White, Armond

Armond Allen White (born 1953) is an American film and music critic who writes for ''National Review'' and ''Out''. He was previously the editor of '' CityArts'' (2011–2014), the lead film critic for the alternative weekly ''New York Press'' (1997–2011), and the arts editor and critic for '' The City Sun'' (1984–1996). Other publications that have carried his work include ''Film Comment'', ''Variety'', ''The Nation'', ''The New York Times'', ''Slate'', ''Columbia Journalism Review'', and ''First Things''.

White is known for his provocative, idiosyncratic, and often contrarian reviews, which have made him a controversial figure in film criticism. As an African-American, gay, conservative film critic, he has been called a "minority three times over in his profession."

Early life

White was born in Detroit, the youngest of seven children. His family was the first African-American family to move to a primarily Jewish neighborhood on the city's northwest side, where he grew up. Raised Baptist, he later became Pentecostal, and identifies as "a believer."

White's interest in journalism and film criticism began as a student at Detroit's Central High School, when he first read the book ''Kiss Kiss Bang Bang'' by film critic Pauline Kael, whom he cites for "her willingness to go against the hype", along with Andrew Sarris, for his "sophisticated love of cinema",Staff (2004)
"The Critic"
. ''Filmmaker Magazine''. Retrieved April 20, 2010. as major inspirations for his choice of career.Kipp, Jeremiah (April 2002)

. ''senses of cinema''. Retrieved April 20, 2010. White received a Bachelor of Arts in journalism at Wayne State University, followed by a Master of Fine Arts degree in film from Columbia University's School of the Arts in 1997.

Career

White was the arts editor for ''The City Sun'', where he wrote film, music and theater criticism, for the span of its publication from 1984 to 1996. He was hired by ''New York Press'' in 1997 and wrote for the paper until it ceased publication in August 2011. He then assumed the editorship of its sister publication ''CityArts'' starting in September.

White is a member of the National Society of Film CriticsNew York Film Critics Circle
. Retrieved May 4, 2010. and New York Film Critics Online. He is a three-time chairman of the New York Film Critics Circle (1994, 2009 and 2010), has served as a member of the juries at the Sundance Film Festival, Tribeca Film Festival, and Mill Valley Film Festival, and was a member of several National Endowment for the Arts panels. He has taught classes on film at Columbia University and Long Island University.

In 1992, White was one of nine newspaper and magazine writers to win the ASCAP Deems Taylor Award for music criticism.

In January 2014, White was expelled from the New York Film Critics Circle for allegedly heckling director Steve McQueen at an event for the film ''12 Years a Slave''. White maintained his innocence, and called his expulsion a "smear campaign." The previous year, White had shouted protests at Michael Moore while Moore was delivering a speech, as White felt Moore had been unfairly maligning the Catholic Church. After White's expulsion, film critics Harlan Jacobson and Thelma Adams defended White, with the latter calling the move "Stalinist". White received an Anti-Censorship Award at the 35th annual American Book Awards for being "unfairly removed" from the critics' organization.

Views on film

In 2013, ''Time Magazine'' wrote that White's reviews on Rotten Tomatoes agreed with the Tomatometer consensus just under 50% of the time.

White has called ''Intolerance'' the greatest film ever made, and has called ''A.I. Artificial Intelligence'' the best film of the 21st century. He has listed directors Steven Spielberg, Alain Resnais, Zack Snyder, Clint Eastwood, and S. Craig Zahler among his favorites.

A conservative, White often criticizes films with perceived left-wing messages, such as ''There Will Be Blood'', ''Parasite'', ''Don't Look Up'', and '' Three Thousand Years of Longing'', but he has praised the leftist director Jean-Luc Godard, writing that Godard's films "saw past political fashion". White is also critical of films that promote consumerism, arguing that ''Toy Story 3'' does so, while citing '' Small Soldiers'' as a superior film featuring toys. He has said that when reviewing, he analyzes a film's political viewpoint, because "Ideology is everywhere... ilms aremade by people with feelings and ideas and agendas...To me there's no such thing as just entertainment." Films that White has praised include '' Mom and Dad'', ''Richard Jewell'', ''Once Upon a Time in Hollywood'', ''France'', and '' Cry Macho''.

White has provided extensive commentary on gay cinema, favorably reviewing '' I Now Pronounce You Chuck & Larry'', ''God's Own Country'', and '' Summer of 85'', while unfavorably reviewing ''Brokeback Mountain'' and '' Bros''.

White often analyzes and discusses race in cinema, having unfavorably reviewed Black films such as '' Precious'', ''12 Years a Slave'', ''Get Out'', '' Nope'', '' Black Panther: Wakanda Forever'', and '' Devotion''. He has praised films such as ''Night of the Living Dead'' and ''Hi, Mom!'' for their depictions of racism, has cited Cyborg'' as a positive example of a black superhero, and Miles Morales in '' Spider-Man: Into the Spider-Verse'' as a poor one.

White is generally critical of superhero movies, unfavorably reviewing ''The Dark Knight'', ''Wonder Woman'', '' Avengers: Endgame'', and '' The Batman'', while calling Marvel Cinematic Universe films "formulaic". He has praised '' Ghost Rider: Spirit of Vengeance'', ''Watchmen'', '' Man of Steel'', '' Batman v Superman: Dawn of Justice'', and ''Zack Snyder's Justice League''; writing that Snyder "rescued comic-book movies from nihilism and juvenilia, making modern myths worthy of adult spirituality and politics".

