Biography
Zoran Erić was born in Belgrade on 6 October 1950 . He started his musical education inCompositions
Erić's compositions include: * String Quartet (1972) * ''Behind the Sun's Gate'', choreographic image for orchestra (1973) * ''Concerto for Orchestra and Soloists'' (1975) * ''Mirage'', music for piano, synthesizer, electronic piano and symphony orchestra (1979) * ''Senario'' for two cellos (1981) * ''Banović Strahinja'', ballet in one act (1981) * ''The Word of Siluan'' for baritone, women's choir and tape (1981) * ''A suo comodo'' for cello and piano (1981) * ''Vuk or the Folks' Life History'' for ensemble, traditional instruments, mixed choir and actors (Vukov sabor, Tršić 1981) * ''Jelisaveta the Princess of Montenegro'', ballet in two acts (1982, renvised 1990) * ''Tоccatina'' for guitar (TV show, 1982) * ''Off'' for double bass and strings (1982) * ''Subito'' for two basses, women's choir and electronics (1984) * ''Cartoon'' for strings and harpsichord (1984) * ''Artes Liberales'' for mixed choir, timpani and gong (1986) * ''Talea – Konzertstück'' for violin and strings (1989) * ''Nicht für Elise'' for piano or harpsichord (1989) * ''Images of Chaos I – The Great Red Spot of Jupiter'' for amplified harpsichord, percussion and live electronics (1990) * ''Images of Chaos II – The Abnormal Beats of Dogon'' for bass clarinet, piano, mouth harmonica, percussion and live electronics (1991) * ''Images of Chaos III – Helium in a Small Box'' for strings (1991) * ''Images of Chaos IV – I have not Spoken'' for alto saxophone, bass mouth harmonica, actor and mixed choir (1995) * ''Svakodnevna molitva'' (Pray for everyday) for percussion and electronics (Veliki školski čas Kragujevac, 1995) * ''Images of Chaos V – Oberon Concerto'' for flute and ensemble (1997) * ''Six Scenes – Comments'', Concerto for Three Violins and Strings (2001 first version) * ''Con suono pieno, sonata quasi una fantasia per viola e pianoforte'' (2001 first version) * ''Six Scenes – Comments'', Concerto for Three Violins and Symphony Orchestra (2003 second version) * ''Who shot a Seagull? Don't you remember, you shot a seagull! (A. Chekhov)'' for 12 cellos (2005) * ''Con suono pieno, sonata quasi una fantasia per viola e pianoforte'' (2006 second version) * ''Seven Glances at the Sky'' for string sextet (2007) * ''Entr'acte, Farcical Episode'' for orchestra (2008) * ''B'n'R (Blues & Rhythm)'' for double bass and piano (2009)Incidental music
Erić focused on incidental music for theatre plays: * '' Calling the Birds'' (Aristophanes/Haris Pašović, Belgrade 1989) with S. Hofman * ''Rose of the Winds'' (Haris Pašović, Subotica 1990) with S. Hofman * ''Medea'' (Arpad Genz/Ivana Vujić 1991) * '' Waiting for Godot'' (Samuel Beckett/Haris Pašović, Belgrade 1991) * ''Simon the Magus''/The Encyclopedia of the Dead (Danilo Kiš/Haris Pašović, Subotica 1991) * ''Lady with the Camelias'' (Alexandre Dumas, fils/Svetislav Goncić, Belgrade 1992) * '' Hamlet'' (William Shakespeare/Gorčin Stojanović, Belgrade 1992) * '' Ubu Roi'' (Alfred Jarry/Haris Pašović, Subotica 1992) * '' King Lear'' (William Shakespeare/Petar Govedarica, Kragujevac 1993) * '' Seven Against Thebes'' (Aeschylus/Nikita Milivojević, Belgrade 1993) * ''La vita e sueño'' (Pedro Calderon de la Barca/Nikita Milivojević, Belgrade 1994) * ''Film scores
