Swathi Thirunal

Contributions to music and literature

Swathi Thirunal was deeply interested in music right from childhood. Besides being an able ruler, he was a patron of music and was a musician himself. Researchers say that Swathi Thirunal affixed his compositions with the mudra Padmanabha, sarasijanaabha, etc. and its synonyms. His education in music started with the first lessons from Karamana Subrahmania Bhagavathar and Karamana Padmanabha Bhagavathar. Later, he studied music from the then English scholar, Thanjavur Subba Rao as well. He continued to learn music by listening to accomplished musicians and practising himself. He encouraged both broad systems of Indian music, Hindustani and Carnatic music, though he was essentially a connoisseur of the Carnatic music tradition. He is credited with composing over 400 compositions in Carnatic and Hindustani music. Some of his favourite compositions were Padmanabha Pahi, Deva Deva, Devanke, Sarasijanabha and Sree Ramana Vibho. Swathi Thirunal was fluent in a number of languages including Malayalam, Sanskrit, Marathi, Telugu, Kannada, Hindustani, Bengali, Tamil, Oriya and English. This was a period when music and art were thriving in many parts of south India. The triumvirate of Carnatic music, Tyagaraja (1767–1847), Syama Sastri (1762–1827) and Muthuswami Dikshitar (1775–1835), lived and enriched music during this period. Swathi Thirunal's palace also was home to many musicians and artistes of the period, including the famous Thanjavur Quartet brothers, Tyagaraja's disciple Kannayya Bhagavathar, Ananthapadmanabha Goswami (a Maharashtrian singer known as Kokilakanthameru swami), Shadkala Govinda Marar, and many others.