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Þeyr
Þeyr () was an Icelandic New wave music, new wave band from the early 1980s. Origins The origins of Þeyr date back to the late 1970s when singer Magnús Guðmundsson, bassist Hilmar Örn Agnarsson and Hilmar Örn Hilmarsson (drums and synthesizer) were playing in a garage band called Fellibylur (Hurricane). The band was expanded with vocalist Elín Reynisdóttir, who at the time was singing at a church choir, guitarist Jóhannes Helgason from a rock band called Piccolo, and drummer Sigtryggur Baldursson from Hattimas. They called themselves Frostrósir (Frostroses) and played rock music and some Icelandic songs at dancehalls in Reykjavík and its surroundings. After a while they decided to change the band's name and came up with ''Þeyr'', which was drawn from a poem by Skuggi and it means ''Wind'' or ''Thaw'' in old Icelandic. Þeyr is exactly pronounced as ''þeir'', which means ''they'' (male gender). History First release and internal changes By 1979, they introduced two o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Þagað í Hel
''Þagað í Hel'' was the first album released by Icelandic band Þeyr in December 1980 through label SG-hljómplötur. An album of pop, soft rock and disco compositions, It showcases the early musical style of the band before they became influenced by the burgeoning punk scene in Iceland, and is hardly representative of their trademark avant-garde and aggressive post-punk sound which quickly followed. By late 1979 Þeyr members contacted Svavar Gestsson, the owner of SG-Hljómplötur, and introduced him a few songs of disco music. Svavar sent them to studio Tóntækni and the recording sessions began in January 1980 and were concluded in February when the band decided to take a break, which was extended until September, when the album was finished. Over the long break, new wave music was hitting Iceland and Þeyr got heavily influenced by it. Therefore, part of the recorded album featured two different music styles. The album was titled ''Þagað í Hel'', which means ''Sil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilmar Örn Hilmarsson
Hilmar Örn Hilmarsson (; born 23 April 1958), also known as HÖH, is a musician, an art director, and '' allsherjargoði'' (''chief goði'') of Ásatrúarfélagið ("the Ásatrú Association"). Hilmar Örn Hilmarsson was a pioneer in the use of computers when composing music and cleared the path for new ideas in recording and arrangements. He has worked on ambitious, experimental and original projects with various musicians, such as Psychic TV, Current 93, Sigur Rós, Steindór Andersen and Eivør Pálsdóttir. From early bands to the birth of Þeyr From 1972 to 1975 he was playing drums in a school band called Fatima with guitarist Jóhannes Helgason, bassist Birgir Ottóson and singer Guðmundur Eyjólfsson. In 1974 singer Eiríkur Hauksson replaced Guðmundur and guitarist Sigurgeir Sigmundsson joined them and a year after they broke up. By 1979 Hilmar Örn was playing drums and occasionally the synthesizer in a band called Fellibylur (Hurricane) with vocalist Magn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jóhannes Helgason
Jóhannes Helgason (born 16 June 1958) is an Icelandic guitar player known for his work in the band Þeyr. He currently works as a pilot for Icelandair. Early bands Jóhannes was born in Reykjavík. In the winter of 1972 he joined vocalist Guðmundur Eyjólfsson, drummer Hilmar Örn Hilmarsson, and bassist Birgir Ottóson to form a school band called Fatima. By 1974 Eiríkur Hauksson had replaced Guðmundur as a vocalist and guitarist Sigurgeir Sigmundsson had joined the group. Fatima disbanded in 1975, and it was followed by another band called Piccolo, which broke up two years later, but Eiríkur later achieved success with the Norwegian band Artch. Jóhannes joined singer Magnús Guðmundsson, bassist Hilmar Örn Agnarsson and Hilmar Örn Hilmarsson (in drums and synthesizer) who had been playing in a band called Fellibylur. Two new members joined the band: vocalist Elín Reynisdóttir, and drummer Sigtryggur Baldursson. They formed a band called Frostrósir (Window frost) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esquimaux Management
Esquimaux Management (or Eskvímó) was an Icelandic independent record label created around 1981 by renowned composer Hilmar Örn Hilmarsson and Gunnar Ruðni Agnarsson, manager of new wave band Þeyr. The company was in charge of the release of Þeyr’s records and books. Its owners performed with British bands in Iceland such as Eyless in Gaza. Esquimaux cease operations in 1983 with the breakup of Þeyr. In 2001 the name of the company appeared in '' Mjötviður til Fóta'', Þeyr’s 20th anniversary album. This was in order to reflect management's role in the history of the band. The commemorative album was produced under the direction of former Þeyr members and friends. Þeyr releases through Esquimaux See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guðlaugur Kristinn Óttarsson
Guðlaugur Kristinn Óttarsson (born 11 December 1954) is an Icelandic musician. Music career Early bands Steinblóm (Stone Flowers) (1969) was his first group. It was a trio formed by Guðlaugur (electric and acoustic guitars), Haraldur Johannessen (acoustic guitar) and Gunnar Magnússon (acoustic bass). Steinblóm played punk versions of artists such as Bob Dylan and Donovan, Guðlaugur originals and folk songs. At that time, he was experimenting with homemade electro-acoustic guitars and amplifiers. Steinblóm played gigs in Reykjavík and the suburbs. Lótus was created while he was at Laugarvatn high school in 1972. In 1974 and 1975 and played all over Iceland in 1974 when the country celebrated its 1,100th anniversary. Lótus was basically a rock band whose members were Guðlaugur, Guðjón Sigurbjörnsson, both on electric guitars, Böðvar Helgi Sigurðsson (electric bass), Guðmann Þorvaldsson (drums) and Sigurður Ingi Pálsson (vocals). Lotus' music was in the jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigtryggur Baldursson
