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Østbirk Church
Østbirk Church (danish: ''Østbirk Kirke'') is a parish church in Horsens Municipality. It is overseen by the Diocese of Aarhus in the Church of Denmark. The Church was constructed around the year 1200 and features romanesque and gothic architecture. It is decorated with 16th century frescos along with intricate woodwork and carvings. Parish history The exact date of the church's establishment is unknown, though it was first recorded by written sources in 1267. In the middle ages, Østbirk Church belonged to Voer Abbey. After the dissolution of the Abbey during the reformation, the church was a possession of the crown, who then passed ownership to Peder Skram. Skram was the owner of Urup Gods, a nearby estate, and its successive owners oversaw the church until the early 19th century. The church became independent in 1911. Østbirk Church serves as the center of the parish of Østbirk Sogn. Until the 1970 Danish Municipal Reform, Østbirk Sogn was located in Voer Herred, a hun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Østbirk
Østbirk is a town, with a population of 2,413 (1 january 2022),BY3: Population 1. January by rural and urban areas, area and population density The Mobile Statbank from Statistics Denmark in , , in , situated 11 km east of [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mogens Bøggild
Mogens Kruse Bøggild (11 June 1901 – 25 April 1987) was a Danish sculptor. He specialized in figures of animals, including the granite ''Grisebrønden'' (Pig Fountain) in Aarhus which he created from 1941 to 1950. Biography Born in Hillerød, after being introduced to painting by Karl Jensen at the local Technical School, Bøggild studied under Einar Utzon-Frank at the Royal Danish Academy of Fine Arts. Showing a particular interest in Italian Renaissance art, he was inspired by the works of Theodor Philipsen and J.Th. Lundbye as well as by Joakim Skovgaard's more recent ''Dragespringvand''. As a result, he created many several significant sculptures of animals including ''Bjørnebrønden'' (Bear Fountain, 1936–39) in Nykøbing Falster, ''Grisebrønden'' (Pig Fountain, 1941–50) near Aarhus City Hall, ''Hjort og ørne'' (Stag and Eagle Monument, 1941–46) in Hillerød, ''Radiofonifigurgruppen'' (Group of Radio Figures, 1945–50) outside Radiohuset in Copenhagen, ''To søst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick II Of Denmark
Frederick II (1 July 1534 – 4 April 1588) was King of Denmark and Norway and Duke of Schleswig and Holstein from 1559 until his death. A member of the House of Oldenburg, Frederick began his personal rule of Denmark-Norway at the age of 24. He inherited a capable and strong kingdom, formed in large by his father after the civil war known as the Count's Feud, after which Denmark saw a period of economic recovery and of a great increase in the centralised authority of the Crown. Frederick was, especially in his youth and unlike his father, belligerent and adversarial, aroused by honor and national pride, and so he began his reign auspiciously with a campaign under the aged Johan Rantzau, which reconquered Dithmarschen. However, after miscalculating the cost of the Northern Seven Years' War, he pursued a more prudent foreign policy. The remainder of Frederick II's reign was a period of tranquillity, in which king and nobles prospered. Frederick spent more time hunting and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Porch
A church porch is a room-like structure at a church's main entrance. A porch protects from the weather to some extent. Some porches have an outer door, others a simple gate, and in some cases the outer opening is not closed in any way. The porch at St Wulfram's Church, Grantham, like many others of the period, has a room above the porch. It once provided lodging for the priest, but now houses the Francis Trigge Chained Library. Such a room is sometimes called a parvise which spelt as parvis normally means an open space or colonnade in front of a church entrance. In Scandinavia and Germany the porch of a church is often called by names meaning weaponhouse. It used to be believed that visitors stored their weapons there because of a prohibition against carrying weapons into the sanctuary, or into houses in general; this is now considered apocryphal by most accepted sources, and the weaponhouse is considered more likely to have functioned as a guardroom or armoury to store weapons in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Evens
Otto Frederik Theobald Evens (16 February 1826 - 21 November 1895) was a Danish sculptor. Early life and education Evens was born in Copenhagen, the son of brazier Thomas Mandix Evens (1791-1870) and his wife Ane Margrethe Frederiksen (1790-1853). He was articled to his father and later J. Dalhoff. In 1843, he was admitted to the Royal Danish Academy of Fine Arts and became an assistant in Herman Wilhelm Bissen's studio when he was in his twenties. He won the academy's small silver medal in 1846, its large silver medal in 1849 and the small gold medal in 1851 for ''Thetis bønfalder Vulkan om Vaaben til Achilles''. In 1857, after several unsuccessful attempts, he won the Neuhausen Prize for the group sculpture ''Maternal Love'' (''Moderkærlighed''). He spent a couple of months in Paris in 1856 and was in Italy in 1858–61 on a stipend from the academy. In 1865, he returned to Italy on a grant from the Ancher Foundation (Det Ancherske Legat). Career Evens belonged to the group of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Churchyard
In Christian countries a churchyard is a patch of land adjoining or surrounding a church, which is usually owned by the relevant church or local parish itself. In the Scots language and in both Scottish English and Ulster-Scots, this can also be known as a kirkyard. While churchyards can be any patch of land on church grounds, historically, they were often used as graveyards (burial places). Use of churchyards as a place of burial After the establishment of the parish as the centre of the Christian spiritual life, the possession of a cemetery, as well as the baptismal font, was a mark of parochial status. During the Middle Ages, religious orders also constructed cemeteries around their churches. Thus, the most common use of churchyards was as a consecrated burial ground known as a graveyard. Graveyards were usually established at the same time as the building of the relevant place of worship (which can date back to the 6th to 14th centuries) and were often used by those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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