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Élie Faure
Jacques Élie Faure (April 4, 1873 in Sainte-Foy-la-Grande, France – October 29, 1937 in Paris) was a French doctor, art historian and essayist. He is the author of ''History of Art,'' considered a historiographical pillar in the discipline. Biography Youth and Training Élie Faure was the son of Pierre Faure, a merchant, and Zéline Reclus. He was very close to two of his uncles, namely the geographer and anarchist activist Élisée Reclus and the ethnologist Élie Reclus. In 1888, he joined his brothers Léonce and Jean-Louis in Paris and enrolled at the Lycée Henri-IV, where he had as classmates in philosophy class Léon Blum, R. Berthelot, Gustave Hervé and Louis Laloy. Passionate about painting, he often visited the Louvre and immersed himself in the works of his philosophy teacher, Henri Bergson. With his baccalaureate in hand, he enrolled in the faculty of medicine and began practicing in working-class neighborhoods in Paris. He worked as an anesthesiologist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Élie Faure - 1878 - Atelier Nadar
Élie is the French equivalent of "Elie (given name), Elie", "Elias" or "Elijah."''The Complete Baby Name Book'' 1989 Page 92 "It was revived in the seventeenth century by the Puritans, and it's still used, especially by religious Protestant families. Famous name: Elie Wiesel (novelist) Variations: Elia (Italian), Elias (English), Élie (French), ..." French masculine given name * Élie Vinet (1509–1587) French Renaissance humanist * Élie Diodati (1576–1661) Swiss French jurist * Élie Benoist (1640–1728) French Protestant minister and historian of the Edict of Nantes * Élie Bouhéreau (1643–1719) French Huguenot refugee in Ireland and the first librarian of Marsh's Library * Élie, duc Decazes (1780–1860) * Élie Bertrand (1713–1797) Swiss French geologist * Élie Catherine Fréron (1719–1776) French (male) writer and controversialist * Élie Lacoste (1745–1806) French politician during the French Revolution * Élie Halévy (Chalfan) (1760–1826) French Hebrew po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embalming
Embalming is the art and science of preserving human remains by treating them (in its modern form with chemicals) to forestall decomposition. This is usually done to make the deceased suitable for public or private viewing as part of the funeral ceremony or keep them preserved for medical purposes in an anatomical laboratory. The three goals of embalming are sanitization, presentation, and preservation, with restoration being an important additional factor in some instances. Performed successfully, embalming can help preserve the body for a duration of many years. Embalming has a very long and cross-cultural history, with many cultures giving the embalming processes a greater religious meaning. Animal remains can also be embalmed by similar methods, but embalming is distinct from taxidermy. Embalming preserves the body intact, whereas taxidermy is the recreation of an animal's form often using only the creature's skin mounted on an anatomical form. History It is important to n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as ''The Thinker'', ''Monument to Balzac'', '' The Kiss'', ''The Burghers of Calais'', and ''The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Bourdelle
Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture. His studio became the Musée Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the 15th arrondissement of Paris, France. Early life and education Émile Antoine Bourdelle was born at Montauban, Tarn-et-Garonne in France on 30 October 1861. His father was a wood craftsman and cabinet-maker. In 1874, at the age of thirteen, he left school to work in his father's workshop, and also began carving his first sculptures of wood. In 1876, with the assistance of writer Émile Pouvillon, he received a scholarship to attend the School of Fine Arts in Toulouse, though he remained fiercely independent and resisted the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Jourdain
Francis Jourdain (2 November 1876 – 31 December 1958) was a painter, furniture maker, interior designer, maker of ceramics, and other decorative arts, and a left-wing political activist. Early years Francis Jourdain was born on 2 November 1876, son of the architect Frantz Jourdain. His father was the founder of the ''Salon d'Automne'' collection. Jourdain said of the society in which he grew up that it was dominated by people who were highly opinionated and quick to take sides. Although its members pretended to be in favor of liberty and compassion, he saw it as tainted by prejudices, xenophobia and extreme emotion. His father was very much typical of this society. A stenciled panel by Jourdain with elegant, cleanly silhouetted images was shown at the 1900 Exposition Universelle in Paris. Designer In 1911 Jourdain began to design furniture, following the teachings of Adolf Loos (1847–1933). He opened ''Les Ateliers Modernes'' in 1912, a small furniture factory. He desi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frantz Jourdain