Sigtryggur Baldursson (born 2 October 1962) is an Icelandic drummer and singer. Sigtryggur was born in Norway to Icelandic parents. He was a founding member of the Sugarcubes and has been a longtime fixture on the Icelandic punk and alternative music scene. Other bands he has played in have included Þeyr, Kukl, Emiliana Torrini, Ben Frost, Kippi Kaninus, SJS BIGBAND, Headpump, Bradley Fish and the Reptile Palace Orchestra. He has played on numerous recording with many artists, Howie B, and Les Negresses Vertes. He also has recorded under the name of Bogomil Font, his own crooner alter ego. He made two records under the name of Steintryggur with Steingrímur Guðmundsson. The two also have a percussion group called Parabolur along with longtime collaborator Guðmundur Vignir Karlsson of Kippi Kaninus. Sigtryggur also has a number of filmography-related accomplishments to his credit, including soundtracks for Rokland (Stormland) 2011, '' One Point O'' (2004) and '' Takedown' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Joke
Killing Joke are an English rock music, rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (musician), Youth (bass). Their first album, ''Killing Joke (1980 album), Killing Joke'', was released in 1980. After the release of ''Revelations (Killing Joke), Revelations'' in 1982, bassist Youth was replaced by Paul Raven (musician), Paul Raven. The band achieved mainstream success in 1985 with both the album ''Night Time (album), Night Time'' and the single "Love Like Blood (song), Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramm (record Label)
Gramm was an Icelandic record label created by Ásmundur Jónsson and Einar Örn Benediktsson in 1981. Located in Reykjavík, Gramm’s first release was a 10-track 7" vinyl titled ''Tilf'' by Purrkur Pillnikk, a punk group led by Einar Örn. Besides releasing all Purrkur Pillnikk's records, Gramm also issued works of artists like the English experimental group Psychic TV, Björk's first band Tappi Tíkarrass and Kukl (featuring Björk and Einar Örn). Rock band Þeyr and punk groups such as Vonbrigði were also associated with Gramm. In 1987, Gramm went bankrupt. Ásmundur and some of the musicians who were playing in Kukl created Smekkleysa, which ultimately became Bad Taste, known worldwide by the Sugarcubes. See also * List of record labels * Gramm discography This is the discography of the defunct Icelandic record label Gramm. (*): ''Skytturnar'' was the soundtrack to the film directed by Friðrik Þór Friðriksson. It featured The Sugarcubes, Bubbi Morthens, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birthday Party (band)
The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1977 to 1983. The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their 1981 single " Release the Bats" was particularly influential on the emerging gothic scene. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." In 1980, The Birthday Party moved from Melbourne to London, where they were championed by broadcaster John Peel. They subsequently released two albums: '' Prayers on Fire'' (1981) and '' Junkyard'' (1982). Disillusioned by their stay in London, the band's sound and live shows became increasingly violent. They broke up soon after relocating to West Berlin in 1982. The crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siouxsie And The Banshees
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. ''Q'' magazine included John McKay's guitar playing on " Hong Kong Garden" in their list of "100 Greatest Guitar Tracks Ever", while ''Mojo'' rated guitarist John McGeoch in their list of "100 Greatest Guitarists of All Time" for his work on " Spellbound". ''The Times'' called the group “one of the most audacious and uncompromising musical adventurers of the post-punk era". Initially associated with the punk scene, the band rapidly evolved to create "a form of post-punk discord full of daring rhythmic and sonic experimentation". Their debut album ''The Scream'' was released in 1978 to widespread critical acclaim. Following membership changes, including the addition of guitarist McGeogh and drummer Budgie, they radically changed their musical direction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holger Czukay
Holger Schüring (24 March 1938 – 5 September 2017), known professionally as Holger Czukay (), was a German musician best known as a co-founder of the krautrock group Can. Described as "successfully bridg ngthe gap between pop and the avant-garde", Czukay was also notable for having created early important examples of ambient music, for having explored " world music" well before the term was coined, and for having been a pioneer of sampling. Biography Czukay was born on 24 March 1938 in the Free City of Danzig (present-day Gdańsk, Poland), from which his family was expelled after World War II. Due to the turmoil of the war, Czukay's primary education was limited. One pivotal early experience, however, was working, when still a teenager, at a radio repair-shop, where he became fond of the aural qualities of radio broadcasts (anticipating his use of shortwave radio broadcasts as musical elements) and became familiar with the rudiments of electrical repair and engineering. Cz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
