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(I'm Your) Hoochie Coochie Man
"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of ''braggadocio'' and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the ''lingua franca'' of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues. After the song's initial success in 1954, Waters recorded several live and new studio versi ...
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Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ...
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Mojo (African-American Culture)
Mojo , in the African-American spiritual practice called Hoodoo, is an amulet consisting of a flannel bag containing one or more magical items. It is a " prayer in a bag", or a spell that can be carried with or on the host's body. Alternative American names for the mojo bag include gris-gris bag,Bradley, Jude; Coen, Cheré Dastugue (2010). ''Magic's in the Bag: Creating Spellbinding Gris Gris and Sachets''. Woodbury, Minnesota: Llewellyn. hand, mojo hand, conjure hand, lucky hand, conjure bag, trick bag, tricken bag, root bag, toby and jomo. The making of mojo bags in Hoodoo is a system of African-American occult magic. The creation of mojo bags is an esoteric system that involves sometimes housing spirits inside of bags for either protection, healing, or harm and to consult with spirits. Other times mojo bags are created to manifest results in a person's life such as good-luck, money or love. History and ideology Central and West Africans all practiced the spiritual art o ...
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Clairvoyance
Clairvoyance (; ) is the magical ability to gain information about an object, person, location, or physical event through extrasensory perception. Any person who is claimed to have such ability is said to be a clairvoyant () ("one who sees clearly"). Claims for the existence of paranormal and psychic abilities such as clairvoyance have not been supported by scientific evidence. Carroll, Robert Todd. (2003)"Clairvoyance" Retrieved 2014-04-30. Parapsychology explores this possibility, but the existence of the paranormal is not accepted by the scientific community. The scientific community widely considers parapsychology, including the study of clairvoyance, a pseudoscience. Usage Pertaining to the ability of clear-sightedness, clairvoyance refers to the paranormal ability to see persons and events that are distant in time or space. It can be divided into roughly three classes: precognition, the ability to perceive or predict future events, retrocognition, the ability to see pa ...
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Sophie Tucker
Sophie Tucker (born Sofia Kalish; January 13, 1886 – February 9, 1966) was an American singer, comedian, actress, and radio personality. Known for her powerful delivery of comical and risqué songs, she was one of the most popular entertainers in the U.S. during the first half of the 20th century. She was known by the nickname "The Last of the Red-Hot Mamas". Early life Tucker was born Sofiya "Sonya" Kalish (in Russian, Софья «Соня» Калиш; ) in 1886 to a Jewish family in Tulchyn, Russian Empire, now Vinnytsia Oblast, Ukraine. (Sonya is a pet name for Sofiya in both Russian and Ukrainian as well as for Sofya, the Yiddish form of the name Sophia.) They arrived in Boston on September 26, 1887. The family adopted the surname Abuza before immigrating, her father fearing repercussions for having deserted from the Imperial Russian Army. The family lived in Boston's North End for eight years, then settled in Hartford, Connecticut, and opened a restaurant. At a young ...
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Little Egypt (dancer)
Little Egypt was the stage name for at least three popular belly dancers from the late 1800s through the early 1900s. They had so many imitators the name became synonymous with belly dancers generally. Fahreda Mazar Spyropoulos, (c. 1871 – April 5, 1937), also performing under the stage name Fatima, got her start at the Bird Cage Theatre in Tombstone, Arizona. In 1893 she appeared at the "Street in Cairo" exhibition on the Midway at the World's Columbian Exposition, held in Chicago. Legend has it that Mark Twain had a near fatal heart attack watching her go through her paces. Ashea Wabe (born Catherine Devine (1871, Montreal, Canada - January 3, 1908, New York City) danced at the Seeley banquet in New York in 1896, enjoying a fleeting ''succès de scandale''. Fatima Djemille (died March 14, 1921) appeared at the 1893 Chicago World's Fair. Lorraine Shalhoub (born December 20, 1931 in Brooklyn) used the name Little Egypt for her acting career. Fahreda Mazar Spyropoulos ...
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World's Columbian Exposition
The World's Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name ... in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. The centerpiece of the Fair, held in Jackson Park (Chicago), Jackson Park, was a large water pool representing the voyage Columbus took to the New World. Chicago had won the right to host the fair over several other cities, including New York City, Washington, D.C., and St. Louis. The exposition was an influential social and cultural event and had a profound effect on American Architecture of the United States, architecture, the arts, American industrial optimism, and Chicago's image. The layout of the Chicago Columbian E ...
