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éditions Alphonse Leduc
The Éditions Alphonse Leduc company is a prominent French music publishing house specializing in classical music. It was created in Paris in 1841. Since January 2014, Leduc is part of the Wise Music Group (formerly the Music Sales Group). History Éditions Alphonse Leduc is a family business that has been passed down from father to son over five generations. The family is originally from Arnay-le-Duc, in the Burgundy region of France. The family musical origins began in Arnay-le-Duc in Burgundy and its first musician, Antoine Girard. Girard was a violinist who left his father's weaving shop to turn his attention to art. His son Charles Girard, who was born in Arnay-le-Duc in 1754, moved to Nantes and was the first full-time musician. The Girards were a large family and its Nantes branch added Leduc to its name, taken from its place of origin Arnay-le-Duc. From then on all of the Girards of this branch were known as Girard-Leduc, and often, for the sake of simplification in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wise Music Group
Wise Music Group is a global music publisher, with headquarters in Berners Street, London. In February 2020, Wise Music Group changed its name from The Music Sales Group. In 2014 Wise Music Group (as The Music Sales Group) acquired French classical music publisher Éditions Alphonse Leduc. Éditions Alphonse Leduc publishes classical music by French composers including Jacques Ibert, Henri Dutilleux, Olivier Messiaen, Francis Poulenc, and Joseph Canteloube. It also publishes operatic works by Italian composers Gioachino Rossini and Vincenzo Bellini, and works by Muzio Clémenti, Johannes Brahms, and Pyotr Tchaikovsky. In March 2017, The Music Sales Group acquired disco publisher Bleu Blanc Rouge from Belgian record producer and songwriter Jean Kluger. In April 2018, Music Sales sold its physical and online print divisions, including Musicroom, to Milwaukee-based publisher Hal Leonard for $50 million. Hal Leonard will continue to distribute Wise Music's publishing catalogue wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warner Chappell Music
Warner Chappell Music, Inc. is an American music publishing company and a subsidiary of the Warner Music Group. Warner Chappell Music's catalogue consists of over 1.4 million compositions and 65,000 composers, with offices in over 40 countries. History The company was founded in 1811 as Chappell & Co., a British music publishing company and instrument shop that specialized in piano manufacturing on London's Bond Street. In 1929, Warner Bros. acquired M. Witmark & Sons, Remick Music Corporation and Harms, Inc. Tamerlane Music was acquired in 1969. Warner Chappell Music was formed in 1987 in San Antonio, Texas, when Warner Bros. Music Chairman Chuck Kaye led the company to purchase Chappell & Co. from PolyGram (now Universal Music Group) (UMG). In 1988, Warner-Chappell acquired Birch Tree Group, publisher of ''Happy Birthday to You'' and the Frances Clark piano method books. In 1990, Warner Chappell acquired Mighty Three Music, the publishing company of Thom Bell and Gamble an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reynaldo Hahn
Reynaldo Hahn (; 9 August 1874 – 28 January 1947) was a Venezuelan-born French composer, conductor, music critic, and singer. He is best known for his songs – ''mélodies'' – of which he wrote more than 100. Hahn was born in Caracas but his family moved to Paris when he was a child, and he lived most of his life there. Following the success of his song "''Si mes vers avaient des ailes''" (If my verses had wings), written when he was aged 14, he became a prominent member of ''fin de siècle'' French society. Among his closest friends were Sarah Bernhardt and Marcel Proust. After the First World War, in which he served in the army, Hahn adapted to new musical and theatrical trends and enjoyed successes with his first opérette, ''Ciboulette'' (1923) and a collaboration with Sacha Guitry, the musical comedy ''Mozart (comédie musicale), Mozart'' (1926). During the Second World War Hahn, who was of Jewish descent, took refuge in Monaco, returning to Paris in 1945 where he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Cl̩ment Philibert L̩o Delibes (; 21 February 1836 Р16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Copp̩lia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakm̩'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic op̩rettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Copp̩lia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of m̩lodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Lalo
Édouard-Victoire-Antoine Lalo (27 January 182322 April 1892) was a French composer. His most celebrated piece is the ''Symphonie espagnole'', a five-movement concerto for violin and orchestra, which remains a popular work in the standard repertoire. Biography Lalo was born in Lille, in the northernmost part of France. He attended that city's conservatoire in his youth. Beginning at age 16, he studied at the Paris Conservatoire under François Antoine Habeneck. Habeneck conducted student concerts at the Conservatoire from 1806 and became the founding conductor of the Orchestre de la Société des Concerts du Conservatoire in 1828. For several years, Lalo worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, in which he played the viola and later, second violin. His earliest surviving compositions are songs and chamber works (two early symphonies were destroyed). In 1865, Lalo married Julie Besnier de Maligny, a contral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambroise Thomas
Charles Louis Ambroise Thomas (; 5 August 1811 – 12 February 1896) was a French composer and teacher, best known for his operas ''Mignon'' (1866) and ''Hamlet'' (1868). Born into a musical family, Thomas was a student at the Conservatoire de Paris, winning France's top music prize, the Prix de Rome. He pursued a career as a composer of operas, completing his first opera, ''La double échelle'', in 1837. He wrote twenty further operas over the next decades, mostly comic, but he also treated more serious subjects, finding considerable success with audiences in France and abroad. Thomas was appointed as a professor at the Conservatoire in 1856, and in 1871 he succeeded Daniel Auber as director. Between then and his death at his home in Paris twenty-five years later, he modernised the Conservatoire's organisation while imposing a rigidly conservative curriculum, hostile to modern music, and attempting to prevent composers such as César Franck and Gabriel Fauré from influencing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Ménestrel
''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heugel and remained with the company until the journal's demise at the beginning of World War II. With the closure of its chief rival, '' La Revue et gazette musicale de Paris'' in 1880, ''Le Ménestrel'' became France's most prestigious and longest-running music journal. Publishing history In 1827, François-Joseph Fétis had founded ''La Revue musicale'', France's first periodical devoted entirely to classical music. By 1834, it had two serious competitors, ''Le Ménestrel'' established in 1833, and Maurice Schlesinger's ''Gazette Musicale'', established in 1834. ''Le Ménestrel'' was founded by the Paris publisher Joseph-Hippolyte l'Henry, with the first edition (printed by Poussièlgue) appearing on 1 December 1833. In 1835, Schlesinger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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