HOME

TheInfoList



OR:

Watercolor (
American English American English, sometimes called United States English or U.S. English, is the set of variety (linguistics), varieties of the English language native to the United States. English is the Languages of the United States, most widely spoken lang ...
) or watercolour (
Commonwealth English The use of the English language in current and former Member states of the Commonwealth of Nations, countries of Commonwealth of Nations, the Commonwealth was largely inherited from British Empire, British colonisation, with some exceptions. Eng ...
; see
spelling differences Despite the various English dialects spoken from country to country and within different regions of the same country, there are only slight regional variations in English orthography, the two most notable variations being British and Americ ...
), also ''aquarelle'' (; from Italian diminutive of Latin 'water'), is a
painting Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with ...
method"Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." in which the
paint Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting. Paint can be made in many colors and types. Most paints are ...
s are made of
pigment A pigment is a powder used to add or alter color or change visual appearance. Pigments are completely or nearly solubility, insoluble and reactivity (chemistry), chemically unreactive in water or another medium; in contrast, dyes are colored sub ...
s suspended in a water-based solution. ''Watercolor'' refers to both the medium and the resulting
artwork A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature ...
. Aquarelles painted with water-soluble colored ink instead of modern water colors are called (
Latin Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area aroun ...
for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common support—material to which the paint is applied—for watercolor paintings is
watercolor paper Watercolor paper (or watercolour paper) is paper or substrate onto which an artist applies watercolor paints, pigments, or dyes. Many types of paper are manufactured specifically for watercolour painting. The paper may be made of pulp (paper), ...
. Other supports or substrates include stone, ivory, silk, reed,
papyrus Papyrus ( ) is a material similar to thick paper that was used in ancient times as a writing surface. It was made from the pith of the papyrus plant, ''Cyperus papyrus'', a wetland sedge. ''Papyrus'' (plural: ''papyri'' or ''papyruses'') can a ...
, bark papers, plastics,
vellum Vellum is prepared animal skin or membrane, typically used as writing material. It is often distinguished from parchment, either by being made from calfskin (rather than the skin of other animals), or simply by being of a higher quality. Vellu ...
,
leather Leather is a strong, flexible and durable material obtained from the tanning (leather), tanning, or chemical treatment, of animal skins and hides to prevent decay. The most common leathers come from cattle, sheep, goats, equine animals, buffal ...
,
fabric Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, and different types of fabric. At first, the word "textiles" only referred to woven fabrics. However, weaving is no ...
, wood, and watercolor canvas (coated with a gesso that is specially formulated for use with watercolors). Watercolor paper is often made entirely or partially with cotton. This gives the surface the appropriate texture and minimizes distortion when wet. Watercolor papers are usually cold-pressed papers that provide better texture and appearance. Transparency is the main characteristic of watercolors. "It consists of a mixture of pigments, binders such as gum arabic and humectants such as glycerin, which together with other components, allow the color pigment to join and form the paint paste, which we know as watercolor. With regard to the colors, the quality of the pigments and their degree of concentration, it is what determines how good the watercolor is and also its price. A paint that has a high concentration of pigment, professional type, allows us to use it with a large amount of water without losing the intensity of color." Watercolors can also be made opaque by adding
Chinese white Zinc oxide is an inorganic compound with the formula . It is a white powder which is insoluble in water. ZnO is used as an additive in numerous materials and products including cosmetics, food supplements, rubbers, plastics, ceramics, glass, ce ...
. This is not a method to be used in "true watercolor" (traditional). Watercolor paint is an ancient form of painting, if not the most ancient form of art itself. In East Asia, watercolor painting with inks is referred to as
brush painting Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà) is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynas ...
or scroll painting. In Chinese, Korean and
Japanese painting is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competiti ...
it has been the dominant medium, often in monochrome black or browns, often using
inkstick Inksticks () or ink cakes are a type of solid Chinese ink used traditionally in several Chinese and East Asian art forms such as calligraphy and brush painting. Inksticks are made mainly of soot and animal glue, sometimes with incense or medicina ...
or other pigments. India, Ethiopia and other countries have long watercolor painting traditions as well. Many Western artists, especially in the early 19th century, used watercolor primarily as a sketching tool in preparation for the "finished" work in oil or engraving. Until the end of the eighteenth century, traditional watercolors were known as 'tinted drawings'.


