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Ray Harryhausen

Raymond Frederick Harryhausen (June 29, 1920 – May 7, 2013) was an American-British animator and special effects creator who is regarded as one of the most influential figures in the history of both fields. In a career spanning more than 40 years, he built upon the techniques of his mentor, Willis H. O'Brien, to develop a form of stop motionmodel animation known as "Dynamation" and advance the field of cinematic special effects.

Model animationModel animationStop motion animation Model animation is a form of stop motion animation designed to merge with live-action footage to create the illusion of a real-world fantasy sequence. Techniques Many types of models have been created and developed, and the choice mainly depends on the budget of the film: Clay models: Unlike most clay figures used for animation, clay models have an inner metal skeleton designed to allow them realistic movements and expressions.Willis H. O'BrienWillis H. O'BrienWillis Harold O'Brien (March 2, 1886 – November 8, 1962), known as Obie O'Brien, was an American motion picture special effects and stop-motion animation pioneer, who according to ASIFA-Hollywood "was responsible for some of the best-known images in cinema history," and is best remembered for his work on The Lost World (1925), King Kong (1933), The Last Days of Pompeii (1935) and Mighty Joe Young (1949), for which he won the 1950 Academy Award for Best Visual Effects.The Animal World (film)The Animal World (film)The Animal World is a 1956 American comedydocumentary film that was produced, written and directed by Irwin Allen. The film includes live-action footage of animals throughout the world featuring a light-hearted comedic voiceover. The film also incorporates a ten-minute stop motion animated sequence about dinosaurs. Irwin's intention was to show the progression of life over time, although he noted, "We don't use the word 'evolution.' We hope to walk a very thin line.Special effectSpecial effectSpecial effects (often abbreviated as F/X or simply FX) are illusions or visual tricks used in the theater, film, television, video game, amusement park, and simulatorindustries to simulate the fictional events in a story or virtual world. It is sometimes abbreviated as SFX, but this may also refer to sound effects. Special effects are traditionally divided into the categories of mechanical effects and optical effects.The Beast from 20,000 FathomsThe Beast from 20,000 FathomsThe Beast from 20,000 Fathoms is a 1953 American independentmonster film directed by Eugène Lourié, with stop motion animation by Ray Harryhausen. It is partly based on Ray Bradbury's 1951 short story of the same name, which was later reprinted as "The Fog Horn". In the film a giant dinosaur, the Rhedosaurus, is released from its frozen state in the Arctic by an atomic bomb test.The Lost World (1925 film)The Lost World (1925 film)The Lost World is a 1925 American silentfantasygiant monsteradventure film, directed by Harry O. Hoyt and written by Marion Fairfax, adapted from Arthur Conan Doyle's 1912 novel of the same name. Produced and distributed by First National Pictures, a major Hollywood studio at the time, the film stars Wallace Beery as Professor Challenger and features pioneering stop motion special effects by Willis O'Brien, a forerunner of his work on King Kong (1933).Stop motionStop motionStop motion (also known as stop frame animation or object animation) is an animatedfilmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or clay figures (claymation) are most commonly used.Mighty Joe Young (1949 film)Mighty Joe Young (also known as Mr. Joseph Young of Africa and The Great Joe Young) is a 1949 American black-and-white fantasy film distributed by RKO Radio Pictures and produced by the same creative team responsible for King Kong (1933). The film was produced and directed by Merian C. Cooper and Ernest B. Schoedsack, and written by Ruth Rose. It stars Robert Armstrong, Terry Moore, and Ben Johnson in his first credited screen role.Visual effectsVisual effectsVisual effects (sometimes abbreviated as VFX) is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or computer-generated imagery (CGI) elements to create realistic imagery is called VFX.AnimatorAnimatorAn animator is an artist who creates images, known as frames, which give an illusion of movement called animation when displayed in rapid sequence. Animators can work in a variety of fields including film, television, and video games. Animation is closely related to filmmaking and like filmmaking is extremely labor-intensive, which means that most significant works require the collaboration of several animators.King Kong (1933 film)King Kong (1933 film)King Kong is a 1933 American pre-Code adventure horror monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien and music by Max Steiner. Produced and distributed by RKO Radio Pictures, King Kong is the first film in the self-titled franchise, combining live-action sequences with stop-motion animation using rear-screen projection.AuteurAuteurAn auteur (; French:, lit.'author') is an artist with a distinctive approach, usually a film director who is considered the most important figure in filmmaking, and equivalent to the "author" of a novel or a play, such that they can manifest a personal style, vision, and thematic focus across a diverse body of work.

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