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Étude Op. 10, No. 7 (Chopin)
Étude Op. 10, No. 7, in C major, is a solo piano technical study composed by Frédéric Chopin around 18301832 and published in 1833. The tempo ''Vivace'' indicates a lively playing speed. Structure Conforming with most of the others, Étude Op. 10, No. 7 consists of three sections. The first theme in C major is followed by a short second theme in D major, which returns to the first theme. It is an exercise in intervals, with the right hand constantly changing from minor thirds to augmented sixths, in quick sixteenth note rhythm, while the left hand plays a simple bass harmonious accompaniment. Technique In order to be melodically pleasing, Étude Op. 10, No. 7 demands a special technique, as the interpretation of its melodic line is not as easy as the more popular études by Chopin; consequently, it is not a standard in concert repertoire. However, technicians, in particular Abby Whiteside, favored this piece for its note structure and challen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études By Frédéric Chopin
Études (French for "studies") or Étude may refer to: Compositions * Étude, a type of instrumental musical composition designed to provide practice material * ''Études'' (Chopin), by Frédéric Chopin, 1829–1839 * ''Études'' (Debussy), by Claude Debussy, 1915 * ''Études'' (Ligeti), by György Ligeti, 1985–2001 * ''Études'' (Rautavaara), by Einojuhani Rautavaara, 1969 * ''Études'' (ballet), by Harald Lander, 1948 * "Étude" (instrumental), by Mike Oldfield, 1984 * "Etude", a song by Empire of the Sun from '' Walking on a Dream'', 2008 Albums * ''Etudes'' (Charlie Haden album), 1988 * ''Etudes'' (Ron Carter album), 1983 * ''Etudes'' (Andrew Horowitz album), 2019 Periodicals * ''Études'' (journal), a Roman Catholic journal published by the Jesuits * '' The Etude'', an American music magazine 1883–1957 See also * List of étude composers An étude is a musical composition (usually short) designed to provide practice in a particular technical skill in the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurizio Pollini
Maurizio Pollini (5 January 1942 – 23 March 2024) was an Italian pianist and conductor. He was known for performances of Beethoven, Chopin, Debussy, and the Second Viennese School, among others. He championed works by contemporary composers, including Pierre Boulez, Karlheinz Stockhausen, George Benjamin, Roberto Carnevale, Gianluca Cascioli and Bruno Maderna. Several compositions were written for him, including Luigi Nono's '' ... sofferte onde serene ...'', Giacomo Manzoni's ''Masse: omaggio a Edgard Varèse'', and Salvatore Sciarrino's Fifth Sonata. As a conductor he was instrumental in the Rossini revival at the Rossini Opera Festival in Pesaro, conducting '' La donna del lago'' from a new critical edition in 1981. He also conducted from the keyboard. Pollini was also a left-wing activist in the 1960s and 1970s, and he remained politically engaged in later life. He maintained some separation between these ideals and his music. Life and career 1942–early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Cziffra
Christian Georges Cziffra (; born Cziffra Krisztián György; 5 November 192115 January 1994) was a Hungarian-French virtuoso pianist and composer. He is considered to be one of the greatest virtuoso pianists of the twentieth century. Among his teachers was Ernő Dohnányi, a pupil of István Thoman, who was a favourite pupil of Franz Liszt. Born in Budapest, he became a French national in 1968. Cziffra is known for his recordings of works of Franz Liszt, Frédéric Chopin and Robert Schumann, and also for his technically demanding arrangements or paraphrases of several orchestral works for the piano, including Nikolai Rimsky-Korsakov's '' Flight of the Bumblebee'' and Johann Strauss II's '' The Blue Danube''. Cziffra left a sizeable body of recordings. He died in Senlis in 1994 aged 72. Early years Cziffra was born to a poor Romani family of musicians in Budapest in 1921.Morrison (n.d.). In his memoirs, Cziffra describes his father, a player of the cimbalom, as "a cabar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dezső Ránki
Dezső Ránki (born 8 September 1951) is a Hungarian virtuoso concert pianist with a broad repertoire and a significant discography of solo, duo and concerto works. Life and career Born in Budapest, he began taking piano lessons at the Budapest Academy of Music at the age of eight. When he was thirteen, he enrolled at the Budapest Conservatory and from 1964 to 1969 was a pupil of Klára Máthé.Biographical note in booklet accompanying Teldec CDs 9031-76139-2, 1992. Subsequently he studied from 1969 to 1973 at the Franz Liszt Academy of Music, with his mentors Pál Kadosa and Ferenc Rados. Among his classmates were renowned pianists András Schiff and Zoltán Kocsis. With Kocsis he featured in two Hungarian documentaries, on the Budapest Symphony Orchestra tour of the US 'Tizenhatezer Kilometer... A MRT Szimfonikus Zenekara Amerikaban' (1971), and 'Kocsis Zoltán es Ránki Dezső – Kettős Arckép' (1976) 'Kocsis Zoltán and Ránki Dezső – Double Portrait'. From the ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean and American pianist known for his interpretations of a vast repertoire spanning the baroque music, baroque to 20th-century classical music, 20th-century composers, especially Bach, Wolfgang Amadeus Mozart, Mozart, Ludwig van Beethoven, Beethoven, Franz Schubert, Schubert, Frédéric Chopin, Chopin, Robert Schumann, Schumann, Franz Liszt, Liszt and Johannes Brahms, Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, to Carlos Arrau, an ophthalmologist who died when Claudio was only one year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau was a Spanish people, Spanish engineer who was sent to Chile by King Charles III of Spain, Carlos III of Spain. Through his great-grandmother, MarÃa del Carmen Daroch del Solar, Arrau was a descendant of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Cortot