History

Watercolor art dates back to the cave paintings of
Paleolithic The Paleolithic or Palaeolithic ( years ago) ( ), also called the Old Stone Age (), is a period in human prehistory that is distinguished by the original development of stone tools, and which represents almost the entire period of human prehist ...
Europe and has been used for manuscript illustration since at least Egyptian times, with particular prominence in the European Middle Ages. However, its ''continuous'' history as an art medium begins with
the Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...
. The German
Northern Renaissance The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps, developing later than the Italian Renaissance, and in most respects only beginning in the last years of the 15th century. It took different forms in the vari ...
artist
Albrecht Dürer Albrecht Dürer ( , ;; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer or Duerer, was a German painter, Old master prin ...
(1471–1528), who painted several fine botanical, wildlife, and landscape watercolors, is generally considered among the earliest examples of watercolor. An important school of watercolor painting in Germany was led by
Hans Bol Hans Bol or Jan Bol (16 December 1534 – 20 November 1593), was a Southern Netherlands, Flemish painter, Miniature art, miniature painter, print artist and draftsman.
(1534–1593) as part of the Dürer Renaissance. Despite this early start, watercolors were generally used by Baroque easel painters only for sketches, copies or cartoons (full-scale design drawings) Notable early practitioners of watercolor painting were
Van Dyck Sir Anthony van Dyck (; ; 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy. The seventh child of Frans van Dyck, a wealt ...
(during his stay in England), Claude Lorrain, Giovanni Benedetto Castiglione, and many Dutch and Flemish artists. However,
botanical illustration Botanical illustration is the art of depicting the form, color, and details of plant species. They are generally meant to be scientifically descriptive about subjects depicted and are often found printed alongside a botanical description in boo ...
and wildlife illustration perhaps form the oldest and most important traditions in watercolor painting. Botanical illustrations became popular during the Renaissance, both as hand-tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on
vellum Vellum is prepared animal skin or membrane, typically used as writing material. It is often distinguished from parchment, either by being made from calfskin (rather than the skin of other animals), or simply by being of a higher quality. Vellu ...
or paper. Botanical artists have traditionally been some of the most exacting and accomplished watercolor painters, and even today, watercolors—with their unique ability to summarize, clarify, and idealize in full color—are used to illustrate scientific and museum publications. Wildlife illustration reached its peak in the 19th century with artists such as
John James Audubon John James Audubon (born Jean-Jacques Rabin, April 26, 1785 – January 27, 1851) was a French-American Autodidacticism, self-trained artist, natural history, naturalist, and ornithology, ornithologist. His combined interests in art and ornitho ...
, and today many naturalist field guides are still illustrated with watercolor paintings.


English school

Several factors contributed to the spread of watercolor painting during the 18th century, particularly in England. Among the elite and aristocratic classes, watercolor painting was one of the incidental adornments of a good education; mapmakers, military officers, and engineers valued it for its usefulness in depicting properties, terrain, fortifications, field geology, and for illustrating public works or commissioned projects. Watercolor artists were commonly taken on geological or archaeological expeditions, funded by the
Society of Dilettanti The Society of Dilettanti (founded 1734) is a British society of noblemen and scholars that sponsored the study of ancient Greek and Roman art, and the creation of new work in the style. History Though the exact date is unknown, the Society i ...
(founded in 1733), to document discoveries in the Mediterranean, Asia, and the New World. These expeditions stimulated the demand for topographical painters, who churned out memento paintings of famous sites (and sights) along the Grand Tour to Italy that was undertaken by every fashionable young man of the time. In the late 18th century, the English cleric William Gilpin wrote a series of hugely popular books describing his
picturesque Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year ...
journeys throughout rural England, and illustrated them with self-made sentimentalized monochrome watercolors of river valleys, ancient castles, and abandoned churches. This example popularized watercolors as a form of personal tourist journal. The confluence of these cultural, engineering, scientific, tourist, and amateur interests culminated in the celebration and promotion of watercolor as a distinctly English "national art".
William Blake William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the Romantic poetry, poetry and visual art of the Roma ...
published several books of hand-tinted engraved poetry, provided illustrations to Dante's ''Inferno'', and he also experimented with large
monotype Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The ...
works in watercolor. Among the many other significant watercolorists of this period were
Thomas Gainsborough Thomas Gainsborough (; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists o ...
, John Robert Cozens, Francis Towne, Michael Angelo Rooker,
William Pars William Pars (28 February 1742 – 1782) was an English watercolour portrait and landscape painter, draughtsman, and illustrator. Life and works Pars was born in London, the son of a Engraving, metal engraver. He studied at "Shipley's Dra ...
, Thomas Hearne, and
John Warwick Smith John "Warwick" Smith (26 July 1749 – 22 March 1831) was a British watercolour landscape painter and illustrator. Life and work Smith was born at Irthington, near Carlisle, Cumbria, Carlisle, Cumberland, the son of a gardener to the ...
. From the late 18th century through the 19th century, the market for printed books and domestic art contributed substantially to the growth of the medium. Watercolors were used as the basic document from which collectible landscape or tourist engravings were developed, and hand-painted watercolor originals or copies of famous paintings contributed to many upper class art portfolios. Satirical broadsides by
Thomas Rowlandson Thomas Rowlandson (; 13 July 1757 – 21 April 1827) was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual soc ...
, many published by Rudolph Ackermann, were also extremely popular. The three English artists credited with establishing watercolor as an independent, mature painting medium are
Paul Sandby Paul Sandby (1731 – 7 November 1809) was an English map-maker turned Landscape art, landscape painter in watercolours, who, along with his older brother Thomas Sandby, Thomas, became one of the founding members of the Royal Academy in 17 ...
(1730–1809), often called the "father of the English watercolor"; Thomas Girtin (1775–1802), who pioneered its use for large format, romantic or picturesque landscape painting; and Joseph Mallord William Turner (1775–1851), who brought watercolor painting to the highest pitch of power and refinement, and created hundreds of superb historical, topographical, architectural, and mythological watercolor paintings. His method of developing the watercolor painting in stages, starting with large, vague color areas established on wet paper, then refining the image through a sequence of washes and glazes, permitted him to produce large numbers of paintings with "workshop efficiency" and made him a multimillionaire, partly by sales from his personal art gallery, the first of its kind. Among the important and highly talented contemporaries of Turner and Girtin were John Varley, John Sell Cotman, Anthony Copley Fielding, Samuel Palmer, William Havell, and Samuel Prout. The Swiss painter Abraham-Louis-Rodolphe Ducros was also widely known for his large format, romantic paintings in watercolor. The confluence of amateur activity, publishing markets, middle class art collecting, and 19th-century technique led to the formation of English watercolor painting societies: the ''Society of Painters in Water Colours'' (1804, now known as the Royal Watercolour Society) and the ''New Water Colour Society'' (1832, now known as the
Royal Institute of Painters in Water Colours The Royal Institute of Painters in Water Colours (RI), initially called the New Society of Painters in Water Colours, is one of the societies in the Federation of British Artists, based in the Mall Galleries in London. History In 1831, the ...
). (A ''Scottish Society of Painters in Water Colour'' was founded in 1878, now known as the Royal Scottish Society of Painters in Watercolour.) These societies provided annual exhibitions and buyer referrals for many artists. They also engaged in petty status rivalries and aesthetic debates, particularly between advocates of traditional ("transparent") watercolor and the early adopters of the denser color possible with body color or gouache ("opaque" watercolor). The late Georgian and Victorian periods produced the zenith of the British watercolor, among the most impressive 19th-century works on paper, due to artists Turner, Varley, Cotman, David Cox, Peter de Wint William Henry Hunt, John Frederick Lewis, Myles Birket Foster, Frederick Walker, Thomas Collier, Arthur Melville and many others. In particular, the graceful, lapidary, and atmospheric watercolors ("genre paintings") by Richard Parkes Bonington created an international fad for watercolor painting, especially in England and France in the 1820s. In the latter half of the 19th century, portrait painter Frederick Havill became a key player in the establishment of watercolour in England. Art critic Huntly Carter described Havill as a "founder of the water colour school." The popularity of watercolors stimulated many innovations, including heavier and more sized wove papers, and brushes (called "pencils") manufactured expressly for watercolor. Watercolor tutorials were first published in this period by Varley, Cox, and others, establishing the step-by-step painting instructions that still characterize the genre today; ''The Elements of Drawing'', a watercolor tutorial by English art critic
John Ruskin John Ruskin (8 February 1819 20 January 1900) was an English polymath a writer, lecturer, art historian, art critic, draughtsman and philanthropist of the Victorian era. He wrote on subjects as varied as art, architecture, Critique of politic ...
, has been out of print only once since it was first published in 1857. Commercial brands of watercolor were marketed and paints were packaged in metal tubes or as dry cakes that could be "rubbed out" (dissolved) in studio porcelain or used in portable metal paint boxes in the field. Breakthroughs in chemistry made many new pigments available, including synthetic ultramarine blue,
cobalt blue Cobalt blue is a blue pigment made by sintering cobalt(II) oxide with aluminium(III) oxide (alumina) at 1200 °C. Chemically, cobalt blue pigment is cobalt(II) oxide-aluminium oxide, or cobalt(II) aluminate, CoAl2O4. Cobalt blue is lighte ...
, viridian, cobalt violet,
cadmium yellow Cadmium pigments are a class of pigments that contain cadmium. Most of the cadmium produced worldwide has been for use in rechargeable nickel–cadmium batteries, which have been replaced by other rechargeable nickel-chemistry cell varieties ...
, aureolin ( potassium cobaltinitrite), zinc white, and a wide range of
carmine Carmine ()also called cochineal (when it is extracted from the Cochineal, cochineal insect), cochineal extract, crimson Lake pigment, lake, or carmine lake is a pigment of a bright-red color obtained from the aluminium coordination complex, compl ...
and madder lakes. These pigments, in turn, stimulated a greater use of color with all painting media, but in English watercolors, particularly by the
Pre-Raphaelite Brotherhood The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossett ...
.


