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When used as a diacritic mark, the term dot is usually reserved for the '' interpunct'' ( · ), or to the glyphs "combining dot above" ( ◌̇ ) and "combining dot below" ( ◌̣ ) which may be combined with some letters of the extended Latin alphabets in use in Central European languages and Vietnamese. Dots Overdot Language scripts or transcription schemes that use the dot above a letter as a diacritical mark: * In some forms of Arabic romanization, stands for '' ghayin'' (غ); stands for qāf (ق). * The Latin orthography for Chechen includes ċ, ç̇, ġ, q̇, and ẋ. * In Emilian-Romagnol, ''ṅ ṡ ż'' are used to represent . * Traditional Irish typography, where the dot denotes lenition, and is called a or "dot of lenition": ''ḃ ċ ḋ ḟ ġ ṁ ṗ ṡ ṫ''. Alternatively, lenition may be represented by a following letter ''h'', thus: ''bh ch dh fh gh mh ph sh th''. In Old Irish orthography, the dot was used only for ''ḟ ṡ'', while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virama
Virama ( ्) is a Sanskrit phonological concept to suppress the inherent vowel that otherwise occurs with every consonant letter, commonly used as a generic term for a codepoint in Unicode, representing either # halanta, hasanta or explicit virāma, a diacritic in many Brahmic scripts, including the Devanagari and Bengali–Assamese script, Bengali scripts, or # saṃyuktākṣara (Sanskrit: संयुक्ताक्षर) or implicit virama, a conjunct consonant or ligature. Unicode schemes of scripts writing Mainland Southeast Asia linguistic area, Mainland Southeast Asia languages, such as that of Burmese script and of Tibetan script, generally don't group the two functions together. Names The name is Sanskrit for "cessation, termination, end". As a Sanskrit word, it is used in place of several language-specific terms, such as: }, ''sukun'' , ް◌ , Derives from Arabic "sukun" , - , ''Srog med'' , Lhasa Tibetan, Tibetan , ''Srog med'' , ྄ , Only used when transcrib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiqua (typeface Class)
Antiqua () is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard. History Antiqua typefaces are typefaces designed between 1470 and 1600 AD, specifically those by Nicolas Jenson and the Aldine roman commissioned by Aldus Manutius and cut by Francesco Griffo. The letterforms were based on a synthesis of Roman inscriptional capitals and Carolingian writing. Florentine poet Petrarch was one of the few medieval authors to have touched on the handwriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |