''Visions de l'Amen'' ("Visions of the Amen") is a suite of seven pieces for two pianos by the French composer

Olivier Messiaen Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithology, ornithologist. One of the major composers of the 20th-century classical music, 20th century, he was also an ou ...

(1908–1992), commissioned for the Concerts de la PléiadeLiner notes by Nigel Simeone on the recording of Steven Osborne and Martin Roscoe for Hyperion, CDA67366. that were held during the German occupation of Paris. It was composed in 1943 for the composer and

Yvonne Loriod Yvonne Louise Georgette Loriod-Messiaen (; 20 January 1924 – 17 May 2010) was a French pianist, teacher, and composer, and the second wife of composer Olivier Messiaen. Her sister was the Ondes Martenot player Jeanne Loriod. Biography Loriod ...

, and its performance requires about 40–45 minutes. Contemporaneous to the composition of this work is the publication of Messiaen's theoretical treatise, ''Technique de mon langage musical'' (1944), which is a summation of the musical materials and compositional methods he had developed up to the midpoint of his career. ''Visions de l’Amen'' includes abundant examples of Messiaen's rhythmic organization (including rhythmic pedals and non-retrogradable rhythms), chords of resonance, stylized birdsong, and his unique modes of limited transpositions.Liner notes by Paul Kim on the recording of Paul Kim and Matthew Kim for Centaur Records, CRC 2668.

Overview

According to Messiaen's "author's note" attached to the original score,Stephen Schloesser, Visions of Amen: The Early Life and Music of Olivier Messiaen, Wm. B. Eerdmans Publishing, page 353. the work takes its inspiration from a quote of Ernest Hello: "Amen, word of Genesis, which leads to Revelation; Amen, word of Revelation, which is the consummation of Genesis". Messiaen gives four basic interpretations of Amen:Jean Wentworth, Review of Records, The Musical Quarterly, Vol. 59, No. 2 (Apr., 1973), pp. 323–328. "It is done", "So be it, according to thy will", "In the hope, the desire, that I may freely give and freely receive", "It is so, world without end". He describes the music as seven musical visions which reflect the living beings who say "Amen" in gratitude for their existence. Messiaen explains the different roles of the two piano parts: he assigned the ''primo'' part (played by Yvonne Loriod) "rhythmic difficulties, chord clusters, all that has speed, charm, and quality of sound". The ''secondo'' part (played by himself) he assigned "the principal melody, thematic elements, all that demands emotion and strength". One of the principal themes of the work is the Creation theme, appearing in the first movement in the bass in long notes, in the fifth movement in three variations (altered), and finally in the seventh movement, over ten times. MessiaenCreationTheme

Movements

There are seven movements: # Amen de la Création ("Amen of creation") # Amen des étoiles, de la planète à l'anneau ("Amen of stars, of the ringed planet") # Amen de l'agonie de Jésus ("Amen of Jesus' agony") # Amen du Désir ("Amen of desire") # Amen des Anges, des Saints, du chant des oiseaux ("Amen of angels, of saints, and of bird chant") # Amen du Jugement ("Amen of judgement") # Amen de la Consommation ("Amen of consummation")

References

{{DEFAULTSORT:Visions De L'Amen Compositions by Olivier Messiaen Compositions for two pianos 1943 compositions Suites (music) Christian music