Frantz Jourdain (3 October 1847 – 22 August 1935) was a Belgian architect and author. He is best known for La Samaritaine, an Art Nouveau department store built in the 1st arrondissement of Paris in three stages between 1904 and 1928. He was respected as an authority on Art Nouveau. Life Frantz Jourdain was born in 1847. In the 1860s he studied in Paris at the École nationale supérieure des Beaux-Arts, École des Beaux-Arts. He obtained French citizenship in 1870. Critic Jourdain was a theoretician of Art Nouveau. He began writing on the arts in 1875, and by the end of his life had published about two hundred articles in sixty magazines and newspapers, at first news items but later critical articles in which he expressed his thoughts on art. Some of these were gathered into collections in 1886 and 1931. His writings were eclectic. Apart from writing on artistic questions he published a picaresque romance, two collections of short stories, a novel, a play and two collections ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Geffroy
Gustave Geffroy (1 June 1855 – 4 April 1926) was a French journalist, art critic, historian and novelist. He was one of the ten founding members of the literary organisation Académie Goncourt in 1900. Geffroy is noted as one of the first historians of the Impressionism, Impressionist art movement with his publication of ''Histoire de l'impressionnisme'' in 1892. He knew and championed Monet, whom he met in 1886 in Belle-Île-en-Mer while travelling for research on prisons of the Second French Empire, Second Empire. Monet introduced him to Cézanne, who painted Portrait of Gustave Geffroy, his portrait in 1895. He contributed to the newspaper ''La Justice'' from 15 January 1880, and came to know its founder, Georges Clemenceau, who in 1908 appointed him director of the Gobelins Manufactory, Gobelins tapestry factory, a position he held until his death. Geffroy was born and died in Paris; he is interred at the Montrouge Cemetery, Cimetière de Montrouge. A street in Paris's 13th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Des Artistes Indépendants
The Société des Artistes Indépendants (''Society of Independent Artists'') or Salon des Indépendants was formed in Paris on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "''sans jury ni récompense''" ("without jury nor reward"). Albert Dubois-Pillet, Odilon Redon, Georges Seurat and Paul Signac were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the Salon d'Automne. This is where artworks were often first displayed and widely discussed. World War I brought a closure to the salon, though the ''Artistes Indépendants'' remained active. Since 1920, the headquarters has been located in the vast basements of the Grand Palais (next door to the ''Société des Artistes Français'', the ''Société Nationale des Beaux-Arts'', the Société du Salon d'Automne, and others). History The Salon des Indépendants (Salon des Artistes I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Nationale Des Beaux-Arts
Société Nationale des Beaux-Arts (SNBA; ; en, National Society of Fine Arts) was the term under which two groups of French artists united, the first for some exhibitions in the early 1860s, the second since 1890 for annual exhibitions. 1862 Established in 1862 by the painter and gallery owner Louis Martinet and the writer Théophile Gautier, the Société Nationale des Beaux-Arts was first chaired by Gautier, with the painter Aimé Millet as deputy chairman. The committee was composed of the painters Eugène Delacroix, Carrier-Belleuse, and Puvis de Chavannes, and among the exhibitors were Léon Bonnat, Jean-Baptiste Carpeaux, Charles-François Daubigny, Gustave Doré, and Édouard Manet. In 1864, just after the death of Delacroix, the society organized a retrospective exhibition of 248 paintings and lithographs of this famous painter and step-uncle of the emperor – and ceased to mount further exhibitions. The 19th century in French art is characterised by a continuous str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Société Des Artistes Français
The Société des Artistes Français (, meaning "Society of French Artists") is the association of French painters and sculptors established in 1881. Its annual exhibition is called the "Salon des artistes français" (not to be confused with the better-known Salon, established in 1667). When the Société was established, it associated all the French artists. Its president was a painter and its vice-president a sculptor. The main task of the Société is to organize the ''Salon'', since the French government ceased to do it. Secession In December 1890 president Bouguereau suggested that the ''Salon'' should be an exhibition of young, yet unrecognized, artists. Ernest Meissonier, Puvis de Chavannes, Auguste Rodin and others rejected this proposal and left the organization. They quickly created their own exhibition (Société Nationale des Beaux-Arts in 1899) that was also named the ''Salon'', officially ''Salon de la Société Nationale des Beaux–Arts'', in short ''Salon du C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Aurore
''L’Aurore'' (; ) was a literary, liberal, and socialist newspaper published in Paris, France, from 1897 to 1914. Its most famous headline was Émile Zola's '' J'Accuse...!'' leading into his article on the Dreyfus Affair. The newspaper was published by Georges Clemenceau, who later became the Prime Minister of France. Georges Mandel as a young man worked for the paper in its early years, and later was also recruited by Clemenceau to serve as his aide in government. External links * Digitized issues of ''L'Aurore'1897 to 1916 '' Gallica,'' the digital library of the Bibliothèque nationale de France The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository ... ( BnF) 1897 establishments in France 1916 disestablishments in France Defunct newspapers published in France Dreyfus affai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