* ''Second death of Gregor Z (Nehaj)'' (Jean Jeanneret, 1992) with Đ. Petrović * ''Premeditated Murder'' (Gorčin Stojanović, 1995) * ''Hornet'' (Gorčin Stojanović, 1998) * ''Shadows of Memories'' (Predrag Velinović, 2000) * ''Natasha'' (Ljubiša Samardžić, 2001)Style
Erić composed works of many different genres. Already in his early works he expresses a tendency towards clarity, formal perspicuity and the synthesis of "different images", establishing the bases of his own musical expression in the choreographic piece for orchestra ''Behind the Sun's Gate'' and ''Concerto for Orchestra and Soloists''. The need to shape his musical expression as his own synthesis of total sound surrounding him, already evident in ''Mirage'', is developed by in the compositions Erić wrote about two years later: the ballet ''Elizabeth the Princess of Montenegro'' and the choir ''Subito''. His work during the 80s is marked by three key compositions: ''Off'' – as music beyond his own vocabulary until that time, ''Cartoon'' – as a play of basic emotional clichés and rudimentary gests of movement and ''Talea Konzertstück'' – as a "gliding" towards open sensitivity. In the 1990s Erić created the five-part cycle ''Images of Chaos'' (1990—1997) in which he sharpened and sublimated the principles of his mature musical expression. The cycle contains: ''The Great Red Spot of Jupiter'', ''The Abnormal Beats of Dogon'', ''Helium in a Small Box'', ''I Have Not Spoken'' and ''Oberon Concerto''. The modelling of chaos, "a process rather than a state, becoming rather than being", served as a paradigm to Erić's tendencies to create the personal image of a non-transparent and chaotic entity. The music was "processed" through the phases (movements) ''Unawareness, Resistance, Anger, Wondering'' and ''Acceptance'' which became a general "formal map" of all compositions from the cycle ''Images of Chaos''. In the same period as the cycle ''Images of Chaos'' (from 1989) he started to compose music for theatre and film. Both types of Erić's production, theatre and film music and the "classical" works (from the ''Chaos'' cycle as well as his music after 2000 – ''Six Scenes – Comments, Con suono pieno, Who shot a Seagull? Don't you remember, you shot a seagull! (A. Chekhov), Seven Glances at the Sky, Entr'acte, B'n'R (Blues & Rhythm)''), are specifically amalgamated and mutually imbued by common compositional-technical moves.Awards and prizes
Erić received many awards, especially for his nnnnntheatre and film music. * ''Stevan Hristić Award'' for Behind the Sun's Gate (1973) * ''Composers' Association of Serbia Award'' for Off (1982) * ''Composers' Association of Serbia Award "Petar Konjović"'' for Elizabeth, the Princess of Montenegro (1983) * ''City of Belgrade October Prize'' for Helium in a Small Box (1992) * ''Silver Medal of the University of Arts'' (1992) * ''Herceg Novi Film Festival Golden Mimosa prize'' for the best music in film Premeditated murder (1996) * ''Stevan Mokranjac Award'' for Oberon Concerto (1996) * ''1th Biennial of Stage Design Award'' in the category Event Design/Music, Macbeth/It (1997) * ''Herceg Novi Film Festival "Golden Mimosa" prize'' for the best music in film Shadows of Memories (2000) * ''3rd Biennial of Stage Design Award'' in the category Special Biennial Awards (2000) * ''45th Sterijino Pozorje Prize'' for the best music (with V. Pejković) in Smrtonosna motoristika (2000) * ''Stevan Mokranjac Award'' for Six Scenes-Comments (2001) * ''Belgrade Drama Theatre Annual Award'' for Artistic Achievement in 2005 * ''Great Golden Plaque of the University of Arts with the Charter'' (2005) * ''53rd Sterijino pozorje Prize'' for the best original music in Oedipus Rex (2008) * '' Joakimfest Prize'' for the best music in Fortress (2008) * ''Kruševac Theatre Bora Mihajlović Priz''e (2008) * ''Stevan Mokranjac Award'' for Seven Glances at the Sky (2009) * ''27th Theatre Festival Brčko Prize'' for the best music in My Brother (2010) * ''30th Theatre Festival of Bosnia & Herzegovina Jajce Prize'' for the best music in My Brother (2011)Discography