United States

Watercolor painting also became popular in the United States during the 19th century; outstanding early practitioners included
John James Audubon John James Audubon (born Jean-Jacques Rabin, April 26, 1785 – January 27, 1851) was a French-American Autodidacticism, self-trained artist, natural history, naturalist, and ornithology, ornithologist. His combined interests in art and ornitho ...
, as well as early Hudson River School painters such as William H. Bartlett and George Harvey. By mid-century, the influence of John Ruskin led to increasing interest in watercolors, particularly the use of a detailed "Ruskinian" style by such artists as John W. Hill Henry, William Trost Richards, Roderick Newman, and Fidelia Bridges. The ''American Society of Painters in Watercolor'' (now the American Watercolor Society) was founded in 1866. Late-19th-century American exponents of the medium included Thomas Moran,
Thomas Eakins Thomas Cowperthwait Eakins (; July 25, 1844 – June 25, 1916) was an American Realism (visual arts), realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important American artist ...
,
John LaFarge John La Farge (March 31, 1835 – November 14, 1910) was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art-related topics. La Farge made stained glass ...
,
John Singer Sargent John Singer Sargent (; January 12, 1856 – April 15, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era, Edwardian-era luxury. He created roughly 900 oil ...
,
Childe Hassam Frederick Childe Hassam (; October 17, 1859 – August 27, 1935) was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionis ...
, and, preeminently, Winslow Homer.


Europe

Watercolor was less popular in Continental Europe. In the 18th century, gouache was an important medium for the Italian artists Marco Ricci and Francesco Zuccarelli, whose landscape paintings were widely collected. Gouache was used by a number of artists in France as well. In the 19th century, the influence of the English school helped popularize "transparent" watercolor in France, and it became an important medium for
Eugène Delacroix Ferdinand Victor Eugène Delacroix ( ; ; 26 April 1798 – 13 August 1863) was a French people, French Romanticism, Romantic artist who was regarded as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: ...
, François Marius Granet, Henri-Joseph Harpignies, and the satirist
Honoré Daumier Honoré-Victorin Daumier (; February 26, 1808 – February 10 or 11, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the July Revolution, Revolution of 1830 ...
. Other European painters who worked frequently in watercolor were Adolph Menzel in Germany and Stanisław Masłowski in Poland. The adoption of brightly colored, petroleum-derived aniline dyes (and pigments compounded from them), which all fade rapidly on exposure to light, and the efforts to properly conserve the twenty thousand J. M. W. Turner paintings inherited by the British Museum in 1857, led to a negative reevaluation of the permanence of pigments in watercolor. This caused a sharp decline in their status and market value. Nevertheless, isolated practitioners continued to prefer and develop the medium into the 20th century. Paul Signac created landscape and maritime watercolors, and
Paul Cézanne Paul Cézanne ( , , ; ; ; 19 January 1839 – 22 October 1906) was a French Post-Impressionism, Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century a ...
developed a watercolor painting style consisting entirely of overlapping small glazes of pure color.


