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Étude High School
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones ( György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studies On Chopin's Études
The ''Studies on Chopin's Études'' are a set of 53 arrangements of Chopin's études by Leopold Godowsky, composed between 1894 and 1914. They are renowned for their technical difficulty: critic Harold C. Schonberg called them "the most impossibly difficult things ever written for the piano." Several of the studies (for example, the study " Ignis Fatuus" on Chopin's Étude in A minor, Op. 10, No. 2) put the original right-hand part into the left hand; several others are for the left hand alone (for example, the study on the "Revolutionary" Étude, transposed to C minor). Two of the studies even combine two études; the better known of these, called "Badinage," combines both the G (the "Black Key" Étude of Op. 10 and the "Butterfly" étude of Op. 25). The studies The number of studies is often given as 54, with Op. 25, No. 2 having one study written as a considerably different ossia of another; a similar ossia also exists for one of the studies on Op. 25, No. 3, so the tota ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Godowsky
Leopold Mordkhelovich Godowsky Sr. (13 February 1870 – 21 November 1938) was a Lithuanian-born American virtuoso pianist, composer and teacher. He was one of the most highly regarded performers of his time, known for his theories concerning the application of relaxed weight and economy of motion within pianistic technique – principles later propagated by his pupils, such as Heinrich Neuhaus. He was heralded among musical giants as the "Buddha of the Piano". Ferruccio Busoni claimed that he and Godowsky were "the only composers to have added anything of significance to keyboard writing since Franz Liszt." As a composer, Godowsky is best known for his '' Java Suite'', '' Triakontameron'', ''Passacaglia'' and ''Walzermasken'', alongside his transcriptions of works by other composers: best known work in the field is ''53 Studies on Chopin's Études'' (1894–1914). Life Leopold Godowsky was born in Žasliai (then Vilna Governorate, Russian Empire, now Lithuania) to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études (Debussy)
Claude Debussy's ''Études'' ( L 136) are a set of 12 piano études composed in 1915. Debussy described them as "a warning to pianists not to take up the musical profession unless they have remarkable hands". They are broadly considered his late masterpieces. # ''Étude 1 pour les cinq doigts d'après Monsieur Czerny'' (five fingers, "after Monsieur Czerny") # ''Étude 2 pour les tierces'' ( thirds) # ''Étude 3 pour les quartes'' ( fourths) # ''Étude 4 pour les sixtes'' ( sixths) # ''Étude 5 pour les octaves'' # ''Étude 6 pour les huit doigts'' (eight fingers) # ''Étude 7 pour les degrés chromatiques'' (chromatic degrees) # ''Étude 8 pour les agréments'' (ornaments) # ''Étude 9 pour les notes répétées'' (repeated notes) # ''Étude 10 pour les sonorités opposées'' (opposing sonorities) # ''Étude 11 pour les arpèges composés'' (composite arpeggios) # ''Étude 12 pour les accords'' ( chords) Notes References * Elie Robert Schmitz, V. Thomson. ''The Piano Work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto Köhler
Ernesto Köhler (4 December 1849 – 17 March 1907) was an Italian flautist and composer. He was considered one of the best flautists of his era. Born in Modena, Köhler was taught the flute by his father, Venceslau Joseph Köhler, who was the first flute of the Duke of Modena's orchestra. He moved to Vienna in 1869 as a flautist, and then became a member of the orchestra of the Imperial Opera in Saint Petersburg beginning in 1871. Noted as a composer for flute, Köhler wrote over 100 works for the instrument: études, duets, and solos. He also produced an opera and several ballets. He is well known among flute players for ''"Flöten-Schule"'' (c. 1880), his popular method for learning the flute, and for ''Progress in Flute Playing'' (his Opus 33, published in the 1880s), a series of three progressive instructional books for the flute player. Köhler also had ties to the mandolin A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Sor
Fernando Sor (bapt. 14 Feb. 1778, died 10 July 1839) was a Spanish classical guitarist and composer of the Romantic music, Early Romantic era. Best known for writing solo classical guitar music, he also composed an opera (at the age of 19), three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: ''Cinderella'', which received over one hundred performances, and ''Hercule et Omphale''. Partly because Sor was himself such a classical guitar virtuoso—contemporaries considered him to be the best in the world—he made a point of writing didactic music for players of that instrument of all levels. His Twelve Studies Op. 6, the Twelve Studies Op. 29, the (24) Progressive Lessons Op. 31, and the (24) Very Easy Exercises Op. 35 have been widely played for two hundred years and are regularly reprinted. On the other hand, some of Sor's music, not least his popular ''Introduction and Variations on Mozart's "Das klinget so herrlich"'' Op. 9, is fiend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transcendental Études
The ''Transcendental Études'' (french: Études d'exécution transcendante, links=no), S.139, are a set of twelve compositions for piano by Franz Liszt. They were published in 1852 as a revision of an 1837 set (which had not borne the title "d'exécution transcendante"), which in turn were – for the most part – an elaboration of a set of studies written in 1826. History The genesis of the ''Transcendental Études'' goes back to 1826, when 15-year-old Liszt wrote a set of youthful exercises called the ''Étude en douze exercices'' (Study in twelve exercises), S.136. These pieces were not particularly technically demanding. Liszt then returned to these pieces for thematic ideas, elaborating on them considerably, in the composition of the ''Douze Grandes Études'' (Twelve Grand Studies), S.137, which were published in 1837. The ''Transcendental Études'', S.139, are revisions of the ''Douze Grandes Études''. This third and final version was published in 1852 and dedicate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Études (Chopin)
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number. History Composition Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; among the most popular are Op. 10, No. 3, sometimes identified by the names ''Tristesse'' ("Sadness") or "Farewell" (''L'Adieu''), as well as the "Revolutionary Étude" ( Op. 10, No. 12), “Black Keys” ( Op. 10, No. 5), and "Winter Wind" ( Op. 25, No. 11). No nicknames are of Chopin's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Szymanowska
Maria Szymanowska (Polish pronunciation: ; born Marianna Agata Wołowska; Warsaw, 14 December 1789 – 25 July 1831, St. Petersburg, Russia) was a Polish composer and one of the first professional virtuoso pianists of the 19th century. She toured extensively throughout Europe, especially in the 1820s, before settling permanently in St. Petersburg. In the Russian imperial capital, she composed for the court, gave concerts, taught music, and ran an influential salon. Her compositions—largely piano pieces, songs, and other small chamber works, as well as the first piano concert etudes and nocturnes in Poland—typify the ' of the era preceding Frédéric Chopin. She was the mother of Celina Szymanowska, who married the Polish Romantic poet Adam Mickiewicz. Biography Marianna Agata Wołowska was born in Warsaw, Poland on 14 December 1789 into a prosperous Polish family with Frankist Jewish roots, one of her ancestors being Salomon Ben Elijah (or Jacob ben Judah Leib/Jacob Leibo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
