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Études-Tableaux, Op. 39
Written in 1917, the ''Études-Tableaux'' ("study pictures"), Op. 39 is the second set of piano études composed by Sergei Rachmaninoff. Structure The Op. 39 set comprises nine études: # Allegro agitato in C minor :: This quick-paced étude demands a tireless right hand, a syncopated left hand and considerable dexterity. Technically, the music is in an almost continual climax. It bears a resemblance to Chopin's Prelude in E minor. # Lento assai in A minor :: Also known as "The Sea and the Seagulls", this work contains many musical textures that make it a difficult study in touch. It requires performers to restrain themselves and at the same time not sound monotonous. The technical workings of the étude are the 2-over-3 timing, the crossing hands, and large span of the arpeggiated figures for the left hand. This left-hand figure quotes the Dies Irae plainchant, one of the many works by the composer to do so. # Allegro molto in F minor ::An incredibly complex étude, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff, California
Sergius is a male given name of Ancient Roman origin after the name of the Latin ''gens'' Sergia or Sergii of regal and republican ages. It is a common Christian name, in honor of Saint Sergius, or in Russia, of Saint Sergius of Radonezh, and has been the name of four popes. It has given rise to numerous variants, present today mainly in the Romance (Serge, Sergio, Sergi) and Slavic languages (Serhii, Sergey, Serguei). It is not common in English, although the Anglo-French name Sergeant is possibly related to it. Etymology The name originates from the Roman ''nomen'' (patrician family name) ''Sergius'', after the name of the Roman ''gens'' of Latin origins Sergia or Sergii from Alba Longa, Old Latium, counted by Theodor Mommsen as one of the oldest Roman families, one of the original 100 ''gentes originarie''. It has been speculated to derive from a more ancient Etruscan name but the etymology of the nomen Sergius is problematic. Chase hesitantly suggests a connectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Music By Sergei Rachmaninoff
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gintaras Januševičius
Gintaras Januševičius (born 16 January 1985) is a Lithuanian pianist, music educator, event producer, radio presenter, and philanthropist. He is renowned for narrative recitals and original interpretations; particularly that of Rachmaninoff, Chopin, Beethoven, and Shostakovich. His repertoire also includes numerous works of Lithuanian composers, partially dedicated to or premiered by him. Biography Education Gintaras Januševičius was born in Moscow into the family of Lithuanian trumpeter Algirdas Januševičius and Tatar–Jewish composer Nailia Galiamova. The family left Moscow in 1987 and moved to Klaipėda. Gintaras began his musical training at the age of 4 at the Eduardas Balsys School of Arts in Klaipėda. In 1993 family decided to move to capital Vilnius, where his father was appointed the principal trumpeter at the Lithuanian State Symphony Orchestra, conducted by Gintaras Rinkevičius. Januševičius then entered the National M. K. Čiurlionis School of Art. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Giltburg
Boris Leonidovich Giltburg ( he, בוריס גילטבורג, born June 21, 1984) is an Israeli classical pianist, born in Russia. Biography Giltburg was born into a Jewish family in Moscow, Russia, and began studying piano with his mother at the age of five. After emigrating to Israel, he studied with Arie Vardi between 1995 and 2007. Music career In 2002, Giltburg won 2nd prize (the top prize awarded) of the Paloma O'Shea Santander International Piano Competition in Spain, where he performed the Bartók Third Piano Concerto with the London Symphony Orchestra. Since then Giltburg has performed with the Philharmonia Orchestra, Royal Liverpool Philharmonic, Bournemouth Symphony, City of Birmingham Symphony Orchestra, Frankfurt Radio Symphony Orchestra, and the Israel Philharmonic with conductors such as Philippe Entremont, Christoph von Dohnányi, Mikhail Pletnev and Marin Alsop. He won 2nd place at the 2011 Arthur Rubinstein International Piano Master Competition The Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoffrey Norris
Geoffrey Norris (born 1947) is an English musicologist and music critic. His scholarship focuses on Russian composers; in particularly, Norris is a leading scholar on the life and music of Sergei Rachmaninoff, about whom he has written in numerous articles and a 1976 book-length study. He was chief classical music critic of ''The Daily Telegraph'' from 1995 to 2009. Life and career Geoffrey Norris was born in London, England in 1947. An enthusiast of Russian culture since his youth, Norris attended the University of Durham and where his undergraduate dissertation concerned The Five, a leading group of 19th-century Russian composers. Original froMiamiPianoFest He continued his studies of Russian music at the |
John Ogdon
John Andrew Howard Ogdon (27 January 1937 – 1 August 1989) was an English pianist and composer. Biography Career Ogdon was born in Mansfield Woodhouse, Nottinghamshire, and attended the Manchester Grammar School, before studying at the Royal Northern College of Music (formerly The Royal Manchester College of Music) between 1953 and 1957, where his fellow students under Richard Hall included Harrison Birtwistle, Alexander Goehr, Elgar Howarth and Peter Maxwell Davies. Together they formed New Music Manchester, a group dedicated to the performances of serial and other modern works. His tutor there was Claud Biggs. As a boy he had studied with Iso Elinson and after leaving college, he further studied with Gordon Green, Denis Matthews, Dame Myra Hess, and Egon Petri—the last in Basel, Switzerland. He won first prize at the London Liszt Competition in 1961 and consolidated his growing international reputation by winning another first prize at the International Tchaikovsk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Ashkenazy
