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Śārṅgadeva
__NOTOC__ Śārṅgadeva (1175–1247) ( hi, शार्ङ्गदेव), also spelled Sharngadeva or Sarnga Deva, was the 13th-century Indian musicologist who authored ''Sangita Ratnakara'' – the classical Sanskrit text on music and drama. It is considered to be the authoritative treatise in Indian classical music by both the Hindustani music and the Carnatic music traditions. Śārṅgadeva was born in a Brahmin family of Kashmir. In an era of Islamic invasion of the northwest regions of the Indian subcontinent and the start of Delhi Sultanate, his family migrated south and settled in the Hindu kingdom in the Deccan region ruled by the Yadava dynasty near Ellora Caves (Maharashtra). Sarangadeva worked as an accountant with freedom to pursue his music interests in the court of King Seuna Yadavas of Devagiri#Singhana II, Singhana II (1210–1247). Ideas Śārṅgadeva presented his ideas on music and dance in seven chapters of ''Sangita Ratnakara'', but integrated it with p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangita Ratnakara
The ''Sangita-Ratnakara'', सङ्गीतरत्नाकर, (IAST: Saṅgīta ratnākara), literally "Ocean of Music and Dance", is one of the most important musicological texts from India. Composed by Śārṅgadeva (शार्ङ्गदेव) in Sanskrit during the 13th century, both Carnatic music and Hindustani music traditions of Indian classical music regard it as a definitive text. The author was a part of the court of King Singhana II (1210–1247) of the Yādava dynasty whose capital was Devagiri, Maharashtra. The text is divided into seven chapters. The first six chapters, ''Svaragatadhyaya'', ''Ragavivekadhyaya'', ''Prakirnakadhyaya'', ''Prabandhadhyaya'', ''Taladhyaya'' and ''Vadyadhyaya'' deal with the various aspects of music and musical instruments, while the last chapter ''Nartanadhyaya'' deals with dance. The medieval era text is one of the most complete historical Indian treatises on the structure, technique, and reasoning on music theory that ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yadava Dynasty
The Seuna, Sevuna, or Yadavas of Devagiri ( IAST: Seuṇa, –1317) was a Medieval Indian dynasty, which at its peak ruled a kingdom stretching from the Narmada river in the north to the Tungabhadra river in the south, in the western part of the Deccan region. Its territory included present-day Maharashtra, North Karnataka and parts of Madhya Pradesh, from its capital at Devagiri (present-day Daulatabad in modern Aurangabad district, Maharashtra). The Yadavas initially ruled as feudatories of the Western Chalukyas. Around the middle of the 12th century, as the Chalukya power waned, the Yadava king Bhillama V declared independence. The Yadava kingdom reached its peak under Simhana II, and flourished until the early 14th century, when it was annexed by the Khalji dynasty of the Delhi Sultanate in 1308 CE. Etymology The Seuna dynasty claimed descent from the Yadavas and therefore, its kings are often referred to as the "Yadavas of Devagiri". The correct name of the dynas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seuna Yadavas Of Devagiri
The Seuna, Sevuna, or Yadavas of Devagiri (IAST: Seuṇa, –1317) was a Medieval Indian dynasty, which at its peak ruled a kingdom stretching from the Narmada river in the north to the Tungabhadra river in the south, in the western part of the Deccan region. Its territory included present-day Maharashtra, North Karnataka and parts of Madhya Pradesh, from its capital at Devagiri (present-day Daulatabad in modern Aurangabad district, Maharashtra). The Yadavas initially ruled as feudatories of the Western Chalukyas. Around the middle of the 12th century, as the Chalukya power waned, the Yadava king Bhillama V declared independence. The Yadava kingdom reached its peak under Simhana II, and flourished until the early 14th century, when it was annexed by the Khalji dynasty of the Delhi Sultanate in 1308 CE. Etymology The Seuna dynasty claimed descent from the Yadavas and therefore, its kings are often referred to as the "Yadavas of Devagiri". The correct name of the dynasty, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations average to between 73–55 ka.", "Modern human beings—''Homo sapiens''—originated in Africa. Then, int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brihaddeshi
Brihaddeshi is a Classical Sanskrit text, dated ca. 6th to 8th century CE, on Indian classical music, attributed to Mataṅga Muni. It is the first text to speak directly of the raga and to distinguish ''marga'' ("classical") from ''desi'' ("folk") music. It also introduced sargam ''solfège'' (or ''solfa''), the singing of the first syllable of the names of the musical notes, as an aid to learning and performance. (The full names of the notes existed previously, for example as found in Natya Shastra.) The author based his work on Bharata Muni's Natya Shastra. His discussion of musical scales and micro-tonal intervals clarifies Bharata's work, and also clarifies Bharata's terse presentation of many issues related to śruti. The text uses a two-dimensional ''prastāra'' (matrix) to explain how the 7 notes of the octave map into 22 śrutis, with varying distances between notes. It also says that a finer subdivision in microtones has 66 śrutis; and that, in principle, the number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Michael Randel
Don Michael Randel (born December 9, 1940) is an American musicologist, specializing in the music of the Middle Ages and Renaissance in Spain and France. He is currently the Chair of the Board of the American Academy of Arts and Sciences, a trustee of the Carnegie Corporation, and a member of the Encyclopædia Britannica editorial board, and has previously served as the fifth president of the Andrew W. Mellon Foundation, twelfth president of the University of Chicago, Provost of Cornell University, and Dean of Cornell's College of Arts and Sciences. He has served as editor of the third and fourth editions of the ''Harvard Dictionary of Music'', the ''Harvard Biographical Dictionary of Music'', and the ''Harvard Concise Dictionary of Music and Musicians''. He was elected to the American Philosophical Society in 2002. Randel is a triple alumnus of Princeton University, where he earned his bachelor's, master's and doctoral degrees in musicology. After completing his PhD at Princeton, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Muni
Bharata Muni (Hindi: भरत मुनि) was an ancient sage who the musical treatise '' Natya Shastra'' is traditionally attributed to. The work covers ancient Indian dramaturgy and histrionics, especially Sanskrit theatre. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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