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Étude Op. 25, No. 10 (Chopin)
Étude Op. 25, No. 10, in B minor is a solo piano study composed by Frédéric Chopin in 1835. Structure ''Étude Op. 25, No. 10'' features many unique aspects not typically present in Chopin's ''études'', including a significant and distinctive ternary form. The first theme is presented as a series of eighth note-tuplets in cut time, but not in time, played at a very fast tempo of '' Allegro''. The second theme is in B minor's parallel major, B major, and in triple metre. The second theme is repeated four times, and develops into a variation of the first theme, returning to cut time and B minor. Copious pedal point notes and phrase markings are present in the second theme, but the entire étude lacks any pedal indications. Similar to the Op. 10, No. 4 étude, Chopin emphasizes ''legato'' playing through the phrasing and (lack of) pedal marking. Throughout the entire work, Chopin marks only five dynamic markings; the entire first theme is to be played ''forte'' to ''forti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrase (music)
In music theory, a phrase ( gr, φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells, and combining to form melodies, periods and larger sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." Edward Cone analyses the "typical musical phrase" as consisting of an "initial downbeat, a period of motio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études By Frédéric Chopin
Études is French for "studies". It is used as a name for several music or dance works, including: * ''Études'' (Chopin), three sets of studies for the piano by Frédéric Chopin, composed between 1829 and 1839 * ''Études'' (Debussy), a set of 12 piano études composed in 1915 by Claude Debussy * ''Études'' (ballet), a 1948 ballet by Harald Lander * ''Études'' (Ligeti), 18 piano studies composed between 1985 and 2001 by György Ligeti * Alexander Scriabin: twenty-six études (Opp. 2, 8, 42, 49, 56 and 65) * Etudes (Charlie Haden album) * Etudes (Ron Carter album) A number of musical works include the word Études in their title: * '' Trois Nouvelles Études'' for piano written by Frédéric Chopin in 1839 * '' Trois Études de concert'', a set of three piano études by Franz Liszt, composed between 1845 and 1849 * '' Grandes Études de Paganini'', a series of six études for the piano by Franz Liszt, in 1851 * '' Études d'exécution transcendante'', a series of twelve compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Gavrilov
Andrei Gavrilov (in Russian Андрей Гаврилов; born September 21, 1955) is a Swiss pianist of Russian background. Early life and music career Andrei Gavrilov was born into a family of artists in Moscow. His father was Vladimir Gavrilov (May 30, 1923 – December 4, 1970), one of the eminent Russian painters during the middle of the 20th century, through whom Gavrilov also has German ancestors. His mother was the Armenian pianist Assanetta Eguiserian (December 20, 1925 – November 29, 2006), who had studied with Heinrich Neuhaus and gave Gavrilov his first piano lessons at age 2. In 1961 he was inducted at the Moscow Central Music School and became a student of Tatyana Kestner, who had studied with Alexander Goldenweiser. He completed his studies with another Neuhaus disciple, Lev Naumov, at the Moscow Conservatory. By the age of 18, after one semester at the conservatory, he won the International Tchaikovsky Competition in 1974 and rose to international fame when, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurizio Pollini
Maurizio Pollini (born 5 January 1942) is an Italian pianist. He is known for performances of compositions by Beethoven, Chopin and Debussy, among others. He has also championed and performed works by contemporary composers such as Pierre Boulez, Karlheinz Stockhausen, George Benjamin, Roberto Carnevale, Gianluca Cascioli and Bruno Maderna Bruno Maderna (21 April 1920 – 13 November 1973) was an Italian conductor and composer. Life Maderna was born Bruno Grossato in Venice but later decided to take the name of his mother, Caterina Carolina Maderna.Interview with Maderna‘s th .... Works composed for him include Luigi Nono's '' ..... sofferte onde serene ...'', Giacomo Manzoni's ''Masse: omaggio a Edgard Varèse'' and Salvatore Sciarrino's Fifth Sonata. Life and career Pollini was born in Milan to the Italian rationalist architect Gino Pollini, who has been said to be the first to bring Modernist architecture to Italy in the 1930s, and his wife Renata Melotti (sister o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Ashkenazy
