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Étienne Péclard
Étienne Péclard (born 21 December 1946 in les Deux-Sèvres) is a contemporary French cellist. Biography Péclard studied at the Conservatoire de Paris with André Navarra, Joseph Calvet, Jacques Février and Jean Hubeau. There he obtained the First prizes of cello and chamber music. The winner of the international competitions of Vienna, Munich and Barcelona, from 1977 to 1990, Péclard was solo cellist of the Orchestre philharmonique de Radio France, then of the Orchestre de Paris, under the direction of Daniel Barenboim. Named solo cellist of the Orchestre National Bordeaux Aquitaine (ONBA) in 1990, he taught at the Conservatoire de Bordeaux and joined Roland Daugareil and Tasso Adamopoulos in order to form the Sartory Trio. He is also a member of the String quartet of the ONBA. With the ONBA, directed by Alain Lombard, Étienne Péclard recorded the ''double concerto'' by Johannes Brahms, the ''Symphonie-concerto, Op. 125'' by Sergueï Prokofiev and ''Schelomo'' by Erne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cellist
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments such as o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sud-Ouest (newspaper)
''Sud Ouest'' ( French for "South West") is a daily French newspaper, the third largest regional daily in France in terms of circulation.Groupe Sud Ouest Ecole Supérieure de journalisme de Lille It was created in , on August 29, 1944, by Jacques Lemoine, as a successor to ''La Petite Gironde''. In 1949, the Sunday edition, ''Sud Ouest Dimanche'' was launched. ''Sud Ouest'' covers the Gironde, the Charente, the , the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armin Jordan
Armin Jordan (9 April 1932 – 20 September 2006) was a Swiss conductor known for his interpretations of French music, Mozart and Wagner. Armin Jordan was born in Lucerne, Switzerland. "Mr. Jordan was a large man, with a slab of a face and a full mouth, often twisted in a sardonic smile, and his powerful physical presence belied the careful near-understatement of his conducting", noted ''The New York Times'' in his obituary. Jordan was most unusual at a time when conductors flew about the world from one engagement to another. For the most part he stayed close to home in Switzerland and France. After leading a number of Swiss orchestras he became principal conductor of the Orchestre de la Suisse Romande, Geneva, in 1985, a position he held until 1997. Armin Jordan did not conduct in the United States until 1985. He appeared in Seattle and New York City. Seattle scheduled him for Wagner's ''Ring'' in 2000 and 2001, but he had to withdraw after a few performances in 2000 because of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (Strauss)
''Don Quixote'', Op. 35 is a tone poem by Richard Strauss for cello, viola, and orchestra. Subtitled ''Phantastische Variationen über ein Thema ritterlichen Charakters'' (''Fantastic Variations on a Theme of Knightly Character''), the work is based on the novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor. The score is 45 minutes long and is written in theme and variations form, with the solo cello representing Don Quixote, and the solo viola, tenor tuba, and bass clarinet depicting his squire Sancho Panza. The second variation depicts an episode where Don Quixote encounters a herd of sheep and perceives them as an approaching army. Strauss uses dissonant flutter-tonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique. Strauss later quoted t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Lodéon
Frédéric Lodéon (born 26 January 1952 in the 14th arrondissement of Paris) is a contemporary French cellist, conductor and radio personality. Biography In 1960, his father, André Lodéon, was appointed director of the School of Music of Saint-Omer (Pas-de-Calais). It was there that the young Frédéric began learning music with the cellist Albert Tétard. Frédéric Lodéon received the first prize of cello at the Conservatoire de Paris in 1969 (awarded unanimously by the jury). In 1977, he won ''ex-aequo'' the first Mstislav Rostropovich competition. He is the only Frenchman to have won it. Thereafter, he directed several orchestras, among which the Orchestre philharmonique de Radio France, the Orchestre du Capitole de Toulouse, and the Orchestre National Bordeaux Aquitaine. At the beginning of the 1990s, he presented on France 3 the program ''Musiques, Maestro !'' which wants to make the Orchestre de Paris, the Orchestre National Bordeaux-Aquitaine or the l'Orchestre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Graf
Hans Graf (born 15 February 1949 in Marchtrenk) is an Austrian conductor. As a child, Graf learned the violin and the piano. He studied at the Musikhochschule in Graz, Austria, and graduated with diplomas in piano and conducting. He also participated in conducting master classes with Franco Ferrara, Sergiu Celibidache and Arvīds Jansons. He received a state scholarship at the Leningrad Conservatory with Arvid Jansons. For the season 1975/1976 Graf was music director of the Iraqi National Symphony Orchestra in Baghdad. After winning the Karl Böhm conductor's competition in 1979, he made his debut at the Vienna State Opera in 1981 with Stravinsky's ''Petrouchka''. He then worked at major opera houses including Munich, Paris, Florence, Venice and Rome. Since 1995, he has conducted most major American orchestras, including the Boston Symphony, Cleveland Orchestra, New York Philharmonic and Philadelphia Orchestra. Graf was music director of the Mozarteum Orchestra of Salzburg from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Dutilleux
Henri Paul Julien Dutilleux (; 22 January 1916 – 22 May 2013) was a French composer active mainly in the second half of the 20th century. His small body of published work, which garnered international acclaim, followed in the tradition of Maurice Ravel, Claude Debussy, Albert Roussel and Olivier Messiaen, but in an idiosyncratic, individual style. Some of his notable compositions include a piano sonata, two symphonies, the cello concerto '' Tout un monde lointain…'' (''A whole distant world''), the violin concerto ''L'arbre des songes'' (''The tree of dreams''), the string quartet '' Ainsi la nuit'' (''Thus the night'') and a sonatine for flute and piano. Some of these are regarded as masterpieces of 20th-century classical music. Works were commissioned from him by such major artists as Charles Munch, George Szell, Mstislav Rostropovich, the Juilliard String Quartet, Isaac Stern, Paul Sacher, Anne-Sophie Mutter, Simon Rattle, Renée Fleming, and Seiji Ozawa. French orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tout Un Monde Lointain
''Tout un monde lointain...'' (''A whole distant world...'') is a concertante work for cello and orchestra composed by Henri Dutilleux between 1967 and 1970 for Mstislav Rostropovich. It is considered one of the most important 20th-century additions to the cello repertoire and several major cellists have recorded it. Despite the fact that the score does not state that it is a cello concerto, ''Tout un monde lointain...'' has always been considered as such. Each of the five movements was inspired by the poetry of Charles Baudelaire, and the overall feel of the work is mysterious and oneiric. A typical performance runs approximately 27 minutes. Composition The work was initially commissioned by Igor Markevitch for the Concerts Lamoureux and Mstislav Rostropovich around 1960. Occupied with other projects, Dutilleux only completed the concerto in 1970. Since Markevitch had left the Concerts Lamoureux in 1961, Rostropovich was accompanied for the premiere by the Orchestre de Paris, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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