Église Saint-Pierre-et-Saint-Paul, Neuwiller-lès-Saverne
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Église Saint-Pierre-et-Saint-Paul, Neuwiller-lès-Saverne
Église Saint-Pierre-et-Saint-Paul is the Catholic parish church of the village of Neuwiller-lès-Saverne, in the Bas-Rhin department of France. Formerly the church of a rich Benedictine abbey founded in 726, it is surrounded by buildings and ruins that had once belonged to the same order. Thanks to its Romanesque parts, the church is a stage on the Romanesque Road of Alsace. It is classified as a Monument historique by the French Ministry of Culture since 1840, making it a part of the very first list of such heritage buildings. Architecture The church's exterior architecture is strikingly clear-cut, insofar as its visible parts are growing younger from East to West, or older from West to East. The purely Romanesque superposed chapels behind the choir date from the 11th century; the choir itself, the transept and the easternmost bay of the nave date from the late 12th and early 13th century and reflect a transitional style between Romanesque and Gothic architecture; the ...
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Neuwiller-lès-Saverne
Neuwiller-lès-Saverne (, literally ''Neuwiller near Saverne''; german: Neuweiler; gsw-FR, Neiwiller) is a commune in the Bas-Rhin department in Grand Est in north-eastern France. Landmarks The handsome 1873 synagogue survived the war. See also * Communes of the Bas-Rhin department The following is a list of the 514 communes of the Bas-Rhin department of France. The communes cooperate in the following intercommunalities (as of 2020):Communes of Bas-Rhin Bas-Rhin communes articles needing translation from French Wikipedia ...
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Benedictines
, image = Medalla San Benito.PNG , caption = Design on the obverse side of the Saint Benedict Medal , abbreviation = OSB , formation = , motto = (English: 'Pray and Work') , founder = Benedict of Nursia , founding_location = Subiaco Abbey , type = Catholic religious order , headquarters = Sant'Anselmo all'Aventino , num_members = 6,802 (3,419 priests) as of 2020 , leader_title = Abbot Primate , leader_name = Gregory Polan, OSB , main_organ = Benedictine Confederation , parent_organization = Catholic Church , website = The Benedictines, officially the Order of Saint Benedict ( la, Ordo Sancti Benedicti, abbreviated as OSB), are a monastic religious order of the Catholic Church following the Rule of Saint Benedict. They are also sometimes called the Black Monks, in reference to the colour of their religious habits. They ...
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Émile Boeswillwald
Émile Boeswillwald (2 February 1815 – 20 March 1896) was a French architect. He succeeded Prosper Mérimée as Inspector General of Historic Monuments and collaborated with Eugène Viollet-le-Duc. Life Emile Boeswillwald born in Strasbourg on 2 February 1815. He learned the trade of stonemason, continuing his apprenticeship in Munich in 1836. He then studied architecture in the workshop of Henri Labrouste and at the École des Beaux-Arts in 1837. Boeswillwald exhibited at the Salons of 1839, 1841, 1842, 1844 and 1855. In 1860 he was appointed inspector general of historical monuments. He thus became a member of the committee on historical monuments and the Council of Civil Buildings. In 1864 land was purchased beside the Villa Eugénie in Biarritz on which to erect a chapel designed by Boeswillwald. The chapel, dedicated to Our Lady of Guadeloupe, was consecrated in September 1865. It incorporated an eclectic mix of Roman and Byzantine art with Hispano-Moorish elements fr ...
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Crossing (architecture)
A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east. The crossing is sometimes surmounted by a tower or dome. A large crossing tower is particularly common on English Gothic cathedrals. With the Renaissance, building a dome above the crossing became popular. Because the crossing is open on four sides, the weight of the tower or dome rests heavily on the corners; a stable construction thus required great skill on the part of the builders. In centuries past, it was not uncommon for overambitious crossing towers to collapse. Sacrist Alan of Walsingham's octagon, built between 1322 and 1328 after the collapse of Ely's nave crossing on 22 February 1322, is the "... greatest individual ...