20th and 21st centuries

Among the many 20th-century artists who produced important works in watercolor were
Wassily Kandinsky Wassily Wassilyevich Kandinsky ( – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstract art, abstraction in western art. Born in Moscow, he spent his childhood in ...
, Emil Nolde,
Paul Klee Paul Klee (; 18 December 1879 – 29 June 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented wi ...
,
Egon Schiele Egon Leo Adolf Ludwig Schiele (; 12 June 1890 – 31 October 1918) was an Austrian Expressionist painters, painter. His work is noted for its intensity and its raw sexuality, and for the many self-portraits the artist produced, including nude sel ...
, and Raoul Dufy. In America, the major exponents included Charles Burchfield,
Edward Hopper Edward Hopper (July 22, 1882 – May 15, 1967) was an American realism painter and printmaker. He is one of America's most renowned artists and known for his skill in depicting modern American life and landscapes. Born in Nyack, New York, to a ...
, Georgia O'Keeffe, Charles Demuth, and John Marin (80% of his total work is watercolor). In this period, American watercolor painting often emulated European Impressionism and Post-Impressionism, but significant individualism flourished in "regional" styles of watercolor painting from the 1920s to 1940s. In particular, the " Cleveland School" or "Ohio School" of painters centered around the
Cleveland Museum of Art The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, United States. Located in the Wade Park District of University Circle, the museum is internationally renowned for its substantial holdings of Asian art, Asian and Art of anc ...
, and the California Scene painters were often associated with Hollywood animation studios or the Chouinard Art Institute (now
California Institute of the Arts The California Institute of the Arts (CalArts) is a Private university, private art school in Santa Clarita, California. It was incorporated in 1961 as the first degree-granting institution of higher learning in the US created specifically for ...
). The California painters exploited their state's varied geography, Mediterranean climate, and " automobility" to reinvigorate the outdoor or "plein air" tradition. The most influential among them were Phil Dike, Millard Sheets,
Rex Brandt Rexford Elson Brandt (August 12, 1914 – March 21, 2000) was an American artist and educator. Much of his oeuvre consists of paintings inspired by the life and geography of the West Coast of the United States, particularly California. Brandt worke ...
, Dong Kingman, and
Milford Zornes James Milford Zornes (January 25, 1908 – February 24, 2008) was an American Watercolor painting, watercolor artist and teacher known as part of the California Scene Painting movement. Biography Milford Zornes was born in rural western Okla ...
. The California Water Color Society, founded in 1921 and later renamed the National Watercolor Society, sponsored important exhibitions of their work. The largest watercolor in the world at the moment (at tall and wide) is ''Building 6 Portrait: Interior.'' Produced by American artist Barbara Prey on commission for MASS MoCA, the work can be seen at MASS MoCA's Robert W. Wilson Building. Although the rise of
abstract expressionism Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depressi ...
, and the trivializing influence of amateur painters and advertising- or workshop-influenced painting styles, led to a temporary decline in the popularity of watercolor painting after , watercolors continue to be utilized by artists like Martha Burchfield, Joseph Raffael, Andrew Wyeth, Philip Pearlstein, Eric Fischl,
Gerhard Richter Gerhard Richter (; born 9 February 1932) is a German visual artist. Richter has produced Abstract art, abstract as well as photorealistic paintings, photographs and Glass art, glass pieces. He is widely regarded as one of the most important con ...
,
Anselm Kiefer Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Peter Dreher and Horst Antes at the end of the 1960s. His works incorporate materials such as straw, ash, clay, lead, and shellac. The poems of Paul Celan h ...
, and Francesco Clemente. In Spain, Ceferí Olivé created an innovative style followed by his students, such as Rafael Alonso López-Montero and Francesc Torné Gavaldà. In
Mexico Mexico, officially the United Mexican States, is a country in North America. It is the northernmost country in Latin America, and borders the United States to the north, and Guatemala and Belize to the southeast; while having maritime boundar ...
, the major exponents are Ignacio Barrios, Edgardo Coghlan, Ángel Mauro, Vicente Mendiola, and Pastor Velázquez. In the
Canary Islands The Canary Islands (; ) or Canaries are an archipelago in the Atlantic Ocean and the southernmost Autonomous communities of Spain, Autonomous Community of Spain. They are located in the northwest of Africa, with the closest point to the cont ...
, where this pictorial technique has many followers, there are stand-out artists such as Francisco Bonnín Guerín, José Comas Quesada, and Alberto Manrique.


