You're The One For Me (D. Train Song)
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"You're the One For Me" is a song written by James "D. Train" Williams and Hubert Eaves III of D. Train, a
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based
post-disco Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Dis ...
duo, released in 1981 by
Prelude Records Prelude Records was a New York–based independent record label that was active from 1976 to 1986. At one time, François Kevorkian held an A&R position at Prelude. The label's owner was Marvin Schlachter, and his business partner was Stan Hof ...
. "You're the One for Me" first charted on December 19, 1981, at number 53 on the ''
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'' dance singles chart. It was a number one dance hit for three weeks early in 1982. The single also made it to number thirteen on the soul singles chart. Later in 1982, "You're the One for Me" along with the track, "Keep On", would peak at number 2 on dance charts. "Keep On" peaked at number fifteen on the soul chart.


Background

Williams and Eaves III met in college in Brooklyn, NY while Eaves was still a jazz session musician and aspiring producer (he'd collaborated with fellow electronic soul act,
Mtume Mtume (pronounced ''em-tu-may'') was an American funk and soul group that rose to prominence during the early 1980s and had several R&B hits during its career. Its founder, former percussionist James Mtume, previously played and toured with Mil ...
). Using "D Train" (the moniker earned by Williams' "prowess on the football field") as a group name, they released their first song, "You're the One for Me" based on an idea Eaves had. Signing a contract with
Prelude Records Prelude Records was a New York–based independent record label that was active from 1976 to 1986. At one time, François Kevorkian held an A&R position at Prelude. The label's owner was Marvin Schlachter, and his business partner was Stan Hof ...
the song was released in 1981 as a 12" and 7" vinyl single in the United States,"40 Versions o
You're The One For Me
(1981). ''Zink Media, Inc.''. Retrieved June 10, 2014
Canada, Germany, Portugal, United Kingdom, Mexico ('82), Spain ('82), Netherlands ('82), France ('82), Italy ('82), Austria ('90). Williams was the lead singer while Eaves was behind production and played most of the music. Their style of soul vocals combined with multi-layered electronics, drum machines, and prominent synth bass was typical of the New York electronic R&B sound of the early 1980s (retroactively known to DJs and record collectors as "boogie") and was also a progenitor of the old school hip-hop subgenre, electro, a year before the seminal electro track " Planet Rock" was released. Upon release, they took the track to Frankie "Hollywood" Crocker at
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: "Soon, it seemed like everywhere we went, the clubs had to play the song twice a night." The song also turned out to be commercially successful in the United Kingdom to which Williams adds, "I remember we were doing ''
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'' with Sting and
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over in London. They had a bar across the street and we went in there and they were playing it too! Then, a third club was playing it! That's how popular the record was and that's the
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's honest truth." They also developed a loyal LGBTQ following during their Prelude years, as gay clubs were among the first to play D. Train's records. "I learned that all people have the same needs, whether they are straight or gay. We all need love." Williams added.


Composition

"You're the One for Me" is a
post-disco Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Dis ...
song with
soul The soul is the purported Mind–body dualism, immaterial aspect or essence of a Outline of life forms, living being. It is typically believed to be Immortality, immortal and to exist apart from the material world. The three main theories that ...
vocals, which runs for 6 minutes and 59 seconds for the 12-inch vocal version. Notably, it was influential in the electro genre. It has a tempo of 120
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.


Critical reception

Daryl Easlea from ''
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'' wrote, "their mixture of electronics and emotion led to some compelling moments, most notably their calling card and most enduring anthem, "You're the One for Me". With its sequenced handclaps, thundering synth bass and its fluttery, repetitive electronic melody, the song is enlivened by Williams' throaty delivery." He also notes on the
gospel Gospel originally meant the Christianity, Christian message ("the gospel"), but in the second century Anno domino, AD the term (, from which the English word originated as a calque) came to be used also for the books in which the message w ...
touch of Williams' singing, " en he sings the repeated refrain of 'With the love I have inside of me, we could turn this world around,' over the breakdown, it is like the world's most charismatic preacher encapsulating the remarkable purity and longing of the first flush of true love."Easlea, Daryl (2012
D-Train You're the One for Me Review
''British Broadcasting Corporation''. Retrieved October 06, 2014
Rock music critic
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rated the album the song is from B+ and wrote, "Their burgeoning street rep reflects the burly appeal of James Williams, who sings lead like the president of the
Teddy Pendergrass Theodore DeReese Pendergrass (March 26, 1950 – January 13, 2010) was an American Soul music, soul and R&B singer and songwriter. He was born in Philadelphia, Pennsylvania. Pendergrass lived most of his life in the Philadelphia area, and initial ...
Fan Club, Boys and Girls High chapter. More power to him. But their chart success reflects the complete control of keyboard pro, Hubert Eaves III. Hooks don't grow on streets."


Track listings


1981-82 releases

;12" vinyl * US: Prelude Records / PRL D 621 * France: Pathé Marconi EMI / 2C 052 52903 Z * Canada: Prelude Records / SPEC-1237 * Spain: Prelude Records / 1-20.004 ;7" vinyl * Italy: Prelude Records / PRL 10376


1985 release

;12" vinyl * UK: Prelude Records / ZT 40302


Chart performance


Personnel

* Hubert Eaves III, James "D-Train" Williams –
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* Hubert Eaves III – mix,
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*
François Kevorkian François Kevorkian (; born 10 January 1954), also known by the stage name François K, is a French DJ, producer, remixer and label owner of Armenian descent and based in the United States of America, who started his career DJing in clubs such ...
– mix ;additional personnel for 1981 version * Herb Powers Jr. – mastering * John Potoker – engineer * Sound Lab Studios by "Pete & Mike" – recording * Sigma Sound NYC. – mix


Other versions

In 1985,
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cut a remixed version which reached No.15 on the UK Singles Chart. This version didn't stray too far from the original 1982 hit. The song provided the background sample for
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's song "
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," which reached number one ''Billboard's'' Dance Club Play chart in 1988. In 2011, pop star
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performed a cover version of the song on Lopez Tonight featuring his backup singers, with Shelby J. on lead vocals & Sheila E. on percussion to launch his 21 Nights in Los Angeles.


References

{{D. Train 1981 debut singles D Train (entertainer) songs Prelude Records singles Songs written by Hubert Eaves III 1981 songs