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Étude Op. 25, No. 6 (Chopin)
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for Piano solo, solo piano. He has maintained worldwide renown ... focusing on thirds, trilling them at a high speed. Also called the Double Thirds Étude, it is considered one of the hardest of Chopin's 24 Études, ranking the highest level of difficulty according to the Henle difficulty rankings. ''Excerpt from the beginning of the Étude Op. 25 No. 6'' \relative c'' Technical difficulties The most conspicuous difficulty is the trilling of thirds quickly, such as in the beginning of the piece. However, there are also other difficulties, such as playing a chromatic scale in thirds with one hand ( m. 5), and broken pairs of thirds divided between the upper and lower parts of each hand (m. 27). At one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Goldstein
Martha Goldstein (born Martha Svendsen; June 10, 1919 – February 14, 2014) was an American harpsichordist and pianist, who gave concerts in the United States, North Africa, the Middle East, and Europe. She performed works by George Frideric Handel, Frédéric Chopin, Georg Philipp Telemann, Franz Liszt, Ferruccio Busoni, Johann Sebastian Bach, and others. Biography Born in Baltimore, Maryland, Goldstein was trained at the Peabody Conservatory and the Juilliard School and studied with Audrey Plitt, Eliza Woods, James Friskin and Mieczysław Munz. She taught at the Peabody Conservatory for 20 years and at the Cornish College of the Arts. She also performed as a guest artist with the Soni Ventorum Wind Quintet, wind quintet-in-residence at the University of Washington School of Music since 1968. Many of Goldstein's recordings were first released on LP by Pandora Records, which was founded in 1973 and active for more than ten years. The company went out of business with the adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminished Seventh Chord
The diminished seventh chord is a four-note chord (a seventh chord) composed of a Root (chord), root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, 3, 5, 7). For example, the diminished seventh chord built on B, commonly Chord names and symbols (popular music), written as B7, has pitches B-D-F-A: : The chord consists of a diminished triad plus the diminished seventh above the root. These four notes form a stack of three Interval (music), intervals which are all minor thirds. Since stacking yet another minor third returns to the root note, the four Inversion (music), inversions of a diminished seventh chord are symmetrical. The Pitch class#Integer notation, integer notation is . Since the diminished seventh interval is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, 3, 5, 6). The diminished seventh chord occurs as a leading-tone seventh chord in the harm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études By Frédéric Chopin
Études (French for "studies") or Étude may refer to: Compositions * Étude, a type of instrumental musical composition designed to provide practice material * ''Études'' (Chopin), by Frédéric Chopin, 1829–1839 * ''Études'' (Debussy), by Claude Debussy, 1915 * ''Études'' (Ligeti), by György Ligeti, 1985–2001 * ''Études'' (Rautavaara), by Einojuhani Rautavaara, 1969 * ''Études'' (ballet), by Harald Lander, 1948 * "Étude" (instrumental), by Mike Oldfield, 1984 * "Etude", a song by Empire of the Sun from '' Walking on a Dream'', 2008 Albums * ''Etudes'' (Charlie Haden album), 1988 * ''Etudes'' (Ron Carter album), 1983 * ''Etudes'' (Andrew Horowitz album), 2019 Periodicals * ''Études'' (journal), a Roman Catholic journal published by the Jesuits * '' The Etude'', an American music magazine 1883–1957 See also * List of étude composers An étude is a musical composition (usually short) designed to provide practice in a particular technical skill in the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurizio Pollini
Maurizio Pollini (5 January 1942 – 23 March 2024) was an Italian pianist and conductor. He was known for performances of Beethoven, Chopin, Debussy, and the Second Viennese School, among others. He championed works by contemporary composers, including Pierre Boulez, Karlheinz Stockhausen, George Benjamin, Roberto Carnevale, Gianluca Cascioli and Bruno Maderna. Several compositions were written for him, including Luigi Nono's '' ... sofferte onde serene ...'', Giacomo Manzoni's ''Masse: omaggio a Edgard Varèse'', and Salvatore Sciarrino's Fifth Sonata. As a conductor he was instrumental in the Rossini revival at the Rossini Opera Festival in Pesaro, conducting '' La donna del lago'' from a new critical edition in 1981. He also conducted from the keyboard. Pollini was also a left-wing activist in the 1960s and 1970s, and he remained politically engaged in later life. He maintained some separation between these ideals and his music. Life and career 1942–early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Ashkenazy
Vladimir Davidovich Ashkenazy (, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is a Soviet-born Icelandic pianist, chamber music performer, and conductor. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, he has recorded a large repertoire of classical and romantic works. His recordings have earned him seven Grammy Awards and Iceland's Order of the Falcon. Early life and education Vladimir Ashkenazy was born in Gorky, Soviet Union (now Nizhny Novgorod, Russia), to pianist and composer David Ashkenazi and to actress Yevstolia Grigorievna (born Plotnova). His father was Jewish and his mother came from a Russian Orthodox family. Ashkenazy was christened in a Russian Orthodox church. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Harasiewicz