Watercolor paint

Watercolor paint consists of four principal ingredients: a
pigment A pigment is a powder used to add or alter color or change visual appearance. Pigments are completely or nearly solubility, insoluble and reactivity (chemistry), chemically unreactive in water or another medium; in contrast, dyes are colored sub ...
;
gum arabic Gum arabic (gum acacia, gum sudani, Senegal gum and by other names) () is a tree gum exuded by two species of '' Acacia sensu lato:'' '' Senegalia senegal,'' and '' Vachellia seyal.'' However, the term "gum arabic" does not indicate a partic ...
as a binder to hold the pigment in suspension; additives like
glycerin Glycerol () is a simple triol compound. It is a colorless, odorless, sweet-tasting, viscous liquid. The glycerol backbone is found in lipids known as glycerides. It is also widely used as a sweetener in the food industry and as a humectant in pha ...
, ox gall,
honey Honey is a sweet and viscous substance made by several species of bees, the best-known of which are honey bees. Honey is made and stored to nourish bee colonies. Bees produce honey by gathering and then refining the sugary secretions of pl ...
, and preservatives to alter the
viscosity Viscosity is a measure of a fluid's rate-dependent drag (physics), resistance to a change in shape or to movement of its neighboring portions relative to one another. For liquids, it corresponds to the informal concept of ''thickness''; for e ...
, hiding, durability or color of the pigment and vehicle mixture; and, evaporating water, as a solvent used to thin or dilute the paint for application. The more general term '' watermedia'' refers to any painting medium that uses water as a solvent and that can be applied with a brush,
pen PEN may refer to: * (National Ecological Party), former name of the Brazilian political party Patriota (PATRI) * PEN International, a worldwide association of writers ** English PEN, the founding centre of PEN International ** PEN America, located ...
, or sprayer. This includes most inks, watercolors,
tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. ''Tempera'' also refers to the paintings done in ...
s,
casein Casein ( , from Latin ''caseus'' "cheese") is a family of related phosphoproteins (CSN1S1, αS1, aS2, CSN2, β, K-casein, κ) that are commonly found in mammalian milk, comprising about 80% of the proteins in cow's milk and between 20% and 60% of ...
s, gouaches, and modern
acrylic paint Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Dep ...
s. The term "watercolor" refers to paints that use water-soluble, complex carbohydrates as a binder. Originally (in the 16th to 18th centuries), watercolor binders were sugars and/or hide glues, but since the 19th century, the preferred binder is natural
gum arabic Gum arabic (gum acacia, gum sudani, Senegal gum and by other names) () is a tree gum exuded by two species of '' Acacia sensu lato:'' '' Senegalia senegal,'' and '' Vachellia seyal.'' However, the term "gum arabic" does not indicate a partic ...
, with
glycerin Glycerol () is a simple triol compound. It is a colorless, odorless, sweet-tasting, viscous liquid. The glycerol backbone is found in lipids known as glycerides. It is also widely used as a sweetener in the food industry and as a humectant in pha ...
and/or
honey Honey is a sweet and viscous substance made by several species of bees, the best-known of which are honey bees. Honey is made and stored to nourish bee colonies. Bees produce honey by gathering and then refining the sugary secretions of pl ...
as additives to improve plasticity and solubility of the binder, and with other chemicals added to improve product shelf life. The term " bodycolor" refers to paint that is opaque rather than transparent. It usually refers to opaque watercolor, known as gouache. Modern acrylic paints use an
acrylic resin 186 px, Polyhydroxyethylmethacrylate is a typical acrylate resin. An acrylic resin is a thermoplastic or thermosetting plastic substance typically derived from acrylic acid, methacrylic acid and acrylate monomers such as butyl acrylate and me ...
dispersion as a binder.


