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(Call Me) Number One
"(Call Me) Number One" is a song by British group the Tremeloes, released as a single in October 1969. It peaked at number two on the UK Singles Chart. Background and release The Tremeloes had success in the early/mid 1960s with beat songs such as their versions of "Twist and Shout" and "Do You Love Me". Following the departure of lead singer Brian Poole in 1966, the group's music changed to producing pop records, perhaps better defined as sunshine pop, and success continued with further hits such as " Silence Is Golden" and "Even the Bad Times Are Good". However, by the late 1960s, the group wanted to move away from this style of pop. They released a cover of Bob Dylan's "I Shall Be Released", but following its relative commercial failure (only just a top-thirty hit), they reverted to their trusted pop with the top-twenty hit "Hello World". However, following the failure of their next single "Once on a Sunday Morning", which didn't make the UK charts, the Tremeloes took this a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tremeloes
The Tremeloes are an English beat group founded in 1958 in Dagenham, England. They initially found success in the British Invasion era with lead singer Brian Poole, scoring a UK chart-topper in 1963 with "Do You Love Me". After Poole's departure in 1966, the band achieved further success as a four-piece with 13 top 40 hits on the UK Singles Chart between 1967 and 1971 including " Here Comes My Baby", "Even the Bad Times Are Good", " (Call Me) Number One", " Me and My Life" and their most successful single, " Silence Is Golden" (1967). Career They were formed as Brian Poole and the Tremoloes (the spelling "tremoloes" was soon changed because of a spelling mistake in an East London newspaper) influenced by Buddy Holly and the Crickets. On New Year's Day, 1962, Decca, looking for a beat group, auditioned two promising young bands: Brian Poole and the Tremeloes and another combo (also heavily influenced by Buddy Holly) from Liverpool, the Beatles. Decca chose Brian Poole and the T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Musical Express
''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations. As a 'rock inkie', ''NME'' was the first British newspaper to include a singles chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.com was launched in 1996, and became the world's biggest standalone music site, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go-Set
''Go-Set'' was the first Australian pop music newspaper, published weekly from 2 February 1966 to 24 August 1974, and was founded in Melbourne by Phillip Frazer, Peter Raphael and Tony Schauble. NOTE: This PDF is 282 pages. Widely described as a pop music "bible", it became an influential publication, introduced the first national pop record charts and featured many notable contributors including fashion designer Prue Acton, journalist Lily Brett, rock writer / band manager Vince Lovegrove, music commentator Ian Meldrum, rock writer / music historian Ed Nimmervoll and radio DJ Stan Rofe. It spawned the original Australian edition of ''Rolling Stone Australia, Rolling Stone'' magazine in late 1972. History Foundation: 1964–1967 In 1964, Monash University student newspaper ''Chaos co-editors, John Blakeley, Damien Broderick and Tony Schauble, renamed the paper ''Lot's Wife (student newspaper), Lot's Wife''. Phillip Frazer was a staffer and later became co-editor with future ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christie (band)
Christie are an English soft rock band that formed at the end of the 1960s. They are best remembered for their UK chart-topping hit single "Yellow River", released in 1970, which hit number one in 26 countries that year. Career In addition to Jeff Christie (born Jeffrey Christie, 12 July 1946, Leeds, Yorkshire, England) their vocalist, bassist and songwriter; they initially included guitarist Vic Elmes and drummer Mike Blakley (born Michael Blakley, 12 January 1947, Bromley, Kent, England, brother of Alan Blakley). Jeff Christie had previously worked with several bands, including The Outer Limits, who released "Just One More Chance" / "Help Me Please" (1967) and "Great Train Robbery" / "Sweet Freedom" (1968). In 1970, Jeff Christie offered his composition "Yellow River" to The Tremeloes. They recorded it to release as a single but changed their minds as they were going more progressive as the seventies started. At the same time Tremeloes member Alan Blakley's brother Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yellow River (song)
"Yellow River" is a song recorded by the British band Christie. It was released in 1970 and became a No. 1 hit song for the band in the UK. Background The song was written by the leader of Christie, Jeff Christie. It was first offered to The Tremeloes, who recorded it with the intention of releasing it as a single early in 1970. However, after the success of their then most recent single, "(Call Me) Number One", and after considering it too pop-oriented for their future direction, they decided to follow it up with another of their own compositions, "By the Way", which was only a minor Top 40 success. Producer Mike Smith therefore took their vocals off the recording and added Jeff Christie's. Released on 23 April 1970, it became an international hit, reaching number one on the UK Singles Chart for one week in June 1970. In the US, it reached number 23 on the ''Billboard'' Hot 100. The actual location of Yellow River in this song is not specified, although the author, Jeff Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
He Ain't Heavy, He's My Brother
"He Ain't Heavy, He's My Brother" is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for the Hollies later that year and also a hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years. The Hollies' version was re-released in 1988 and again was a major hit in the UK. Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song. Title James Wells, Moderator of the United Free Church of Scotland, tells the story of a little girl carrying a big baby boy in his 1884 book ''The Parables of Jesus''. Seeing her struggling, someone asked if she wasn't tired. With surprise she replied: "No, he's not heavy; he's my brother." In a 1918 publication by Ralph Waldo Trine titled ''The Higher Powers of Mind and Spirit'', Trine relates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hollies
The Hollies are a British pop rock band, formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Allan Clarke (singer), Allan Clarke and Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north in East Lancashire. Nash left the group in 1968 to form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion. They enjoyed considerable popularity in the UK and Europe during the mid-1960s with a string of hit singles that included "Just One Look (song), Just One Look" (1964), "Here I Go Again (The Hollies song), Here I Go Again" (1964), "I'm Alive (The Hollies song), I'm Alive" (1965; their first of two UK number-ones), "Look Through Any Window" (1965) and "I Can't Let Go" (1966), although they did not achieve US chart success until "Bus Stop (song), Bus Stop" was released in 1966. The grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Welch
Chris Welch (born 12 November 1941) is an English music journalist, critic, and author who is best known for his work from the late 1960s as a reporter for ''Melody Maker'', ''Musicians Only'', and ''Kerrang!''. He is the author of over 40 music books. Early life Welch was raised in Catford, south east London. He left school at 16 and became a messenger for a national daily newspaper in Fleet Street. Career In 1960, Welch started work for ''The Kentish Times''. In October 1964, after writing for a local newspaper, Welch became a reporter for ''Melody Maker'' at age 22. At Google Books. Retrieved 16 June 2013. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Pops (newspaper)
''Top Pops'', not to be confused with ''Top of the Pops'', was a British pop music newspaper that was published in the late 1960s and early 1970s. ''Top Pops'' was founded initially as a three-weekly publication by Woodrow Wyatt in May 1967, with Marcus Davidson acting as editor. It was conceived as a circulation-booster for the provincial newspapers published by Wyatt, following the success of an insert called 'The Monkees Special', which sold over 100,000 copies and kept the printing works at Banbury busy for over a month. Under Davidson's successor Colin Bostock-Smith, ''Top Pops'' moved to Fleet Street and became fortnightly in November 1967, then weekly in June 1968. It was unusual for including colour content from its first issue, but found it hard to compete with its rivals, partly because it was initially based in Banbury, not London. On 20 September 1969 the paper was rebranded ''Top Pops & Music Now'' under the then editor John Halsall and subsequently became ''Music Now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