* Zoran Erić: Music for Strings (Cartoon, Off, Talea Konzertstück, Senario), PGP RTB, LP stereo 230 367, Belgrade 1989 * Kreisler String Orchestra 226 (5), A Factory Classical Compact Disc. © 1989 Factory Communications L Manchester, England * CD New Sound No.7 (11) SOKOJ 1996 * Serbian Music for Harpsichord – Miloš Petrović (CD2 4,5,6), Students' Cultural Centre 1996 * Late 20th Century Serbian music – Zoran Erić: Images of Chaos I–V, CD 206, SOKOJ 1998 * CD New Sound No.12 (2. Zoran Erić: Oberon Concerto) SOKOJ-MIC 1998 * Zoran Erić – Peace (Piece) of Dream, Music for Theatre, Grad Theatre City Budva, CD2001 * 11th International Review of Composers – Zoran Erić's Music Concert CD, Composers' Association of Serbia 2002 * CD New Sound No.21 (3. Zoran Erić: Six Scenes – Commentaries) SOKOJ-MIC 2003 * Premeditated Murder (film, DVD), First Production 2005 * Hornet (film, DVD), First Production 2005 * CD New Sound No.27 (4. Zoran Erić: "Who shot a seagull? (Don't you remember, you shot a seagull)" A. Chekhov, for twelve cellos) SOKOJ-MIC 2006 * Anthology of 20th century Serbian Music for Strings premiered by Belgrade Strings (CD1, CD2, CD7, Cartoon, Off, Talea-Konzertstuck), Aleksandar Pavlović, publisher, , COBISS.SR-ID 137020684, Beograd 2006 * Awarded at the 37th International Jeunesses Musicales Competition Belgrade (5 Zoran Erić: Oberon Concerto), Jeunesses Musicales Competition Belgrade 2007 * Twelve Cellists, Youngchang Cho – Live in Harmony (12. Zoran Erić: "Who shot a seagull? (Don't you remember, you shot a seagull)" A. Chekhov, for twelve cellos) Audioguy Records, Ltd., Seoul Korea 2009 * Camerata Serbica – 70 Years of the University of Arts' Faculty of Music Belgrade (10 Zoran Erić: Oberon Concerto, Emanuel Pahud), FMU001 2010References
Further reading
* New Grove Dictionary of Music and Musicians * Musiquecontemporaine.fr Portal * Encyclopedia.com * Leksikon jugoslavenske muzike (Jugoslavenski leksikografski zavod, Zagreb, 1984) * Z. Premate, Dvanaest lakih komada (Prosveta, Beograd, 1997) * M. Veselinović-Hofman, Fragmenti o postmoderni (Matica srpska, Novi Sad, 1997) * D. Stojanović, Zoran Erić: Works for String Ensemble – From Semantics Toward Poetics * Z. Premate, On Being Silent * M. Nikolić, Orderity of disorder/disorderity of order as modus vivendi in the cycle Images of Chaos by Zoran Erić * Z. Premate, Three Small Stories About Chaos * Z. Premate, Six Commentaries on Scenes New Sound * Z. Premate, Music for the End of Postmodernism * D. Kulezic-Wilson (1998) Zoran Erić's 'Oberon' for flute and chamber orchestra nvited Oral Presentation New Works of Serbian Music, MIC Belgrade * D. Kulezic-Wilson (1995) Zoran Eric: Music for Orchestra and Theatre nvited Seminars/Guest Lectures Contemporary Yugoslav Composers, Podgorica * M. Nikolić, What is Hidden Between the Acts? Entr'acte, farce-episode for orchestra by Zoran ErićExternal links
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