White has attacked contemporary film criticism, awards shows, and film journalism. He derided the Sight and Sound Greatest Films of All Time 2022 poll for selecting ''Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles'' as the greatest film of all time, calling it "a dull Marxist-feminist token" chosen for political reasons. He provided his own selections for the poll, which included ''À bout de souffle'', ''Battleship Potemkin'', ''Intolerance'', '' Jules et Jim'', '' L’Avventura'', '' Lawrence of Arabia'', '' Lola'', ''The Magnificent Ambersons'', ''Nashville'', and ''The Passion of Joan of Arc''.

Favorite films

In the 2012 Sight and Sound poll, Armond White listed his ten favorite films:

* ''L'Avventura'' (Italy, 1960)
* ''Intolerance'' (US, 1916)
* '' Jules et Jim'' (France, 1962)
* '' Lawrence of Arabia'' (UK, 1962)
* '' Lola'' (France, 1961)
* ''The Magnificent Ambersons'' (US, 1942)
* ''Nashville'' (US, 1975)
* ''Nouvelle Vague'' (France, 1990)
* ''The Passion of Joan of Arc'' (Denmark, 1927)
* ''Sansho the Bailiff'' (Japan, 1954)

White made some comments about some of these, saying: "Movies don't change but we do. I did not see ''Sansho the Bailiff'' until recently and it had the same powerful effect on me as ''A.I.'' did ten years ago, so off with Spielberg to give Mizoguchi's masterwork its props. Godard's rarely screened ''Nouvelle Vague'' looms in my memory as his grandest work—grander and more important still due to cinephilia's recent decline."

Personal life

White is gay and a Christian. According to the ''New York Times'', he "lives by himself in Chelsea with no pets or plants, amid piles of DVDs. Standing 6-foot-3, he cuts an imposing figure. Yet in conversation, he comes across as exacting, quiet and polite, far different from what his writing—and seeming bad behavior—might suggest."

Public reception

In his 2009 essay "Not in Defense of Armond White"'','' Roger Ebert called White "an intelligent critic and a passionate writer" but also a "smart and knowing ..troll". White has in turn criticized Ebert, writing, "I do think it is fair to say that Roger Ebert destroyed film criticism. Because of the wide and far reach of television, he became an example of what a film critic does for too many people. And what he did simply was not criticism. It was simply blather."

In 2014, film critic Walter Biggins of '' RogerEbert.com'' wrote the essay "In Defense of Armond White", a reference to Ebert's earlier essay. Biggins criticizes White's combative style, but defends him as a critic, calling White "an important, distinctive, and...necessary voice in film criticism". Biggins writes: "He's no troll, and he's one of the few critics capable of noting the inherent—and latent—racism of much of cinema and its discourse... he has provided a rare black voice, and perhaps an even rarer conservative voice, to film/video commentary."

''Time Magazine'' called White an "undeniably talented writer" who "developed a kind of notoriety for his rather contrarian opinions. Some of his colleagues have praised his against-the-grain approach to film criticism, while many others, including a broad swath he's publicly condemned, have been less kind".

White has responded to criticism of his reviews: "If there were a whole bunch of critics who I thought were doing a good job, then I would stop...Because really, the reason why I do what I do is because I think there are things that need to be said about movies, about culture, about the world, that nobody's saying.

Critic Thelma Adams has cited White as an influence on her work.

Awards

Bibliography

* ''The Resistance: Ten Years of Pop Culture That Shook the World'', 1995 ()
* ''Rebel for the Hell of It: The Life of Tupac Shakur'', 2002 ()
* ''Keep Moving: The Michael Jackson Chronicles'', 2009 ()
* ''New Position: The Prince Chronicles'', 2016 ()
* ''Make Spielberg Great Again: The Steven Spielberg Chronicles'', 2020 ()

In popular culture

* White is briefly mentioned in Charlie Kaufman's 2020 absurdist novel '' Antkind''. The novel's protagonist, a paranoid failed film critic, believes he is being spied on by White through the use of miniature drones disguised as bugs.

Further reading

* McNeil, Daniel. Thinking While Black: Translating the politics and popular culture of a rebel generation. Rutgers University Press, 2023
* Roberts, Jerry. ''The Complete History of American Film Criticism''. Santa Monica Press, 2010.
* Lopate, Phillip (ed.). ''American Movie Critics: An Anthology From the Silents Until Now''. Library of America, 2006.

See also

*Elvis Mitchell – African-American film critic
*African-American Film Critics Association
* Vulgar auteurism

References

External links

Official website
*
Armond White
at Rotten Tomatoes
Armond White
at ''New York Press''
Armond White
at ''National Review''

{{DEFAULTSORT:White, Armond
20th-century American male writers
20th-century American non-fiction writers
21st-century American male writers
21st-century American non-fiction writers
African-American Christians
African-American journalists
American Book Award winners
American Pentecostals
American film critics
American magazine editors
American music critics
Black conservatism in the United States
Columbia University School of the Arts alumni
Converts to Pentecostal denominations
Film theorists
Former Baptists
American gay writers
African-American LGBTQ people
LGBTQ conservatism in the United States
Living people
National Review people
New York Press people
Writers from Detroit
Variety (magazine) people
Writers from Michigan
1953 births
LGBTQ media critics