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A jump cut is a cut in that breaks a single continuous sequential shot of a subject into two parts, with a piece of footage removed to create the effect of jumping forward in time. Camera positioning on the subject across the sequence should vary only slightly to achieve the effect. The technique manipulates temporal space using the duration of a single shot—fracturing the duration to move the audience ahead. Jean-Luc Godard's Breathless extensively used jump cuts and popularized the technique in the 1960s.

Continuity editingContinuity editingFilm editing technique to create logical connections between shots Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location.Film editingFilm editingFilm editing is the creative and technical part of the post-production process of filmmaking in which shots are combined into sequences that create a finished motion picture. The term is derived from the traditional process of working with film stock but now primarily uses digital technology. The film editor works with raw footage to select, process, and structure the recorded images and sound material to give film its final form.Cut (transition)Cut (transition)In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve, and wipe serve as the three primary transitions.Dissolve (filmmaking)Dissolve (filmmaking)In the post-production process of film and , a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut, where there is no such transition.Man with a Movie CameraMan with a Movie CameraMan with a Movie Camera is a 1929 Soviet experimental silent documentary film, written and directed by Dziga Vertov. It was filmed by his brother Mikhail Kaufman (who also appears as the titular cameraman), and edited by Vertov's wife Yelizaveta Svilova. Vertov's feature film, produced by the film studio All-Ukrainian Photo Cinema Administration (VUFKU), presents urban life in Moscow, Kiev and Odessa during the late 1920s. It has no actors.French New WaveFrench New WaveThe New Wave (French: Nouvelle Vague, French pronunciation:), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions, favoring experimentation and a spirit of iconoclasm.30-degree rule30-degree ruleThe 30-degree rule is a basic guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots can look like a jump cut—which could jar the audience and take them out of the story. The audience might focus on the film technique rather than the narrative itself.Jean-Pierre MelvilleJean-Pierre MelvilleJean-Pierre Grumbach (20 October 1917 – 2 August 1973), known professionally as Jean-Pierre Melville (French:), was a French filmmaker. Considered a spiritual godfather of the French New Wave, he was one of the first fully-independent French filmmakers to achieve commercial and critical success.Avant-gardeAvant-gardeIn the arts and literature, the term avant-garde (from French meaning 'advance guard' or 'vanguard') identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time.Breathless (1960 film)Breathless (1960 film)Breathless (French: À bout de souffle, lit.'Out of Breath') is a 1960 French New Wavecrimedrama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor. Breathless is an influential example of French New Wave (nouvelle vague) cinema.Cécile DecugisCécile Decugis (May 15, 1930 – June 11, 2017) was a French film editor and director, known for her contributions to the French New Wave cinema. She worked on iconic films such as Breathless by Jean-Luc Godard and Shoot the Piano Player by François Truffaut.The Tempest (1908 film)The Tempest (1908 film)The Tempest is a 1908 British-made silent film directed by film pioneer Percy Stow who specialised in trick photography. The 'delightful' film was made by the Clarendon Film Company founded by Stow and Henry Vassal Lawley.Jean-Luc GodardJean-Luc GodardFrench and Swiss film director (1930–2022)Jean-Luc Godard (UK: , US: ; French:; 3 December 1930 – 13 September 2022) was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era.clueclueRelated word or term.

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