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Louis Quinze
The Louis XV style or ''Louis Quinze'' (, ) is a style of architecture and decorative arts which appeared during the reign of Louis XV. From 1710 until about 1730, a period known as the Régence, it was largely an extension of the Louis XIV style of his great-grandfather and predecessor, Louis XIV. From about 1730 until about 1750, it became more original, decorative and exuberant, in what was known as the Rocaille style, under the influence of the King's mistress, Madame de Pompadour. It marked the beginning of the European Rococo movement. From 1750 until the King's death in 1774, it became more sober, ordered, and began to show the influences of Neoclassicism. Architecture The chief architect of the King was Jacques Gabriel from 1734 until 1742, and then his more famous son, Ange-Jacques Gabriel, until the end of the reign. His major works included the Ecole Militaire, the ensemble of buildings overlooking the Place Louis XV (now Place de la Concorde; 1761-1770), and the P ...
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Porch
A porch (from Old French ''porche'', from Latin ''porticus'' "colonnade", from ''porta'' "passage") is a room or gallery located in front of an entrance of a building. A porch is placed in front of the facade of a building it commands, and forms a low front. Alternatively, it may be a vestibule, or a projecting building that houses the entrance door of a building. Porches exist in both religious and secular architecture. There are various styles of porches, many of which depend on the architectural tradition of its location. Porches allow for sufficient space for a person to comfortably pause before entering or after exiting a building, or to relax on. Many porches are open on the outward side with balustrade supported by balusters that usually encircles the entire porch except where stairs are found. The word "porch" is almost exclusively used for a structure that is outside the main walls of a building or house. Porches can exist under the same roof line as the rest of the ...
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Nave (architecture)
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. It p ...
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Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where there a ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Chapel
A chapel is a Christian place of prayer and worship that is usually relatively small. The term has several meanings. Firstly, smaller spaces inside a church that have their own altar are often called chapels; the Lady chapel is a common type of these. Secondly, a chapel is a place of worship, sometimes non-denominational, that is part of a building or complex with some other main purpose, such as a school, college, hospital, palace or large aristocratic house, castle, barracks, prison, funeral home, cemetery, airport, or a military or commercial ship. Thirdly, chapels are small places of worship, built as satellite sites by a church or monastery, for example in remote areas; these are often called a chapel of ease. A feature of all these types is that often no clergy were permanently resident or specifically attached to the chapel. Finally, for historical reasons, ''chapel'' is also often the term used by independent or nonconformist denominations for their places of wor ...
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List Of Historic Monuments Of 1840
The List of historic monuments protected in 1840 is a list of the historic monuments of France created in 1840 by the French Commission for Historical Monuments (''Commission des monuments historiques''). It was the first protection of this type in the country. In 1837, following the request of Prosper Mérimée, then inspector general of historical monuments, the prefects received a circular asking them to draw up a list of the monuments in their department whose restoration they considered to be a priority, by classifying them in order of importance. The Commission for Historical Monuments was then responsible for classifying all the lists: in 1840, this request resulted in a list of a thousand monuments "for which relief has been requested" and therefore require work (and therefore funds), to be preserved. This was the first list of its kind in France. The monuments concerned are for the most part public (belonging to the State, the municipality, or the department). The list co ...
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French Ministry Of Culture
The Ministry of Culture (french: Ministère de la Culture) is the ministry of the Government of France in charge of national museums and the . Its goal is to maintain the French identity through the promotion and protection of the arts (visual, plastic, theatrical, musical, dance, architectural, literary, televisual and cinematographic) on national soil and abroad. Its budget is mainly dedicated to the management of the (six national sites and hundred decentralised storage facilities) and the regional (culture centres). Its main office is in the in the 1st arrondissement of Paris on the . It is headed by the Minister of Culture, a cabinet member. The current officeholder has been since 20 May 2022. History Deriving from the Italian and Burgundian courts of the Renaissance, the notion that the state had a key role to play in the sponsoring of artistic production and that the arts were linked to national prestige was found in France from at least the 16th century on. Durin ...
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