Vladimir Davidovich Ashkenazy (russian: Влади́мир Дави́дович Ашкена́зи, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is an internationally recognized solo pianist, chamber music performer, and conductor. He is originally from Russia and has held Icelandic citizenship since 1972. He has lived in Switzerland since 1978. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, he has recorded a large repertoire of classical and romantic works. His recordings have earned him five Grammy awards and Iceland's Order of the Falcon. Early life Vladimir Ashkenazy was born in Gorky, Soviet Union (now Nizhny Novgorod, Russia), to pianist and composer David Ashkenazi and to actress Yevstolia Grigorievna (born Plotnova). His father was Jewish and his mother came from a Russian Orthodox family. Ashkenazy was christened in a Russian Orthodox church. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Angelich
Nicholas Michael Angelich (December 14, 1970 – April 18, 2022) was an American pianist. He was noted for performing internationally with ensembles from Europe and North America. Early life Angelich was born in Cincinnati, Ohio, on December 14, 1970. His father, Borivoje Andjelitch, was a violinist; his mother, Clara Kadarjan, was a piano teacher who was originally from Russia. They met while studying at the Academy of Music, Belgrade, and he anglicized their family name to Angelich after they emigrated to the United States during the 1960s. Angelich started learning the piano with his mother at the age of five. Two years later, he gave his first concert performing Mozart's Piano Concerto No. 21, K. 467. He relocated to Paris when he was thirteen in order to study at the Conservatoire National Superieur de Musique, where his teachers included Aldo Ciccolini, Yvonne Loriod, Michel Beroff, and Marie-Françoise Bucquet. Career Angelich studied with Leon Fleisher during his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variations On A Theme Of Corelli (Rachmaninoff)
Variations on a Theme of Corelli (russian: Вариации на тему А. Корелли, ''Variatsii na temu A. Korelli''), Op. 42, is a set of variations for solo piano, written in 1931 by the Russian composer Sergei Rachmaninoff. He composed the variations at his holiday home in Switzerland. The theme is '' La Folia'', which was not in fact composed by Arcangelo Corelli, but was used by him in 1700 as the basis for 23 variations in his Sonata for violin and continuo ( violone and/or harpsichord) in D minor, Op. 5, No. 12. ''La Folia'' was popularly used as the basis for variations in Baroque music. Franz Liszt used the same theme in his '' Rhapsodie espagnole'' S. 254 (1863). Rachmaninoff dedicated the work to his friend, the violinist Fritz Kreisler. He wrote to another friend, the composer Nikolai Medtner, on 21 December 1931: I've played the Variations about fifteen times, but of these fifteen performances only one was good. The others were sloppy. I can't play my ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Melnikov (pianist)
Alexander Markovich Melnikov (born 1973) is a Russian pianist. His grandma was the Soviet pianist and composer Zara Levina. Melnikov''88 notes pour piano solo'', Jean-Pierre Thiollet, Neva Editions, 2015, p. 126. graduated from the Moscow Conservatory under Lev Naumov. His most formative musical moments in Moscow include his early encounter with Sviatoslav Richter, who thereafter regularly invited him to festivals in Russia and France. He was awarded prizes at competitions as the Robert Schumann International Competition for Pianists and Singers in Zwickau (1989) and the Queen Elisabeth Music Competition in Brussels (1991). Known for his often-unusual musical and programmatic decisions, Melnikov discovered a career-long interest in historical performance practice at an early age. His major influences in this field include harpsichordists Andreas Staier and Alexei Lubimov, with whom he collaborated on numerous projects. Melnikov performs regularly with period ensembles as Concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valery Gergiev
Valery Abisalovich Gergiev (russian: Вале́рий Абиса́лович Ге́ргиев, ; os, Гергиты Абисалы фырт Валери, Gergity Abisaly fyrt Valeri; born 2 May 1953) is a Russian conductor and opera company director. In 1988 he became general director and artistic director of the Mariinsky Theatre and artistic director of the White Nights Festival in St. Petersburg. He was chief conductor of the Munich Philharmonic from September 2015 until he was dismissed on 1 March 2022. Early life Gergiev was born in Moscow. He is the son of Tamara Timofeevna (Tatarkanovna) Lagkueva and Abisal Zaurbekovich Gergiev, both of Ossetian origin. He and his siblings were raised in Vladikavkaz in North Ossetia in the Caucasus. He had his first piano lessons in secondary school before going on to study at the Leningrad Conservatory from 1972 to 1977. His principal conducting teacher was Ilya Musin. His sister, Larissa, is a pianist and director of the Marii ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