Vladimir Davidovich Ashkenazy (russian: Влади́мир Дави́дович Ашкена́зи, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is an internationally recognized solo pianist, chamber music performer, and conductor. He is originally from Russia and has held Icelandic citizenship since 1972. He has lived in Switzerland since 1978. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, he has recorded a large repertoire of classical and romantic works. His recordings have earned him five Grammy awards and Iceland's Order of the Falcon. Early life Vladimir Ashkenazy was born in Gorky, Soviet Union (now Nizhny Novgorod, Russia), to pianist and composer David Ashkenazi and to actress Yevstolia Grigorievna (born Plotnova). His father was Jewish and his mother came from a Russian Orthodox family. Ashkenazy was christened in a Russian Orthodox church. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean pianist known for his interpretations of a vast repertoire spanning the baroque to 20th-century composers, especially Bach, Beethoven, Schubert, Chopin, Schumann, Liszt and Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, the son of Carlos Arrau, an ophthalmologist who died when Claudio was only a year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau, a Spanish engineer, was sent to Chile by King Carlos III of Spain. Through his great-grandmother, María del Carmen Daroch del Solar, Arrau was a descendant of the Campbells of Glenorchy, a Scottish noble family. Arrau was raised as a Catholic, but gave it up in his late teens. Arrau was a child prodigy and he could read music before he could read words, but unlike many virtuosos, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Cortot
Alfred Denis Cortot (; 26 September 187715 June 1962) was a French pianist, conductor, and teacher who was one of the most renowned classical musicians of the 20th century. A pianist of massive repertory, he was especially valued for his poetic insight into Romantic piano works, particularly those of Chopin, Franck, Saint-Saëns and Schumann. For Éditions Durand, he edited editions of almost all piano music by Chopin, Liszt and Schumann. A central figure of the French musical culture in his time, he was well known for his piano trio with violinist Jacques Thibaud and cellist Pablo Casals. Biography Early life Cortot was born in Nyon, Vaud, in the French-speaking part of Switzerland, to a French father and a Swiss mother. His first cousin was the composer Edgard Varèse. He studied at the Paris Conservatoire with Émile Decombes (a student of Frédéric Chopin), and with Louis Diémer, taking a ''premier prix'' in 1896. He made his debut at the Concerts Colonne in 1897, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Lhévinne
Josef Lhévinne (13 December 18742 December 1944) was a Russian pianist and piano teacher. Lhévinne wrote a short book in 1924 that is considered a classic: ''Basic Principles in Pianoforte Playing''. Asked how to say his name, he told ''The Literary Digest'' it was ''lay-VEEN''. Biography Joseph Arkadievich Levin (the name was altered in western Europe by a manager who thought "Lhévinne" more distinctive and less Jewish) was born into a Jewish family of musicians in Oryol south of Moscow. He studied at the Imperial Conservatory in Moscow under Vasily Safonov. He made his public debut at the age of 14 with Ludwig van Beethoven's ''Emperor Concerto'' in a performance conducted by his musical hero Anton Rubinstein. He graduated at the top of a class that included both Sergei Rachmaninoff and Alexander Scriabin, winning the gold medal for piano in 1892. In 1895 Levin won the Second International Anton Rubinstein Competition held in Berlin, emerging as the favoured pianist in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Goldstein
Martha Goldstein (born Martha Svendsen; June 10, 1919 – February 14, 2014) was an American harpsichordist and pianist, who gave concerts in the United States, North Africa, the Middle East, and Europe. She performed works by George Frideric Handel, Frédéric Chopin, Georg Philipp Telemann, Franz Liszt, Ferruccio Busoni, Johann Sebastian Bach, and others. Biography Born in Baltimore, Maryland, Goldstein was trained at the Peabody Conservatory and the Juilliard School and studied with Audrey Plitt, Eliza Woods, James Friskin and Mieczysław Munz. She taught at the Peabody Conservatory for 20 years and at the Cornish College of the Arts. She also performed as a guest artist with the Soni Ventorum Wind Quintet, wind quintet-in-residence at the University of Washington School of Music since 1968. Many of Goldstein's recordings were first released on LP by Pandora Records, which was founded in 1973 and active for more than ten years. The company went out of business with the advent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legato
In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note with no intervening silence. Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid re- articulation. Standard notation indicates legato either with the word ''legato'', or by a slur (a curved line) under notes that form one legato group. Legato, like staccato, is a kind of articulation. There is an intermediate articulation called either ''mezzo staccato'' or ''non-legato'' (sometimes referred to as ''portato''). Classical string instruments In music for Classical string instruments, legato is an articulation that often refers to notes played with a full bow, and played with the shortest silence, often barely perceptible, between notes. The play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