Adam Harasiewicz (born 1 July 1932) is a Polish classical concert pianist. Harasiewicz was born in Chodziez. After studying violin for two months, at the age of 10 he began piano study, and at age 15 he obtained first prize in a contest at Rzeszów. At 18 he entered the State Higher School of Music in Kraków (at present Academy of Music in Kraków) where he studied with Zbigniew Drzewiecki. Harasiewicz studied with Drzewiecki for six years, and became pre-eminent as an interpreter of Chopin, excelling through a combination of superb technique, lyrical imagination, exceptional consistency of stylistic and idiomatic approach, and (through all of these) in playing of a characteristic temperament which identifies him as a true exponent of the Polish Romantic tradition. He won the first prize at the V International Chopin Piano Competition in 1955. He then spent some years in Belgium, before settling in Austria. Harasiewicz was a member of the jury at the International Chopin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sviatoslav Richter
Sviatoslav Teofilovich Richter ( – August 1, 1997) was a Soviet and Russian classical pianist. He is regarded as one of the greatest pianists of all time,Great Pianists of the 20th Century and has been praised for the "depth of his interpretations, his virtuoso technique, and his vast repertoire". Biography Childhood Richter was born in Zhytomyr, Volhynian Governorate, in the Russian Empire (modern-day Ukraine), the hometown of his parents. His father, (1872–1941), was a pianist, organist and composer born to Germans, German expatriates, who from 1893 to 1900 studied at the University of Music and Performing Arts Vienna, Vienna Conservatory. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a Russian nobility, noble Russian landowning family, and at one point had studied under her future husband. In 1918, when Richter's parents were in Odessa, the Russian Civil War, Civil War separated them from their son, and Richter moved in with his aunt Tamar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean and American pianist known for his interpretations of a vast repertoire spanning the baroque music, baroque to 20th-century classical music, 20th-century composers, especially Bach, Wolfgang Amadeus Mozart, Mozart, Ludwig van Beethoven, Beethoven, Franz Schubert, Schubert, Frédéric Chopin, Chopin, Robert Schumann, Schumann, Franz Liszt, Liszt and Johannes Brahms, Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, to Carlos Arrau, an ophthalmologist who died when Claudio was only one year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau was a Spanish people, Spanish engineer who was sent to Chile by King Charles III of Spain, Carlos III of Spain. Through his great-grandmother, MarÃa del Carmen Daroch del Solar, Arrau was a descendant of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Cortot
Alfred Denis Cortot ( , ; 26 September 187715 June 1962) was a French pianist, conductor, and teacher who was one of the most renowned classical musicians of the 20th century. A pianist of massive repertory, he was especially valued for his poetic insight into Romantic piano works, particularly those of Chopin, Franck, Saint-Saëns and Schumann. For Éditions Durand, he edited editions of almost all piano music by Chopin, Liszt and Schumann. A central figure of the French musical culture in his time, he was well known for his piano trio with violinist Jacques Thibaud and cellist Pablo Casals. Biography Early life Cortot was born in Nyon, Vaud, in the French-speaking part of Switzerland, to a French father and a Swiss mother. His nationality was French. His first cousin was the composer Edgard Varèse. He studied at the Paris Conservatoire with Émile Decombes (a student of Frédéric Chopin), and with Louis Diémer, taking a ''premier prix'' in 1896. He made his d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Lhévinne
Josef Lhévinne (13 December 18742 December 1944) was a Russian pianist and piano teacher. Lhévinne wrote a short book in 1924 that is considered a classic: ''Basic Principles in Pianoforte Playing''. Asked how to say his name, he told ''The Literary Digest'' it was ''lay-VEEN''. Biography Joseph Arkadievich Levin (the name was altered in western Europe by a manager who thought "Lhévinne" more distinctive and less Jewish) was born into a Jewish family of musicians in Oryol south of Moscow. He studied at the Imperial Conservatory in Moscow under Vasily Safonov. He made his public debut at the age of 14 with Ludwig van Beethoven's '' Emperor Concerto'' in a performance conducted by his musical hero Anton Rubinstein. He graduated at the top of a class that included both Sergei Rachmaninoff and Alexander Scriabin, winning the gold medal for piano in 1892. In 1895 Levin won the Second International Anton Rubinstein Competition held in Berlin, emerging as the favoured pianist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sébastien Érard
Sébastien Érard (; 5 April 1752 – 5 August 1831) was a French instrument maker who specialised in the production of pianos and harps, developing the capacities of both instruments and pioneering the modern piano. Biography Érard was born in Strasbourg. While a boy he showed great aptitude for practical geometry and architectural drawing, and in the workshop of his father, who was an upholsterer, he found opportunity for the early exercise of his mechanical ingenuity. When he was sixteen his father died, and he moved to Paris where he obtained employment with a harpsichord maker. Here his remarkable constructive skill, though it speedily excited the jealousy of his master and procured his dismissal, almost instantly attracted the notice of musicians and musical instrument makers of eminence. EB says he built his first pianoforte in 1780. Before he was twenty-five he set up in business for himself, his first workshop being a room in the hotel of the duchesse de Villeroi, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
