Keisuke Kinoshita

Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke; December 5, 1912 – December 30, 1998) was a Japanese film director and screenwriter. While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Kinoshita's films were marked by a sense of sentimentality, purity, and beauty, and often featured experimentation in both technique and subject matter.

Kinoshita entered the film industry in 1933 as a film processor. He moved on to the position of camera assistant, then assistant director. In 1943, Kinoshita was promoted to director and released his first film, Port of Flowers. A prolific filmmaker, Kinoshita directed 43 films in the first 23 years of his career, and then five more after a stint in television production. Among his best known films are Carmen Comes Home (1951), A Japanese Tragedy (1953), Twenty-Four Eyes (1954), She Was Like a Wild Chrysanthemum (1955) and The Ballad of Narayama (1958).