Commercial watercolors

Watercolor painters before the turn of the 18th century had to make paints themselves using pigments purchased from an
apothecary ''Apothecary'' () is an Early Modern English, archaic English term for a medicine, medical professional who formulates and dispenses ''materia medica'' (medicine) to physicians, surgeons and patients. The modern terms ''pharmacist'' and, in Brit ...
or specialized "colorman", and mixing them with gum arabic or some other binder. The earliest commercial paints were small, resinous blocks that had to be wetted and laboriously "rubbed out" in water to obtain a usable color intensity. William Reeves started his business as a colorman around 1766. In 1781, he and his brother, Thomas Reeves, were awarded the Silver Palette of the
Society of Arts The Royal Society for the Encouragement of Arts, Manufactures and Commerce, commonly known as the Royal Society of Arts (RSA), is a learned society that champions innovation and progress across a multitude of sectors by fostering creativity, s ...
, for the invention of the moist watercolor ''paint-cake'', a time-saving convenience, introduced in the "golden age" of English watercolor painting. The "cake" was immediately soluble when touched by a wet brush. Modern commercial watercolor paints are available in tubes, pans and liquids. The majority of paints sold today are in collapsible small metal tubes in standard sizes and formulated to a consistency similar to toothpaste by being already mixed with a certain water component. For use, this paste has to be further diluted with water. Pan paints (small dried cakes or bars of paint in an open plastic container) are usually sold in two sizes, full pans and half pans. Owing to modern industrial
organic chemistry Organic chemistry is a subdiscipline within chemistry involving the science, scientific study of the structure, properties, and reactions of organic compounds and organic matter, organic materials, i.e., matter in its various forms that contain ...
, the variety, saturation, and permanence of artists' colors available today has been vastly improved. Correct and non-toxic primary colors are now present through the introduction of hansa yellow, phthalo blue and quinacridone. From such a set of three colors, in principle all others can be mixed, as in a classical technique no white is used. The modern development of pigments was not driven by artistic demand. The
art materials Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. For example, a visual artist may broadly use the media of painting or sculpting, which themselves hav ...
industry is too small to exert any market leverage on global dye or pigment manufacture. With rare exceptions such as aureolin, all modern watercolor paints utilize pigments that have a wider industrial use. Paint manufacturers buy, by industrial standards very small, supplies of these pigments,
mill Mill may refer to: Science and technology * Factory * Mill (grinding) * Milling (machining) * Millwork * Paper mill * Steel mill, a factory for the manufacture of steel * Sugarcane mill * Textile mill * List of types of mill * Mill, the arithmetic ...
them with the vehicle, solvent, and additives, and package them. The milling process with inorganic pigments, in more expensive brands, reduces the particle size to improve the color flow when the paint is applied with water.


Transparency

In the partisan debates of the 19th-century English art world, gouache was emphatically contrasted to traditional watercolors and denigrated for its high hiding power or lack of "transparency"; "transparent" watercolors were exalted. The aversion to opaque paint had its origin in the fact that well into the 19th century lead white was used to increase the covering quality. That pigment tended to soon discolor into black under the influence of sulphurous air pollution, totally ruining the artwork. The traditional claim that "transparent" watercolors gain "luminosity" because they function like a pane of stained glass laid on paper—the color intensified because the light passes through the pigment, reflects from the paper, and passes a second time through the pigment on its way to the viewer—is false. Watercolor paints typically do not form a cohesive paint layer, as do acrylic or oil paints, but simply scatter pigment particles randomly across the
paper Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibres derived from wood, Textile, rags, poaceae, grasses, Feces#Other uses, herbivore dung, or other vegetable sources in water. Once the water is dra ...
surface; the transparency is caused by the paper being visible between the particles. Watercolors may appear more vivid than acrylics or oils because the pigments are laid down in a purer form, with few or no fillers (such as kaolin) obscuring the pigment colors. Typically, most or all of the gum binder will be absorbed by the paper, preventing the binder from changing the visibility of the pigment. The gum being absorbed does not decrease but increase the adhesion of the pigment to the paper, as its particles will then penetrate the fibres more easily. In fact, an important function of the gum is to facilitate the "lifting" (removal) of color, should the artist want to create a lighter spot in a painted area. Furthermore, the gum prevents
flocculation In colloidal chemistry, flocculation is a process by which colloidal particles come out of Suspension (chemistry), suspension to sediment in the form of floc or flake, either spontaneously or due to the addition of a clarifying agent. The actio ...
of the pigment particles.