Alfred Denis Cortot ( , ; 26 September 187715 June 1962) was a French pianist, conductor, and teacher who was one of the most renowned classical musicians of the 20th century. A pianist of massive repertory, he was especially valued for his poetic insight into Romantic piano works, particularly those of Chopin, Franck, Saint-Saëns and Schumann. For Éditions Durand, he edited editions of almost all piano music by Chopin, Liszt and Schumann. A central figure of the French musical culture in his time, he was well known for his piano trio with violinist Jacques Thibaud and cellist Pablo Casals. Biography Early life Cortot was born in Nyon, Vaud, in the French-speaking part of Switzerland, to a French father and a Swiss mother. His nationality was French. His first cousin was the composer Edgard Varèse. He studied at the Paris Conservatoire with Émile Decombes (a student of Frédéric Chopin), and with Louis Diémer, taking a ''premier prix'' in 1896. He made his d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Friedman
Ignaz Friedman (born Salomon Izaak Freudmann; ; ; February 13, 1882January 26, 1948) was a Polish pianist and composer. Critics (e.g. Harold Schonberg) and colleagues (e.g. Sergei Rachmaninoff) alike placed him among the supreme piano virtuosi of his day, alongside Leopold Godowsky, Moriz Rosenthal, Ferruccio Busoni, Josef Hofmann and Josef Lhévinne. Early and later life Born to an itinerant Jewish musician in "Podgórze near Kraków" (currently a district of Kraków – his birthplace exists at the Kalwaryjska str. 22) as a son of Nachman (sometimes ''Wolf'' or ''Wilhelm'') Freudmann, sometimes ''Freudman'' (born in Monasterzyska, now Ukraine, July 10, 1857) and Salomea Eisenbach (born in Krakow March 26, 1854), Ignaz Friedman was a child prodigy. He studied with Hugo Riemann in Leipzig and Theodor Leschetizky in Vienna, and participated in Ferruccio Busoni's master classes. Friedman lived in Berlin until 1914 and settled in Copenhagen in 1920. Career His official d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedagogy
Pedagogy (), most commonly understood as the approach to teaching, is the theory and practice of learning, and how this process influences, and is influenced by, the social, political, and psychological development of learners. Pedagogy, taken as an academic discipline, is the study of how knowledge and skills are imparted in an educational context, and it considers the interactions that take place during learning. Both the theory and practice of pedagogy vary greatly as they reflect different social, political, and cultural contexts. Pedagogy is often described as the act of teaching. The pedagogy adopted by teachers shapes their actions, judgments, and teaching strategies by taking into consideration theories of learning, understandings of students and their needs, and the backgrounds and interests of individual students. Its aims may range from furthering liberal education (the general development of human potential) to the narrower specifics of vocational education (the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abby Whiteside
Abby Whiteside (Aug 27, 1881 Vermillion, South Dakota – Dec 10, 1956 Menlo Park, California) was an American piano teacher. She challenged the finger-centric approach of much classical piano teaching and instead advocated a holistic attitude in which the arm and torso are the conductors of a musical image conceived first in the mind. Life Whiteside majored in music at the University of South Dakota. After a period spent teaching at the University of Oregon, she studied in Germany with Rudolf Ganz. On returning to the United States and teaching first in Oregon and then New York City, she slowly developed the ideas for which she became known. Ideas The catalyst for the development of Whiteside's philosophy was the realisation that, as she wrote, "...the pupils in my studio played or didn't play, and that was that. The talented ones progressed, the others didn't--and I could do nothing about it." Whiteside praised the natural ability of the child prodigy and the jazz pianist, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Goldstein
Martha Goldstein (born Martha Svendsen; June 10, 1919 – February 14, 2014) was an American harpsichordist and pianist, who gave concerts in the United States, North Africa, the Middle East, and Europe. She performed works by George Frideric Handel, Frédéric Chopin, Georg Philipp Telemann, Franz Liszt, Ferruccio Busoni, Johann Sebastian Bach, and others. Biography Born in Baltimore, Maryland, Goldstein was trained at the Peabody Conservatory and the Juilliard School and studied with Audrey Plitt, Eliza Woods, James Friskin and Mieczysław Munz. She taught at the Peabody Conservatory for 20 years and at the Cornish College of the Arts. She also performed as a guest artist with the Soni Ventorum Wind Quintet, wind quintet-in-residence at the University of Washington School of Music since 1968. Many of Goldstein's recordings were first released on LP by Pandora Records, which was founded in 1973 and active for more than ten years. The company went out of business with the adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
