 – While on board the ''Niña'', Christopher Columbus writes an open letter (widely distributed upon his return to Portugal) describing his discoveries and the unexpected items he came across in the New World. 1601–1900 * 1637 – Ferdinand III becomes Holy Roman Emperor. * 1690 &n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cipriano De Rore
Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy. Not only was he a central representative of the generation of Franco-Flemish composers after Josquin des Prez who went to live and work in Italy, but he was one of the most prominent composers of madrigals in the middle of the 16th century. His experimental, chromatic, and highly expressive style had a decisive influence on the subsequent development of that secular music form.Owens, Grove Online Life Early years Little is known of Rore's early life. His probable birth years (1515/1516) are known from his age at death (49, recorded on his tombstone in the cathedral in Parma), and his probable birthplace was a small town in Flanders, Ronse (Renaix), right on the boundary between the French- and Dutch-speaking areas. Recent research has established that his parents were Celestinus Rore (died before 1564) and Barbara Van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Portinaro
Francesco Portinaro (c. 1520 – ?1578) was an Italian composer and humanist of the Renaissance, active both in northern Italy and in Rome. He was closely associated with the Ferrarese Este family, worked for several humanistic Renaissance academies, and was well known as a composer of madrigals and dialogues. Life He was born in Padua around 1520. While he published a book of motets in Venice in 1548, no biographical details are available for the period before 1550. He was the son of a Paduan official, was married to Laura d'Este, and was resident in the Este palace in Padua. In 1555 he applied unsuccessfully for the post of '' maestro di cappella'', music director, at the city's cathedral, and failing in this enterprise, spent the rest of the decade in humanistic as well as musical pursuits. In particular, he had an active life working for four secular groups: a group of musicians in Padua, and three humanistic academies in Vicenza, Padua, and Verona. One of his master ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Phinot
Dominique Phinot ( – ) was a Franco-Flemish composer of the Renaissance, active in Italy and southern France. He was highly regarded at the time for his motets, which anticipate the style of Palestrina, and in addition he was an early pioneer of polychoral writing. Life He may have been French in origin, since Girolamo Cardano, writing about him in his ''Theonoston'' (1560) called him "Gallus", and French was evidently his native language. Few details of his life are known with certainty, but some inferences can be made. Much of his career he spent in Italy, and he worked at both the court and cathedral in Urbino in 1544 and 1545. Some of his life he also probably spent in Lyon, as evidenced by several publications there, the music of which contains items of local interest; in addition the dedications are to citizens of Lyon. While stylistically some of his music seems likely to have been connected with Venice, there is no evidence of his activity there; however he published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Nasco
Jan Nasco (also Giovanni, Jhan) (c. 1510 – 1561) was a Franco-Flemish composer and writer on music, mainly active in Italy. He was the first director of the Veronese Accademia Filarmonica, and his writings, particularly a group of letters he wrote to the Academy in the 1550s, are important sources of information on performance practice regarding use of instruments in madrigals as well as motets. Life No documentation has yet turned up covering Nasco's early life, but he is presumed to have come from the Netherlands or adjacent areas, the home of most of the Franco-Flemish composers. Only the portion of his life he spent in Italy has been documented. He was in the service of Paolo Naldi, a nobleman in Vicenza, in the 1540s, and in 1547 he became the music director of the newly formed Accademia Filarmonica in Verona. While this may have been a prestigious and intellectually engaging post, it paid little, and in 1551 he took a job as ''maestro di cappella'' at the cathedral of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Maillard
Jean Maillard (c. 1515 – after 1570) was a French composer of the Renaissance. While little is known with certainty about his life, he may have been associated with the French royal court, since he wrote at least one motet for them. Most likely he lived and worked in Paris, based on evidence of his print editions, which were prepared there. Since later in his career he set verse by Huguenot poet Guillaume Guéroult, as well as Clément Marot, he may have either become a Protestant or had Protestant sympathies; this could explain his disappearance from Paris around 1570. If he did leave the city then, his destination is unknown. No record of him after that year has been found. Maillard is mentioned by Rabelais in ''Gargantua and Pantagruel'', and also by Ronsard in his ''Livre des Mélanges'' (1560 and 1572). He was evidently famous during his time, and many of his motets were used as source material for parody masses by composers as distinguished as Palestrina; in addition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlande De Lassus
Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria as the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. Name Lassus's name appears in many spellings, often changed depending on the place in which his music was being performed or published. In addition to Orlande de Lassus, variations include Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Life and career Orlande de Lassus was born in Mons in the County of Hainaut, Habsburg Netherlands (modern-day Belgium). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