See also

*
Acrylic painting techniques Acrylic painting techniques are different styles of manipulating and working with polymer-based acrylic paints. Acrylics differ from oil paints in that they have shorter drying times (as little as 10 minutes) and are soluble in water. Since acryl ...
*
History of painting The history of painting reaches back in time to artifacts and artwork created by pre-historic artists, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, continents, and ...
*
Ink wash painting Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà) is a type of Chinese ink brush painting which uses Wash (visual arts), washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged duri ...
*
Oil painting Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on coppe ...
* :Watercolorists


References


Works cited

* * * * * * * * * * * * *


Further reading


History

* Andrew Wilton & Anne Lyles. ''The Great Age of British Watercolours (1750–1880)''. Prestel, 1993. * Anne Lyles & Robin Hamlyn. ''British watercolours from the Oppé Collection''. Tate Gallery Publishing, 1997. * Christopher Finch. ''American Watercolors''. Abbeville Press, 1991. ASIN B000IBDWGK * Christopher Finch. ''Nineteenth-Century Watercolors''. Abbeville Press, 1991. * Christopher Finch. ''Twentieth-Century Watercolors''. Abbeville Press, 1988. * Eric Shanes. Turner: ''The Great Watercolours''. Royal Academy of Arts, 2001. * Martin Hardie. ''Water-Colour Painting in Britain'' (3 volumes: I. The Eighteenth Century; II. The Romantic Period; III. The Victorian Period.). Batsford, 1966–1968. * Michael Clarke. ''The Tempting Prospect: A Social History of English Watercolours''. British Museum Publications, 1981. ASIN B000UCV0XO * Moore, Sean. ''Ultimate Visual Dictionary''. Dorling Kindersley, 1994.


Tutorials and Technique

* Rex Brandt. ''The Winning Ways of Watercolor: Basic Techniques and Methods of Transparent Watercolor in Twenty Lessons''. Van Nostrand Reinhold, 1973. * David Dewey. ''The Watercolor Book: Materials and Techniques for Today's Artist''. Watson-Guptill, 1995. * Donna Seldin Janis. ''Sargent Abroad: Figures and Landscapes''. Abbeville Press; 1st edition (October 1997). . * Charles LeClair. ''The Art of Watercolor'' (Revised and Expanded Edition). Watson-Guptill, 1999. * Royal Watercolour Society. ''The Watercolour Expert''. Cassell Illustrated, 2004. * John Ruskin. ''The Elements of Drawing'' 857 Watson-Guptill, 1991. (Reprints from other publishers are also available.) * Pip Seymour. ''Watercolour Painting: A Handbook for Artists''. Lee Press, 1997. * Stan Smith. ''Watercolor: The Complete Course''. Reader's Digest, 1995. * Curtis Tappenden. ''Foundation Course: Watercolour''. Cassell Illustrated, 2003. * Edgar A. Whitney. ''Complete Guide to Watercolor Painting''. Watson-Guptill, 1974. over Edition


Materials

* Ian Sidaway. ''The Watercolor Artist's Paper Directory''. North Light, 2000. * Jacques Turner. ''Brushes: A Handbook for Artists and Artisans''. Design Press, 1992. * Sylvie Turner. ''The Book of Fine Paper''. Thames & Hudson, 1998. * Michael Wilcox. ''The Wilcox Guide To The Best Watercolor Paints''. School of Colour Publications, 2000.


External links


American Watercolor Society

National Watercolor Society (USA)

Belgian Watercolor Institute
* {{DEFAULTSORT:Watercolor Painting Paints Painting Painting techniques Watermedia