Qutub Minar

Notes

1. ^ 2015.
2. ^
3. ^ 2011.
4. ^ 2011.
5. ^ 2015.
6. ^
7. ^ 2025.
8. ^ 2019.
9. ^
10. ^
11. ^
12. ^
13. ^
14. ^
15. ^ 776. doi:10.1002/9781119069218.ch30. ISBN .
16. ^
17. ^ 2015.
18. ^ 221. doi:10.4324/9781315606187. ISBN .
19. ^ 2019.
20. ^ 2019.
21. ^
22. ^ 61. doi:10.1484/aaa.2004.0004. JSTOR 20111315.
23. ^
24. ^
25. ^ 2015.
26. ^ 2016.
27. ^ 2012.
28. ^ 186. doi:10.2307/4299851. JSTOR 4299851.
29. ^ . Iran. 39: 155–186. doi:10.2307/4300603. ISSN 0578-6967. JSTOR 4300603.
30. ^ 286. ProQuest 1304273557.
31. ^
32. ^ 2022.
33. ^ 2022.
34. ^
35. ^
36. ^ 2018.
37. ^ 2018.
38. ^ 2023.
39. ^ 2023.
40. ^Landon, Letitia Elizabeth (1832). "picture". Fisher's Drawing Room Scrap Book, 1833. Fisher, Son & Co.
41. ^ "(PDF). PROSPERO. 23. Edizioni Università di Trieste: 67–87. Landon produced more than sixty poems for Fisher's Drawing-Room Scrapbook where she "ventriloquised" India, as it were, through her ekphrastic art. "The Jumma Musjid," "The Cootub Minar," "The Caves of Elephanta," "The Assar Mahal," all speak of a mighty civilisation in ruins, of an inscrutable past of mystery and mysticism.
42. ^ 2026.
43. ^ 2012.{{}}: CS1 maint: multiple names: authors list () CS1 maint: numeric names: authors list ()
44. ^ 2019.
45. ^ 2014.
46. ^ 2017.
47. ^ 2018.