Étienne De La Vallée Poussin
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Étienne De La Vallée Poussin
Étienne de La Vallée Poussin (1735–1802), also called Delavallée-Poussin in certain biographies, was a French history painter and creator of interior decorative schemes. Life Related on his mother's side to the family of the great painter Nicolas Poussin, La Vallée-Poussin was born in Rouen, where he attended the école des Beaux-Arts, under Descamps, and made rapid progress in his studies. After having been one of the top laureates of the school three times, he went to Paris to perfect his art. Welcomed into the workshop of Jean-Baptiste Marie Pierre, the royal painter, he won the 1759 1e prix de l'Académie Royale de peinture et de sculpture and set off for Italy. La Vallée-Poussin spent many years in Rome, where he was admitted to the Maltese order with the rank of "Cavalier Donato" (i.e. not of noble lineage, but given for services rendered to the order) and where he became a member of the Academy of Arcadia. On his return to France, he was in 1789 admitt ...
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Adoration Des Bergers
Adoration is respect, reverence, strong admiration, or love in a certain person, place, or thing. The term comes from the Latin ''adōrātiō'', meaning "to give homage or worship to someone or something". Ancient Rome In classical Rome, adoration was primarily an act of homage or worship, which, among the Romans, was performed by raising the hand to the mouth, kissing it and then waving it in the direction of the adored object. The devotee had his head covered, and after the act turned himself round from left to right. Sometimes he kissed the feet or knees of the images of the gods themselves, and Saturn and Hercules were adored with the head bare. By a natural transition the homage, at first paid to divine beings alone, came to be paid to monarchs. Thus the Greek and Roman emperors were adored by bowing or kneeling, laying hold of the imperial robe, and presently withdrawing the hand and pressing it to the lips, or by putting the royal robe itself to the lips. Ancient Middle ...
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Philadelphia Museum Of Art
The Philadelphia Museum of Art (PMoA) is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a hill located at the northwest end of the Benjamin Franklin Parkway at Eakins Oval. The museum administers collections containing over 240,000 objects including major holdings of European, American and Asian origin. The various classes of artwork include sculpture, paintings, prints, drawings, photographs, armor, and decorative arts. The Philadelphia Museum of Art administers several annexes including the Rodin Museum, also located on the Benjamin Franklin Parkway, and the Ruth and Raymond G. Perelman Building, which is located across the street just north of the main building. The Perelman Building, which opened in 2007, houses more than 150,000 prints, drawings and photographs, along with 30,000 costume and textile pieces, and over 1,000 modern and contemporary design objects including fu ...
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18th-century French Painters
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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La Vallée-Poussin
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a te ...
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John Of Falaise
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope J ...
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Arabesque (European Art)
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ...
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