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Centennial Exhibition
The Centennial International Exhibition of 1876, the first official World's Fair to be held in the United States, was held in Philadelphia, Pennsylvania, from May 10 to November 10, 1876, to celebrate the 100th anniversary of the signing of the Declaration of Independence in Philadelphia. Officially named the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine, it was held in Fairmount Park along the Schuylkill River on fairgrounds designed by Herman J. Schwarzmann. Nearly 10 million visitors attended the exposition, and 37 countries participated in it. Precursor The Great Central Fair on Logan Square in Philadelphia, Pennsylvania, in 1864 (also known as the Great Sanitary Fair), was one of the many United States Sanitary Commission's Sanitary Fairs held during the Civil War. They provided a creative and communal means for ordinary citizens to promote the welfare of Union soldiers and dedicate themselves to the survival of the nation, and the Gr ...
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Hoochie Coochie
The hoochie coochie () is a catch-all term to describe several sexually provocative belly dance-like dances from the mid-to late 1800s. Also spelled hootchy-kootchy and a number of other variations, it is often associated with "The Streets of Cairo, or the Poor Little Country Maid" song, also known as "the snake charmer song". "Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is also a blues standard written by  Willie Dixon and first recorded by Muddy Waters in Chicago, January 7, 1954. Numerous cover versions of this classic continue to be recorded. Hoochie Coochie is also mentioned in Alan Jackson's hit country music song "Chattahoochee", and the Jerry Leiber and Mike Stoller songs "Little Egypt (Ying-Yang)" and " Saved" (sung by LaVern Baker). Overview Such dances, or something similar, were performed at the Crystal Palace Exhibition in London in 1851, the Centennial Exhibition in Philadelphia in 1876, and the World's Fair in Paris in 1889. Although s ...
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Eddie Boyd
Edward Riley Boyd (November 25, 1914 – July 13, 1994)Dahl, Bill. Eddie Boyd: Biography AllMusic. Retrieved October 13, 2016. was an American blues pianist, singer and songwriter, best known for his recordings in the early 1950s, including the number one R&B chart hit "Five Long Years". Life and career Boyd was born either on Stovall's Plantation, near Clarksdale, Mississippi, or on Frank Moore's Plantation, near Stovall, Mississippi. He learned to play the guitar and the piano. His piano playing was influenced by the styles of Roosevelt Sykes and Leroy Carr. Boyd moved to the Beale Street district of Memphis, Tennessee, in 1936, where he played with his group, the Dixie Rhythm Boys. He then joined the Great Migration of African Americans north to the factories of Chicago in 1941. He recorded for Bluebird Records, accompanying such musicians as Sonny Boy Williamson, Jazz Gillum, Muddy Waters, and Tampa Red, before making his first recordings under his own name, in 1947. He ...
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Hoodoo Man Blues
''Hoodoo Man Blues'' is the debut album of blues vocalist and harmonica player Junior Wells, performing with the Junior Wells' Chicago Blues Band, an early collaboration with guitarist Buddy Guy. Released on LP by Delmark Records in November 1965,Koester, BobCan I do it like I want to? Bob Koester remembers Junior Wells Delmark. Accessed October 5, 2020. the album has been subsequently reissued on CD and LP by Delmark and Analogue Productions. The album of Chicago blues music was solicited by Bob Koester, the founder of Delmark Records, who liked Wells' music enough to give the musician considerable freedom on the album despite concerns of commercial response. The resultant innovative album became Delmark's best-seller, establishing Wells' career and receiving critical acclaim as being among the best albums Wells ever produced and among the greatest blues albums ever made. Background Record producer Bob Koester, the founder of Delmark Records who is credited with discovering We ...
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Elmore James
Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar". Biography Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie "Frost" James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James. James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red's songs. He also inherited from Tampa Red's band two musicians who joined his own backing band, the Bro ...
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Junior Wells
Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song "Messin' with the Kid" and his 1965 album ''Hoodoo Man Blues'', described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues. Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him "one of the rare active survivors of the 'golden age of the blues. Life and career Early years Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his ...
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