Yang Huanyi

Yang Huanyi (; 20 September 2004), a resident of Jiangyong County, Hunan province, was known as the last proficient speaker and writer of Nüshu script in 1995. Her works about Nüshu have been collected by Zhao Liming, a professor of Tsinghua University and they were published in 2004. Jiangyong County offered Yang's living expenses and employed a maid to take care of her daily life with the purpose of rescuing and preserving Nüshu.

Biography

During her childhood, Yang Huanyi learned some traditional medical practices from her grandmother and specialized in curing pediatric measles. Her father Yang Shiyang was an open-minded country doctor. Considering that people who had studied Nüshu were more civilized and well-educated, he encouraged Yang Huanyi to learn it. At that time, one needed to pay to study Nüshu, so a fee had to be paid for learning every new word. Poor as she was, Yang never gave up learning; she earned money by working part-time jobs as well as picking beans and peanuts for others. "I was so happy first to learn how to sing the songs and then how to write," Yang recalled.

At the age of twenty-two, she married a man who was two years older than she, as her parents demanded. After they had been married three months, her husband was bitten by a poisonous snake and died. Two years later, she remarried He Yuancun, who was a compulsive gambler. He was accustomed to leaving home and gambling day and night, taking no interest in his family's affairs and leaving everything to Yang Huanyi. Every time he gambled away his money, he would sell pigs and millet to pay back the debt. As a result, Yang's family was deeply indebted and had to struggle against poverty. Although Yang altogether had eight children, only two sons and one daughter survived infancy for lack of cure and medicines and her second husband died later. Raising three children alone was difficult, and she would seek solace and distraction by writing and chanting Nüshu during her spare time.

At that time, most females were illiterate and considered the property of men. Women who learned Nüshu could share their feelings and experiences with other women in their own language. In 2002 Yang told the ''Los Angeles Times'', "When I learned Nüshu, it was meant to exchange our thoughts and letters with friends and sisters. We wrote what was in our hearts and our true feelings."

Visit to Beijing

In 1995, she attended the Fourth World Conference on Women in Beijing. This was the first time that Yang traveled far from her home and the first time the 86-year-old woman got on a train. She was extremely excited all the way, repeating that taking a train was comfortable because it was fast and steady. In this international conference, Ji Xianlin, Zhou Youguang, Liu Naihe, and other prominent academic scholars were also present. Yang, wrote and sang Nüshu, thoroughly presenting its charm as well as the wisdom and creativity of oriental working women to the conferees.

When Yang Huanyi was in Beijing, she paid a visit to the Summer Palace, went to the Tiananmen Gate and came to the Memorial Hall of Chairman Mao Zedong. To look at her Hunan fellow-townsman had been the first thing Yang wanted to do after she arrived in the capital.

About her age

The age of Yang is not exactly known. When a journalist of the Xinhua News Agency interviewed Yang at her home in 2002, Yang said that she was ninety-four years old. By that count, she was 96 when she died in 2004. However, on the other side, her age was recorded officially as 98 by Jiangyong County. Nüshu Nüshu.
Additionally, Yang's death marks the disappearance of the female-specific language, which provides a method for women to share their innermost feelings through codes incomprehensible to men. Scholars once believed:" Yang is the last woman alive who grew up with nushu as a vital part of her girlhood and adult life, the sole survivor of a tradition that will die when she does." Nowadays, Yang's descendants are quite unfamiliar with Nüshu.

Works

In 1990, Professor Zhao Liming, from Tsinghua University, went to Jiangyong County to conduct research on Nüshu, her works were free from Chinese characters' interference and this makes them more original to Nüshu. On the other hand, Nüshu

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